Academia.eduAcademia.edu

Abstract

Speech acts in legal language: introduction ''One of the particularities of any language of law consists in the fact that the validity-in the sense of its correctness-of its sentences depends not only upon syntactical and semantical, but also upon pragmatical conditions'' (Oppenheim, 1942:11). One of the most striking pragmatic properties of legal documents concerns their performative character. Besides norms laying out duties and norms conferring rights, every legal system contains rules productive of legal effects by the very act of being uttered, such as ''regulation X is hereby revoked'': here the legislator's utterance neither describes nor prescribes a behaviour; rather it brings about, or, to use a technical term, constitutes, a new state of affairs. As noted by Carcaterra (1990:117) among others, the traditional dichotomy between descriptive and prescriptive discourse fails to account for such forms of legal production and must be complemented by the investigation of their performative function. Oddly, such a dimension, which discloses an area of intersection worth investigating between legal theory and analytical philosophy, has been overlooked in important works on legal language. As remarked by Garzone (2000:398): In dealing with contracts Trosborg (1994:312ff), while correctly emphasising that legal speech acts cannot be translated literally, classifies them as directive, commissive and constitutive (using the word constitutive, quite oddly, not with the meaning of 'performative' but rather to mean 'sentences used to explain or define expressions and terms in the contract or to supply information concerning the application of the statute'), thus overlooking performativeness altogether. As a consequence, when discussing the meaning of verb forms in legal speech acts in a translation, she attributes a purely deontic meaning to shall, while in legal texts I have shown elsewhere (Garzone, 1996:68ff) that this modal can also have a performative meaning depending on the context. This Special Issue of the Journal of Pragmatics aims to reassess the contribution that studies of legal language offer to both the notion of performativity and speech act theory in general. More specifically, applications to specific domains of legal practice and the adoption of a diachronic dimension will be considered for their insights into both the nature and pragmalinguistic realization of speech acts in selected legal genres (court trial records: depositions, indictements; law codes) and the institutional and social settings in which they are (were) performed. The first paper in the issue, Overruling as a speech act: performativity and normative discourse by Ross CHARNOCK, takes up the question of the relationship between performativity and normativity. In the common law system, judges are said to be bound by precedents decided in courts of the same level or above. However, in higher courts, under certain conditions, they have the right to overrule. Overruling declarations may be analysed as performative speech acts, having the effect of changing the law. Since the judges are reluctant to be seen as assuming a legislative function, they tend to use indirect rather than explicit language, especially in the most significant cases. Alternatively, they present their overruling decisions not as new legislation, but rather as declarations of the true state of the unchanging common law. The legal validity of overruling declarations depends to a large extent on their perlocutionary effects. Even after successful performance, these effects may be cancelled by later decisions in higher courts. The legal effects of overruling decisions thus suggest a close relation between performativity and normativity. The following three papers share the adoption of a diachronic perspective on speech act analysis.