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“Nightlife in a Pandemic"

2021, Pandemic Societies, eds. Jean-Louis Denis, Catherine Régis, and Daniel Weinstock

The closing down of night culture was one of the first and most dramatic social effects of the covid-19 pandemic's arrival in the West. On 10 March 2020, Billboard, the world's leading source of music industry news, reported on the shutdown of night clubs in Italy (Worden and Cantor-Navas 2020), wondering with alarm how far this might spread and how long it might last. By April, media around the world were already speculating about the ways in which night-life culture might be forever changed (Barrière-Brunet 2020). Over the next ten months, and in a busy environment for news, the crisis of nightlife became one of the most regularly reported features of the international pandemic. In response, the nightlife sector itself bustled with activity. At the local, national, and international levels, nightlife actors formed new associations or lobbies, pushing for financial aid, issuing guides for the renovation of venues, and arguing for relaxed restrictions on life outside the home. Experiments of all sorts in reinventing the culture of the night-on-line film festivals, home concerts, theatre performances on Zoom, virtual night clubs, and discotheques whose patrons remained seated-arrived in rapid sequence. Some gained traction as possibly permanent innovations, while others quickly faded. Before the imposition of new lock-downs in many countries in the autumn of 2020, resistance to this closing of the night largely took the form of widely-reported illicit nocturnal gatherings of young people, whose secret "raves" and other festive events fueled predictable headlines and moral panics (Berthet 2020). By year's end, however, as curfews were imposed in India, parts of Western Europe and, eventually, in Quebec, many were claiming more openly