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2010, Maurice Mandelbaum and American Critical Realsim
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20 pages
1 file
AI-generated Abstract
This article reassesses Maurice Mandelbaum's philosophical contributions to the history of philosophy, particularly through his work 'The Anatomy of Historical Knowledge.' It argues against the prevailing mischaracterizations of Mandelbaum as merely an anti-relativist analytic philosopher, presenting him instead as a critical philosopher with a nuanced and sophisticated objectivism. The paper highlights Mandelbaum's influence as a practicing historian of philosophy and his unique insights into historical specificity and the nature of historical knowledge.
Journal of the Philosophy of History, 2012
This paper is a classic critique of speculative philosophies of history based on Maurice Mandelbaum’s work. Unlike the more famous invective by Karl Popper, I argue that Mandelbaum’s is a richer and more interesting approach, which reveals through exposition a deeper unity to Mandelbaum’s work than is normally evident. Because Popper’s nominalism is suspicious of all metaphysics, it loses credibility whereas Mandelbaum placed reflection on the nature of society and causality at the center of his interests. Mandelbaum’s critique then is an invitation to investigate metaphysics on realist principles and he requires that we have a robust theory of historical ontology and truth with which to judge what goes beyond the proper representation of history and becomes speculative.
Graduate Faculty Philosophy Journal, 2016
Poznan Studies in Philosophy: Towards a Revival of Analytical Philosophy of History Around Paul A. Roth's Vision of Historical Sciences, 2018
Towards a Revival of Analytical Philosophy of History
Wittgenstein: The Philosopher and his Works
NESEEES Conference, April 1 2017, 2017
Many twentieth century literary scholars undertook prominent attempts to uncover patterns in history, the Russian Formalists among them, especially Boris Eikhenbaum with his interpretation of history as a “science of double vision.” As significant are Walter Benjamin’s interpretation of history through allegory and Erich Auerbach’s interpretation of it through the concept of figura. Despite the prominence of these three theories, the German ones have been scarcely compared with the Russian. By comparing all three, I invite you to join me in my musings about the significance of each.
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