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Reading Sartre provides an overview of the philosophical engagement with Jean-Paul Sartre's early works, particularly those from the 1930s and 1940s, including Being and Nothingness. The text highlights the interpretative challenges posed by Sartre's dense writing while also demonstrating the richness and complexity of his ideas relevant to phenomenology and existentialism. It delves into various aspects of Sartre's philosophy such as the nature of mind, interpersonal relations, and the interplay of moral and political dimensions, showcasing a collective scholarly effort to illuminate and critique Sartre's contributions to philosophy.
Philosophy for all, 2019
This paper aims to explain the contributions of the famous Philosopher of 19th century Jean Paul Sartre. It will analyze the early life and his contribution in filed of philosophy and politics. Phenomenological terms like existentialism, morality and dialects are explained via Sartre’s critical approach. The last part of the paper will tend to highlight some crucial critiques on his writings by prominent scholars of 19th and 20th century.
Metodo. International Studies in Phenomenology and Philosophy, 2017
Being and Nothingness is extraordinarily rich and highly original. At its core, I argue, lies an insight into the aporetic character of intersubjectivity-«the scandal of the plurality of consciousnesses», as Sartre puts it-which emerges most clearly in his critique of Hegel's theory of intersubjectivity. My aim in this paper is to isolate this thesis of Sartre's and spell out his grounds for it. I argue furthermore that Hegel's conception of intersubjectivity corresponds to that of natural consciousness, such that, in rejecting Hegel, Sartre is also impugning the reality of a conception integral to ordinary thought. I suggest that Sartre's insight also holds the key to his distinctive approach to social and political theory in the Critique of Dialectical Reason.
Lumen, 2021
This article speaks on the philosophy of one of the greatest existentialists of 20th century, Jean Paul Sartre. His philosophy of being, phenomenological ontology, dialectics and ethics are discussed here. His ideas on authenticity, bad faith, human nature, freedom, God are also described.
Επιθεώρηση Κοινωνικών Ερευνών, 1975
dialectique (précédé de «Questions de méthode»), Tome I: Théorie des ensembles humains (Paris: Gallimard, 1960). «Questions of Method», the opening section of the book, is the only part that has been translated into English under the title Search for a Method. H. Barnes, trans. (New York: Vintage Books, 1968). For purposes of convenience, most references to the English text are cited here as SFAM while those from the main body of the Critique are cited as CRD. 2. Eleni Mahaira-Odoni, Sartre's Contribution to the Phe nomenology of Marxism (unpublished Ph. D. dissertation, Department of Political Science, Boston University, January 1974). 3. Fiom a conference given by Sartre in Rome in 1961, pub lished only in Italian as «Soggettività e marxismo» by the phi losophical review Aut Aut, No. 136-7 (luglio-ottobre 1973), p. 157. My translation.
Eureopean Journal of Psychoanalysis 2006
This article presents a critical Lacanian reading of Sartre's work. This reading takes its bearings from Sartre's autobiography, Les Mots, where Sartre's later, more qualified bearing towards psychoanalysis is evident. The article is constructed around an analysis of the letters of Sartre's chapter on "Bad Faith" in Being and Nothingness, and a series of symptomatic slips around the (im)possibility of 'good faith'. The author argues that Sartre's earlier dismissal of the unconscious is itself symptomatic of a foreclosure of the symbolic order (the order exactly of 'les mots'), conceived in Lacanian terms as the order of the social pact, founded upon inter-subjective relations 'in good faith'. What is foreclosed from the terms of Sartre's existential analyses then returns in the 'metaphysical' or 'theological' terms in which Being and Nothingness is framed, despite itself, and the bleak appreciation of inter-subjectivity at the heart of the work.
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