Creativity research: Originality, utility, and integration

Handbook of Research on Creativity, 2013

Creativity Research Journal, 2010

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Interactions, 2006

The editors' stated goal of The International Handbook of Creativity was to present a genuinely international and diverse set of perspectives and insights into the psychology of human creativity. As such, they assembled a renowned cast of scholars from around the globe and had them prepare chapters that cover both historical and contemporary glimpses into creativity research and theory. The resulting volume not only gives readers access to North American and English-speaking flavors of creativity history and research, but crisscrosses the globe to share Western European (i.e., French,

Handbook of Research Methods on Creativity, 2020

Creativity Research Journal, 2017

This introduction is an attempt to prepare our readers for an exceptional journey into the fascinating landscape of research methods used to study the remarkable phenomenon of creativity. Building on what is already available about research methods on creativity, we explain what we were trying to achieve, how we went about it, and why we are proud of what we have achieved-primarily through the work of our contributors to this handbook. Most of this introduction is dedicated to brief descriptions of the chapters of the book. At the end, we make some suggestions for using this edited volume. Creativity research has significantly matured in recent years, resulting in a wide variety of models and views of creativity (see Runco, 2019 for a recent comprehensive overview). Scholarly interest in creativity has gone mainstream, and dedicated creativity journals such as Journal of

The structure has three parts: (1) an initial state with its well-known components, (2) a goal state with its yet unknown components, and, between the two, (3) a search space in which to construct a solution path.