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2018
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L01 Art-Arch 106 First-Year Seminar: Van Gogh and the Avant-Garde This first-year seminar focuses on the art and career of Vincent Van Gogh and his relationship to artists of the 1880s in France. We explore his art in connection with the movements of Immpressionism, Japonism and Symbolism. We examine the avant-garde world of Paris as well as Van Gogh's relationship to such figures as Gauguin, Bernard, and Toulouse-Lautrec. The larger current of fin-de-siecle nostalgia for the countryside informs our study of Van Gogh's work in the south of France. Van Gogh's life and the critical reception of his art offer an excellent opportunity to study how the legends of modern art are formed. Visits to the Saint Louis Art Museum will complement our study. Readings include the artist's letters, critical studies, and biographies of Van Gogh and key figures in his circle. There are no prerequisites for this course, but completion of L01 113 or co-enrollment in L01 215 is recommende...
This course is an introduction to art history as a field of cultural production. The readings and conference discussions will be directed towards exploring not only the paradigmatic works of art and architecture from antiquity to post-modernity but also the interpretive texts produced about them. Emphasis will be placed on the shift of practices of artifact production with skilled crafting in pre-industrial societies towards modern definitions of art and visual culture with their distinctive socio-cultural status in the contemporary world. Case studies are thus drawn from ancient Near Eastern and classical antiquity as well as the Western post-industrial art. While the development of the discipline form 18th century onwards will be problematized, core discursive issues in art history such as representation, iconography, narrative, technology, style, museum studies will be addressed.
The Art Bulletin, 2002
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The world around attempts to peer into the world of Van Gogh. The Royal Academy in 2010, in all its usual dramatic expertise, attempted to put together, the life history, of this very brave, and experimental artist of the 19th century. A lover of life, art and God, but, some called this man’s work foolish in his day. And yet again the same frustrations exist for anyone and everyone who has ever had the charge to go forth and discover something new. The 2010, exhibition at the Royal Academy, had many virtues.
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