The Phenomenon of "Mao"in French Fashion from 1965 to 1969

2018

2015

Depuis 1979, les critiques d'art en Chine ont accompagné le développement de l’art contemporain, participant à la renaissance de la vie intellectuelle durement éprouvée sous le règne de Mao. Les revues d'art reflètent l’évolution de leur réflexion. Dans ma thèse je présente d’une part ce paysage intellectuel dans lequel s’est construite la critique d’art chinoise, et d’autre part, après avoir analysé comment certains concepts passent d’une langue à l’autre, j’aborde les textes théoriques et leur réception dans le milieu académique. Attirés au départ par la pensée occidentale, un champ référentiel qui s’étend de Platon à Danto, les critiques chinois se sont tournés ensuite vers le corpus classique, voire le Livre des mutations, pour forger des outils “propres à la Chine” afin de ré-écrire une histoire de l’art contemporain chinois délivrée du carcan post-colonial, mais au risque de se prendre au piège d’un nationalisme insidieux encouragé par le Parti. Les larges extraits que...

Journal of Suzhou College of Education, 2011

Professor Zhang Xiping's The Study of Missionary Sinology provides an overall,close and bidirectional perspective for us to observe the ideological and cultural dynamics and interaction between the two great civilizations in the East and the West.It is of great significance and has important reference value in the study of the history of East-West exchange,the history of Western Sinology,the study of the historical development of christinity in China,and the study of the Ming and Qing dynasties.

Anhui shixue [Anhui historical studies], 2020

This paper suggests that attention to Chinese philanthropy is not, however, as limited as often suggested because this topic has often been “embedded,” or hidden, in other subject areas that resulted in their exclusion from bibliographies under the keywords philanthropy or charity. The main example of this “embedding” can be seen in studies of missionary history, which often included significant exposition of the philanthropic work of missionaries in China despite not being categorized under the “philanthropy” subject heading. A complete understanding of Western studies of Chinese philanthropy cannot ignore the contributions of these studies. This paper also argues that the dominance of missionaries in Western perceptions of philanthropy in China for a long time hindered, or even distorted, the growth of the history of Chinese philanthropy as a specialized area of research. It was only with the development of other trends in Western studies of Chinese history, beginning with an emphasis on “China-centered history,” that eventually helped to correct the distortions in Western perceptions about Chinese philanthropy. These development ultimately contributed growing attention to this subject that finally promises to bring more strength and better balance to the study of Chinese philanthropy in the West.

Journal of Language, Literature, and Teaching

The title of this research is the“shèng nǚ” label solution to female main character in the 《剩者为王》movie’s: feminism analysis. In this study the background of the rise of female phenomena aged over 27 years but still does not have the desire to get married so that researchers adjust the formulation of the problem how women look for ways to be free from the shackles of which are labeled shèng nǚ to them, especially in the film “shèng zhě wéi wáng”. The purpose of this research is carried out to describe the way the shèng nǚ women are in order to be in accordance with the norms of the community in their own country. In this assessment, researchers use qualitative descriptive methods and data validity through triangulation by using the film "Shèng Zhě Wéi Wáng" as a source of data .Researchers used the theory of existential feminism from Beauvoir (1956) as a supporter of this research. Lastly, Researchers found out that there are many ways that shèng nǚ can do in order to be in...

Transtext(e)s Transcultures 跨文本跨文化, 2007

Chinese women have been continuous hits in mass media throughout the past decade. While names such as Mian Mian and Wei Hui have caught the attention of readers with their fin de siècle decadent writings, or, "genital writings" as labeled by some critics, Mu Zimei, Zhuying Qingtong and Sister Lotus have excited netizens with their online sex diaries, hawking details of one-night stands, nude self-portraits, and pictures of flirtatious gestures respectively, which have caused far greater disturbances in China. On top of investigating whether these writers have bravely subverted the sexual hierarchy and avenged traditionally oppressed Chinese women or if they have willingly commercialized and objectified the female body, this article pays special attention to the notion of privacy and its relationship to the rise of the modern city and examines the complexity of privacy and publicity intruding upon one another in literary space. It proposes that contemporary Chinese literature has experienced a metamorphosis from an invasion of the private space by public space, specifically Maoist discourse, during the revolutionary periods to an intrusion of the public space by private space with the help of the Internet in capitalistic-communist China. This article also suggests that what the bad girl writers and bloggers have done would have been a revolution to celebrate the renaissance of the hidden and suppressed body in the traditionally male-orientated Chinese culture and a new representation of feminine consciousness of Chinese women. However, the body, intentionally used as the selling point of the works, has been objectified, marketized, and thus turned into a production of capitalist consumerism. As a result, instead of discovering the feminine consciousness, the female body serves to signify a re-entrapment of femininity by male chauvinism.

Journal of Chinese European Studies 欧洲研究, 2010

The Clash of Civilizations:War-making and State Formation in Europe explores the causal mechanisms of modern state-formation in Europe,which is dependent on the clash of civilizations,violence-state origin and social power.Victor Lee Burke,the writer of the book,demonstrates the historical legitimacy of the clash of civilizations,who believes that it is interconnected with state formation,that the notion of civilization is a somewhat solid and fixed and that conflicts originate from the identity-oriented civilizations.Burke thus challenges the European-centralism of state-formation theory,who argues that the state-formation in Europe results from the clash of a variety of great civilizations.However,the background and premises of the European-centralism is neglected by Burke,who does not put forward a solution to resolve the clash of civilizations in the context of nationalism.

Korea Journal of Chinese Language and Literature

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Theory and Practice of Psychological Counseling, 2020

This paper probes into three parts. Firstly, bewriting the occurrence and development of the concept of "social self " in social psychology. Secondly, expounding the concept of Persona in Jung psychology has a narrow definition and a broad definition. The narrow definition refers to the persona archetype in the collective unconscious, which is the extrovert attitude of that used to reconcile individual and collective, the subject and the external object. The broad definition refers to the social roles of the individual, the presentation of the social identity systems, as a subpersonality located on the surface of personality. Thirdly, according to the topography of "collective unconscious, cultural unconscious, individual unconscious, individual consciousness", this paper tries to amplicate the psychic structure of social self under the framework of Analytical Psychology and Chinese culture. It includes four parts: Being born in the archetype of persona and taking it as a collective unconscious basis; a cultural unconscious part connected to the spiritual and SHE god, individual and

The Beacon: Journal for Studying Ideologies and Mental Dimensions, 2021

In the 2017 Constitution of Kingdom of Thailand there was a call to create a National Strategy of the country’s development. The 20-year National Strategy was adopted in October 2018 by the National Council for Peace and Order. A major part of this strategy deals with the problem of Thai provinces’ separatist movements and increasing Bangkok’s political and social control. To achieve these goals, a new ideology of “commercial nation” was created that contrasts with the more traditional “community democracy” approach. While the ideology of commercial state may be a useful vehicle for urbanising Thai provinces in the future, conquering separatist trends and articulating new priorities for the Thai population, it is still pure ideology and it cannot be applied practically in the form in which it was formulated. However, the “commercial state” ideology may be an instructive example of new techniques for social unifying people in developing countries.