Introduction: Human-Animal Relations

2015

The impact that the divide between human and nonhuman animals, between nature and culture, actually has on the planet, on nonhuman animals, cannot be underestimated. The divide is a socially constructed separation, an 'othering', of all life on the planet, and has been imposed and systematically used by humanity in order to exploit nonhuman animals and utilise the environment without little thought as to the ramifications. The paper examines such complex questions as 'what is nature?', 'what is an animal?' and 'what does it mean to be human?' Issues considered include species concepts, nature culture dualisms, and the human place within animality. What is recommended is an an urgent need for the adoption of an ethic of ecological inclusion.

2014

Animals´ omnipresence in human society makes them both close to and yet remarkably distant from humans. Human and animal lives have always been entangled, but the way we see and practice the relationships between humans and animals – as close, intertwined, or clearly separate – varies from time to time and between cultures, societies, and even situations. By putting these complex relationships in focus, this anthology investigates the ways in which human society deals with its co-existence with animals. The volume was produced within the frame of the interdisciplinary “Animal Turn”-research group which during eight months in 2013–2014 was hosted by the Pufendorf Institute for Advanced Studies, Lund university, Sweden. Along with invited scholars and artists, members of this group contribute with different perspectives on the complexities and critical issues evoked when the human-animal relationship is in focus. The anthology covers a wide range of topics: From discussions on new disciplinary paths and theoretical perspectives, empirical case-studies, and artistic work, towards more explicitly critical approaches to issues of animal welfare. Phenomena such as vegansexuality, anthropomorphism, wildlife crimes, and the death of honey-bees are being discussed. How we gain knowledge of other species and creatures is one important issue in focus. What does, for example, the notion of wonderment play in this production of knowledge? How were species classified in pre-Christian Europe? How is the relationship between domesticated and farmed animals and humans practiced and understood? How is it portrayed in literature, or in contemporary social media? Many animals are key actors in these discussions, such as dogs, cows, bees, horses, pigeons, the brown bear, just to mention a few, as well as some creatures more difficult to classify as either humans or animals. All of these play a part in the questions that is at the core of the investigations carried out in this volume: How to produce knowledge that creates possibilities for an ethically and environmentally sustainable future.

Animals, 2010

Simple Summary: The impact that the divide between human and nonhuman animals, between nature and culture, actually has on the planet, on nonhuman animals, cannot be underestimated. The divide is a socially constructed separation, an 'othering', of all life on the planet, and has been imposed and systematically used by humanity in order to exploit nonhuman animals and utilise the environment without little thought as to the ramifications. The paper examines such complex questions as 'what is nature?', 'what is an animal?' and 'what does it mean to be human?' Issues considered include species concepts, nature culture dualisms, and the human place within animality. What is recommended is an an urgent need for the adoption of an ethic of ecological inclusion.

Rupkatha Journal on Interdisciplinary Studies in Humanities

Humanity defines itself through an animal other, the animal in Jacques Derrida’s definition of “absolute alterity,” cannot return the human gaze. In this paper, I explore the possibilities of accommodation and hospitality which posthuman philosophy provides in conceptualizing the position of alterity of the “animal”. Building on the writing of Jacque Derrida and Giorgio Agamben I will argue how Posthumanism can radicalize the way in which the anthropocentric worldview looks at the animal as other, questioning the positioning and relevance of speciesism and species boundary. Also, the issue of the agency has been interrogated in this research article. I have also argued for a new mode of conceptualizing the “other” / the “animal” which abolishes the hierarchical view of anthropocentric conception of nonhuman but instead views the other from the lens of companionship, borrowing from the ideas of “companionship” and “Chuthulucene” of Donna J. Haraway. The paper is an attempt to expand ...

2014

Animals' omnipresence in human society makes them both close to and ye tremarkably distant from humans. Human and animal lives have always been entangled, but the way we see and practice the relationships between humans and animals - as close, intertwined, or clearly separate - varies from time to time and between cultures, societies, and even situations. By putting these complex relationships in focus, this anthology investigates the ways in which human society deals with its...

Rethinking the Human–Animal Relation: New Perspectives in Literature and Theory, 2019

Paragraph - Edinburgh University Press Volume 42, Issue 1, March, 2019

This is the title of my chapter in the recently published "Political Animals and Animal Politics", edited by Marcel Wissenburg and David Schlosberg (Palgrave 2014). I upload here both the Table of contents and the Introduction. A summary of my chapter within the latter says the following: "Manuel Arias-Maldonado opens by arguing that the translation of the call in animal ethics for a ‘more equal’ treatment of animals intoenvironmental and animal politics must start with the recognition of ourselves as political animals, and that recognition must take account of the specific kind of animal that we humans are: the exceptional animal, defined by a relatively open nature. Arias-Maldonado suggests a novel way to foster a more fraternal relationship between human beings and animals. He argues that an approach based on similarities between individual animals and humans has a limited political potential. Transcending the traditional ethical debate, he explores an alternative way of organising our social – rather than individual – relationship to animals, defined by the refinement rather than abolition of human domination. Departing from the notion that the human being is the exceptional animal, Arias-Maldonado argues that domination can and should evolve into sympathy towards animals, and he makes the case for a viable form of sympathy: one that employs technology in order to balance animal needs and human wishes".

Annals of Science, 2013

In 2005 a small group of academics gathered at the University of Western Australia for a modest yet highly significant interdisciplinary conference focused on scholarship in the emerging field of human-animal studies. A critical mass of academics from the University of Tasmania attended that first conference and pledged to host a second human-animal studies conference two years later. True to their word a second human-animal studies conference was held in Hobart, Australia, in 2007. The organisers called the second conference "Considering Animals" and the book under review here is a compilation of papers presented at that conference. The first striking feature of the book Considering Animals (hardback version), is the artwork on the dust jacket (Figure 1). While some may not pay a book's dust jacket much heed, I view Considering Animals stunning cover-art as quite a coup. In an age of publishing rationalisation and belt-tightening, I imagine that the editors must have fought hard for permission to display a colour image on the book's cover; and for the inclusion of such a large number of pictures throughout the book. If this is the case, then their persistence paid off. Not only is Yvette Watt's cover-art beautiful and thought provoking in and of itself, it also serves to remind readers that this book is dealing with a highly interdisciplinary field of academic inquiry. Human-animal studies is not only about words. It is about images, representation, art and interpretation. One of the most noteworthy features of the biannual Australian Animal Studies Group, and the Minding Animals, conferences is the extent to which visual and other creative artists contribute to the field. With the use of such powerful cover-art the editors give effect to the contribution made by creative arts to the emerging discipline of human-animal studies. The book opens with a forward by well-known ecologist Marc Becoff and an introduction by two of the book's editors: Carol Freeman and Elizabeth Leane. The remainder of the book consists of 14 papers by (often prominent) academics, all of who presented at the 2007 University of Tasmania "Considering Animals" conference.

Second Language Learning and Teaching

This book brings together well-researched essays by established scholars as well as forward-thinking aspiring researchers to study how literary and non-literary texts highlight 'animal presence' and explore non-anthropocentric relationships between human and animals. To be precise, it offers Posthumanist readings of animal-centric Literary and Cultural texts. The contributors take positions that put the precepts and premises of humanism into question by considering the animal presence in texts seriously. The essays collected here focus primarily on literary and cultural texts from varied interdisciplinary and theoretically-informed perspectives advanced by critical approaches such as Critical Animal Studies and Posthumanism. Contributors select texts beyond geographical and period boundaries, and demonstrate how practices of close reading give rise to new ways of thinking about animals. By implicating the "Animal turn" for the field of literary and cultural studies, this book urges us to problematize the separation of the human from other animals and rethink the hierarchical order of beings through close readings of select texts. It offers some fresh perspectives of Posthumanist theory, so that we can revisit those criteria that created species' difference from the early ages of human civilization. This book will constitute a rich and thorough scholarly resource on the politics of representation of animals in literature and culture. The essays in this book are empirically and theoretically informed; and they explore a range of dynamic, captivating and highly relevant topics. This book does more than simply decentering the 'human' by bringing animals onto the center of critical discourse and challenging the anthropocentric hierarchical relationship, which are the basis of Posthumanist readings. It also highlights the theoretical intersections between Animal Theory and other relevant cultural theories, that is the latest advancement in this field. The volume is divided into four main sections

Springer, 2017

This book presents a new way to understand human–animal interactions. Offering a profound discussion of topics such as human identity, our relationship with animals and the environment, and our culture, the author channels the vibrant Italian traditions of humanism, materialism, and speculative philosophy. The research presents a dialogue between the humanities and the natural sciences. It challenges the separation and oppression of animals with a post-humanism steeped in the traditions of the Italian Renaissance. Readers discover a vision of the human as a species informed by an intertwining with animals. The human being is not constructed by an onto-poetic process, but rather by close relations with otherness. The human system is increasingly unstable and, therefore, more hybrid. The argument it presents interests scholars, thinkers, and researchers. It also appeals to anyone who wants to delve into the deep animal–human bond and its philosophical, cultural, political instances. The author is a veterinarian, ethologist, and philosopher. He uses cognitive science, zooanthropology, and philosophy to engage in a series of empirical, theoretical, and practice-based engagements with animal life. In the process, he argues that animals are key to human identity and culture at all levels.