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TRUTHS IN THE ARCHIVES

For Robert Brentano, Gene Brucker, and Natalie Zemon Davis-Masters of the Archives A lot of us have been concerned lately with theories and practices of authenticating the pasta reaction, among other things, to the stark choice between relativizing and essentializing dogmas that confront us, or are said to confront us, in the academy and even in real life. To such abstract certainties, my response has been to investigate how the authenticity of texts and artifacts has actually been established or invalidated, over time, by such fundamental authenticating institutions as the library, the museum, and the archives. These are repositories of record where evidentiary credentials are checked and claims to knowledge about the past are actually tested, not just talked about. For historical understanding, these repositories have become surrogates of God, and of the devil too. Archives have existed in one form or another since the beginnings of recorded history-they are one condition of having a historical record in the first place. But it is only since the nineteenth century that archives have been primary sites of the labor and legitimacy of professional historians, their equivalent of laboratories or fieldwork. Most historians still suffer professional rites of passage in the archives as ordained by Leopold von Ranke and the founding fathers of the modern discipline of history; nonarchival historians are likely to feel at least