Iconography and iconology

1990

and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? I would like to thank Prof. Dr. Ilja Veldman, Prof. Dr. Anna Esmeijer and Jeroen Stumpel for their critical reading of the manuscript. And to Wim Honders I would like to express my gratitude for the great commitment and patience which he brought to the translation of my text. I also wish to thank Peter Schoon and Ineke Zwaan, who at crucial moments helped me correct and type the texts. For information, illustrations and other help I am indebted to Paul van den Akker, Dr.

2000

J.P. Filedt Kok et al. (eds.), Kunst voor de Beeldenstorm [Cat. Exhib., Amsterdam, Rijksmuseum], 1986

a m s t e r d MUSEUM a m Kunst 6® XdenstoA-^ CO =3 CUO _o (X5 •+-> 03 O Redactie J. P. Filedt Kok W. Halsema-Kubes W. Th. Kloek Metinleidingen door/with introductions by B. Dubbe en W. H.Vroom David Freedberg J.R.J.vanAsperendeBoer, M. FariesenJ. P. FiledtKok Staatsuitgeverij ' s -g r a V e n h a g e

2018

Completed 2018. Through comparative research, this thesis (re)determines the origins, Europewide dissemination, functions, and meaning of embedded iconography (figures and scenes depicted in art as lifeless decoration or objects), c. 1250-1500.

ROGIER VAN DER WEYDEN IN CONTEXT Papers presented at the Seventeenth Symposium for the Study of Underdrawing and Technology in Painting held in Leuven, 22-24 October 2009, 2012

Art Journal, 1988