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The Circuit of Culture as a Generative

2012

Abstract

Contemporary studies in the field of education cannot afford to neglect the ever present interrelationships between power and politics, economics and consumption, representation and identity. In studying a recent cultural phenomenon in government schools, it became clear that a methodological tool that made sense of these interlinked processes was required. The Circuit of Culture (the Circuit) was refined as a tool of cultural analysis by British cultural theorists in the late 1990s. This paper will provide a brief history of the Circuit, some of its applications and critique, and an overview of the way the Circuit has been utilised to explore a topical cultural phenomenon involving the commodification of international student programs in Australian government schools (Leve, 2011). This study draws on the Circuit to open the way for an exploration of the multiple interrelated processes involved in the construction and management of an education commodity. The Circuit emphasizes the moments of production, representation, consumption, regulation and identity, and the interrelated articulations of these moments. It is found to be a useful and flexible tool for exploring the contemporary significance of, and possibilities for, the increasingly complex multiple modes and relationships of each of these significant moments in the construction and maintenance of an education commodity. The Circuit of Culture as a generative tool of contemporary analysis: Examining the construction of an education commodity

Key takeaways

  • (du Gay et al., 1997: 12) As a way of addressing these questions, the Circuit of Culture was developed which diagrammatically represents the processes through which meanings are made and shared within and between cultures i .
  • (Hall, 1997c:1) This later model ( Figure 2), developed by the Open University cultural studies team for their Culture, Media and Identities series of publications iv , adapts the basic idea of the articulation of levels of practice to the question of economy and cultural meaning which is produced and embedded at each level of the cultural circuit.
  • In addressing an important theoretical aim of the study regarding the production of meaning, the Circuit of Culture suggests that meanings are produced at several different sites and circulated through several different processes and practices.
  • (Hall, 1997a: 228) This question and its articulation with the others that arise through the interrelated nodes of the Circuit of Culture underlie the analysis of the international student phenomenon undertaken in Leve (2011a).
  • The Circuit of Culture incorporates the interrelated elements of representation, production, identity, regulation and consumption as processes through which cultural phenomena may be analysed (du .