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2011, Media International Australia
This article views Chinese media as a complex web of diverse academic disciplines and political perspectives, and provides a diagnostic survey of the various disciplines that deal with Chinese media. By clarifying and comparing the methodological characteristics of these academic disciplines, it attempts to prepare for interdisciplinary dialogue. It will pose questions such as what kinds of disciplines have become involved in the studies of Chinese media; what are the main focuses and the methodological characteristics; and what kinds of regional and historical characteristics exist in scholarship on Chinese media. The article maps ‘Chinese media studies' from four angles: the academic traditions of journalism and communication studies; politics and sociology; Chinese studies; and cinema and cultural studies. It views the main focus of each field respectively as: democracy and political economy of the media industry; civil society and network society; history and language; and c...
Media International Australia, 2011
This article reflects on the history and methodology of ‘Chinese media studies' as a (sub)-field of inquiry in academia. It identifies some key features in its trajectory of development, and particularly addresses some of the methodological concerns with regard to doing media studies – some of which are specific to ‘Chinese’ media studies and some of which are relevant to all inquiries about our mediated lives. It discusses methodology as outlook and orientation in ‘approaching’ Chinese media studies and as techniques and methods in ‘doing’ Chinese media studies. This article provokes, rather than promotes, questions and thoughts on the state of Chinese media studies.
Media International Australia, Incorporating …, 2011
Lingue Culture Mediazioni - Languages Cultures Mediation (LCM Journal), 2019
Routledge Handbook of Chinese Media (eds Gary Rawnsley & Ming-Yeh Rawnsley), 2015
The study of Chinese media is a field that is growing and evolving at an exponential rate. Not only are the Chinese media a fascinating subject for analysis in their own right, but they also offer scholars and students a window to observe multi-directional flows of information, culture and communications within the contexts of globalization and regionalization. Moreover, the study of Chinese media provides an invaluable opportunity to test and refine the variety of communications theories that researchers have used to describe, analyse, compare and contrast systems of communications. The Routledge Handbook of Chinese Media is a prestigious reference work providing an overview of the study of Chinese media. Gary and Ming-Yeh Rawnsley bring together an interdisciplinary perspective with contributions by an international team of renowned scholars on subjects such as television, journalism and the internet and social media. Locating Chinese media within a regional setting by focusing on ‘Greater China’, the People’s Republic of China, Taiwan, Hong Kong, Macau and overseas Chinese communities; the chapters highlight the convergence of media and platforms in the region; and emphasise the multi-directional and trans-national character of media/information flows in East Asia. Contributing to the growing de-westernization of media and communications studies; this handbook is an essential and comprehensive reference work for students of all levels and scholars in the fields of Chinese Studies and Media Studies.
global journal of media studies, 2022
This season of global pandemic has made international travel difficult, but like other academics I can still do most of the things I once did. I just have to do them mostly from the narrow boundaries of my own home. Although I miss that travel and the wealth of experiences it made possible, especially in China, this time has given me a chance to reflect on how they have shaped my intellectual directions. I value these international connections, exchanges, and collaborations, especially as new nationalisms around the world threaten to restrict them and turn us inward. Perhaps this journal's readers may be curious about how, as a Westerner, my own China journey came about. This will be a personal reflection, but even global structures are based on countless individuals and their relationships.
Routledge, 2003
Virtually every major media, information, and telecommunications enterprise in the world is significantly tied to China. This volume provides the most expert, up-to-date, and multidisciplinary analyses on how the contemporary media function in what is rapidly becoming the world's largest market. As the West, particularly the United States, tries to integrate China into the 'civilized world' through the extension of global capitalism, Chinese Media, Global Contexts examines how globalizing forces clash with Chinese nationalism to shape China's media discourses and ideology. Conversely, this book also asks if the media provide a site and forum for contestation between different social classes and ideologies in China.
Asian Social Science, 2017
In this paper, policy paradigm shifts of contemporary Chinese media are analyzed. Up till now, Chinese media policies have generally changed through three paradigms, including political unification policies (1949-1978), hybrid governance policies (1978-2013) and integrated governance policies (2013-now). All three-policy paradigms have been orienting towards political interests, but place emphasis on different aspects. Mainly politically oriented, the first policy paradigm focuses on seeking political interests. Guided by political, economic and social interests, the 2nd one is physically hybrid but not integrated owing to policy conflicts, overlaid management and poor efficiency. The 3rd media policy paradigm attempts to integrate policies for solving problems that appear during the 2nd policy paradigm.
China Currents, 2014
The Eighteenth Party Congress' Third Plenary Session's Decision maps out the country's plan for cultural and media development. There is nothing on the surface that suggests a radical departure from the tight control the Chinese party-state exerts. The Decision is full of paternalistic clichés about the development of socialist culture under the guidance of Marxism, media controls, and the unification between social benefits and economic benefits. But new elements embedded in the Decision contain potential seeds for at least a partial reordering of the dynamic tension between impulses demanding control and those calling for expression in the Chinese cultural and media realm, with control perhaps gaining ground. These elements also figure in China's recent effort to develop culture industries and rebalance domestic media control and international cultural expansion and influence. This essay does not aim to provide a comprehensive commentary on China's recent cultural policies as they relate to the Decision. Instead, it focuses on the intersection between cultural and media policies and the push and pull between the party-state and aggressive market-oriented media producers. Specifically, the essay will highlight some potential changes in the following six areas: (1) control mechanisms, (2) the prescribed nature of a media organization, (3) media censorship, (4) media consolidation and economies of scale, (5) the entry of private capital into the Chinese media industries, and (6) China's soft power and public diplomacy.
Media International Australia, 2011
This article aims to provide the first comprehensive meta-review of Chinese media studies in an international academic journal. It situates the state of the field against the historical context of institutional development and the flow of ideas related to the study of media in China. Content analysis was conducted on 147 articles in 52 top academic journals between 1998 and 2008. Results show that research on Chinese media has increasingly drawn interest beyond ethnic Chinese researchers, with a rising proportion of articles published by non-ethnic Chinese, and growing collaboration between non-ethnic and ethnic Chinese researchers. The industries and genres have broadened, but journalism remains the most studied industry – as it has been since media studies started in China. The internet has become the most researched medium. Partly due to the influence of mass communication research in the United States, the media message has become the most popular subject of study. Qualitative m...
The media system in China is not totally different from the systems in all other countries in the world. This paper will explain the nature of the media system in China and its internal mechanics from a Chinese perspective. The media system in China is a combination of different media philosophies and the result of the long history of Chinese civilisation. In this system, the Chinese Communist Party, government, private enterprises, media professionals, public individuals and Chinese culture play different roles and provide different forces from different directions and in different fashions. By analysing each force and their interaction inside the media system in China, this paper elucidates the mechanics of the media system in China and attempts to explore the possibility of using these mechanics as a new model to explain media phenomena in China.
This article aims to provide the first comprehensive meta-review of Chinese media studies in an international academic journal. It situates the state of the field against the historical context of institutional development and the flow of ideas related to the study of media in China. Content analysis was conducted on 147 articles in 52 top academic journals between 1998 and 2008. Results show that research on Chinese media has increasingly drawn interest beyond ethnic Chinese researchers, with a rising proportion of articles published by non-ethnic Chinese, and growing collaboration between non-ethnic and ethnic Chinese researchers. The industries and genres have broadened, but journalism remains the most studied industry – as it has been since media studies started in China. The internet has become the most researched medium. Partly due to the influence of mass communication research in the United States, the media message has become the most popular subject of study. Qualitative methods have been used more often than quantitative ones, but an increase in quantitative methods is expected among scholars in Mainland China, as positivist hypothesis-testing methods gain wide acceptance there.
International Communication Gazette, 2007
As China is seen to rise as a major power in the global economy and politics, there has been growing academic interest in the country’s changing media landscape. It is, however, never an easy task to read media systems in a post-Communist market authoritarian society like China. Students of Chinese media studies are often excited by the rapid growth and commercialization of the media industry, on the one hand, and puzzled and frustrated by its lack of press freedom and professionalism, on the other hand. This special issue of The International Communication Gazette wishes to contribute to the current academic debate on the Chinese media by identifying and focusing on some of the most recent changes in this area. Before I introduce the four articles collected in this special issue in some detail, it is useful to undertake a critical analysis of the main theoretical frameworks that have been used to understand the Chinese media ‘puzzle’ in recent research literature, and explore the possibility of developing new ones.
Journal of Transcultural Communication
In the past decades, there has been a considerable academic debate in global communication and cognate disciplines on China's role in power shifts in both economic and political terms. This multi-faced book edited by Gabriele Balbi, Fei Jiang, and Giuseppe Richeri presents a series of chapters on China and the Global Media Landscape: Remapping and Remapped. These chapters are written by great minds in the field of communication who are connoisseurs of the Chinese media. While the editors and contributors do refer to America, Europe, and Africa's media landscape and communication practice, the focus of this book is mainly on Chinese and its "going-out" strategies. These scholars have broadly argued on how Chinese media has transformed the global communication landscape. It is equally significant to highlight this issue, the editors elucidated, because most Western scholars have focused solely on the censorship and conservativeness of China and they have overlooked how China's media has transformed the international media scene. The book's fundamental premise is twofold. To begin with, the editors explained, the book aimed to analyse the ways in which the Chinese media's "going-out" strategies are remapping the global media landscape and, correspondingly, the book illustrated how Chinese media is remapped by American, European, and Asian media and politics (p. 1). Equally, the editors clearly distinguished the two main concepts, the core aspects of this book, namely, remapping and remapped. Initially, they elaborated that remapping, in the context of this book, is the ability of Chinese main actors to impose themselves on the international scene so as to become a point of reference on both economic, political, social, and cultural fronts. On the other hand, remapped referred to how the Chinese media industry continues to be inspired and shaped by transnational media companies. China and the Global Media Landscape: Remapping and Remapped, as a book, is both readable and intellectually engaging. The editors invite readers to have an open mind about the critical analysis of Chinese media and how it is remapping the
German-Chinese Media Network, 2015
The similarities and differences experienced by the media and their consumers in the PRC, Hong Kong and Taiwan — and their interactions with each other and the rest of the region and the world — makes us realise that the landscape of Chinese media in the new millennium is multicultural, multilingual, and multinational. Studying the Chinese media is a complex, exciting and challenging endeavour, but one which pays dividends in understanding how the media landscape is both an agent and an object of transformations taking place there – transformations more dramatic perhaps than anywhere else in the world.
Communication among human beings is essential is promoting peaceful co-existence. The access to information plays a crucial role in empowering peoples as the saying goes ‘information is power.' The media has been at the forefront in collecting and disseminating information. However, the media outlets in different countries function differently in different societies depending on the social, political, and religious set ups. This paper analyzes the media operations in China. It encompasses the historical background, the current state, the statistics, and the political influence of media in China
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