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2003, Constellations
Hartmut Rosa's stimulating paper brings together work from a wide range of theoretical and empirical sources in order to develop a coherent theory of the acceleration of late-modern society. Its particular strength lies in the elaboration of the diverse features of this acceleration, showing their connections, i.e., how the elements relate to each other, and explaining the mechanisms that lie behind them. In the process of constructing this complex web of interdependencies, Rosa manages to show how the processes, together with their opposites, explain the complex mutual dependencies and model some of the prominent feedback-loops involved. Irrespective of whether or not one agrees with the central thesis that modernity is driven by acceleration, this is a paper to be admired for its breadth and depth of analysis and its impressive theory-building capacity. Rosa has created a rich tapestry of ideas and theories that includes work from cultural theory and history, sociology and social psychology; he weaves the threads of supporting evidence from developments in technology and politics, work and occupational structures. The resulting construct relates categories to mechanisms and drivers and these in turn to paradoxes and consequences. While not all sections of the paper are equally convincing, Rosa presents an excellent case for the paradoxes and contradictory tendencies that arise with the time compressing processes of modernization: acceleration leads not to time saving but time shortage while simultaneously being seen as an answer to the chronic shortage of time. Increases in the speed of information transfer and the pace of life fulfill neither the prospect of more efficient communication nor the promise of a good life; instead they result in information overload, entirely new worlds of services and entertainment, and an exponential increase in non-realizable options. Speed limits and deceleration are integral to the modernist logic of acceleration irrespective of whether they derive from physical limits, cultural islands of arrested time, unintended consequences of intended acceleration, or deliberate deceleration by anti-modernist tendencies. The modernist logic appears to fold back on itself. It seems that the success of acceleration begins to undermine its own preconditions for continuity, a process alluded to by theorists such a Paul Virilio and Jean Baudrillard and identified by Ulrich Beck with the concept of "reflexive modernization." 1 We could continue this train of thought by suggesting that the limits to and countervailing tendencies of acceleration could become sources of new innovation and deliberative change. That is to say,
Constellations, 2003
In 1999, James Gleick, exploring everyday life in contemporary American society, noted the "acceleration of just about everything": love, life, speech, politics, work, TV, leisure, etc. 1 With this observation he certainly is not alone. In popular as well as scientific discourse about the current evolution of Western societies, acceleration figures as the single most striking and important feature. 2 But although there is a noticeable increase in the discourse about acceleration and the shortage of time in recent years, the feeling that history, culture, society, or even 'time itself' in some strange way accelerates is not new at all; it rather seems to be a constitutive trait of modernity as such. As historians like Reinhart Koselleck have persuasively argued, the general sense of a "speed-up" has accompanied modern society at least since the middle of the eighteenth century. 3 And indeed, as many have observed and empirical evidence clearly suggests, the history of modernity seems to be characterized by a wide-ranging speed-up of all kinds of technological, economic, social, and cultural processes and by a picking up of the general pace of life. In terms of its structural and cultural impact on modern society, this change in the temporal structures and patterns of modernity appears to be just as pervasive as the impact of comparable processes of individualization or rationalization. Just as with the latter, it seems, social acceleration is not a steady process but evolves in waves (most often brought about by new technologies or forms of socio-economic organization), with each new wave meeting considerable resistance as well as partial reversals. Most often, a wave of acceleration is followed by a rise in the 'discourse of acceleration,' in which cries for deceleration in the name of human needs and values are voiced but eventually die down. 4 However, contrary to the other constitutive features of the modernization process -individualization, rationalization, (functional and structural) differentiation, and the instrumental domestication of nature -which have all been the object of extensive analysis, the concept of acceleration still lacks a clear and workable definition and a systematic sociological analysis. Within systematic theories of modernity or modernization, acceleration is virtually absent, with the notable exception of Paul Virilio's 'dromological' approach to history, which, alas, hardly amounts to a 'theory.' This surprising absence in the face of the
Res Publica, 2021
I argue that some arguments associated with "acceleration debate" consolidated by the work of Hartmut Rosa are "inflationary"-not necessarily incorrect. Then I explain what such conceptual dramatization means and what the "deflationary" approach is. After that I outline five polemical comments about accelerating capitalist modernity. Importantly, I do not take an issue with convincing arguments claiming that modern era is an era of social intensification, dynamization and acceleration as other important thinkers such as Reinhart Koselleck, Marshall Berman, Robert Hassan and Paul Virilio have claimed. In this essay I take issue with three dimensions of the acceleration debate. Namely with 1) often-apocalyptic outlook that many (not all) acceleration thinkers maintain; 2) with rather undifferentiated inferences made thereupon, and; 3) with some conceptual insensitivity associated with acceleration. The conclusion comprises a simple proposition-more ethnography of social acceleration is needed, more observation and in-situ social investigations of time use, temporal orders, social rhythms, waiting are overdue in order to substantiate conceptual debate on social acceleration.
Foundations of Political Thought, 2010
RUDN Journal of Philosophy
Modern types of social reality require updated ways of comprehending them. The research is devoted to a new analytical form of understanding modernity that has recently emerged - accelerationism, still rarely discussed in Russian philosophy. The representatives of accelerationism call for a radical and rapid acceleration of socio-economic and technological processes in capitalist societies. The article reflects some ideas of the Manifesto for an Accelerationist Politics by Alex Williams and Nick Srnicek, after which the accelerationist trend in philosophy and social sciences intensified and gained clear theoretical guidelines. The Manifesto’s ideas about accelerating technological evolution as a means of resolving social conflicts, about unleashing all the latent forces of capitalist production to achieve a state of post-capitalism, denying a return to the Fordist type of production and calling for the restoration of the future as such, are highlighted. The Manifesto and the works o...
This article highlights the politics of accelerationism as a political antagonism in cyberspace. Social and economic conditions which are structurally shaped by digital technology can produce at least two scenarios in consequences; maintaining a current condition or disrupting it. On the first scenario, accelerationism is meant to rapidly produce things, images, and products in cyberspace in concord with a requirement of the late capitalism. This, in effect, culminates in consolidating a status quo of the late capitalism. Accelerationism in this scenario is substantiated as an unchanged image for the future. It can be termed succinctly as ‘modernity in linearity’. In contrast, the politics of accelerationism in the second scenario is inspired by Karl Marx’s ‘Fragment on machines’ and other prominent thinkers such as Gilles Deleuze and Jean-Francois Lyotard. Therefore, the second scenario shows a very nature of antipathy and difference that contributes to a disruption of the linearity. In terms of its antagonism, this initially marks recalcitrance to the late capitalism in favour of different futures and imaginations. Given a significance of the second scenario, the article examines subjectivity of the accelerationists who are in compliance with this setting in a Lacanian psychoanalytic perspective coupled with a philosophy of technology. The inquiry is that what would be the image of the subjectivity of those whose aim is to disrupt the late capitalism, for a revolutionary direction, but does not necessarily progress towards post-capitalism?
Accelerationism is a theoretical movement that seeks to mobilise reason and technological development as a strategy for moving beyond capitalism. The first wave of accelerationism took the effects of capitalism at their most pernicious and suggested that they have not gone far enough. More recent work has complicated this project and explored political, epistemic and aesthetic accelerations. The central push to accelerate, and therefore to manifestly alter time, has consequences in terms of how one understands temporality in education. This article outlines the development of accelerationism and examines whether this theoretical movement can aid critical analysis of the growing presence in education of commercial technology providers, new modes of data analytics, and the application of machine learning algorithms to analyse data. These developments provide a useful example in relation to which a critical question can be asked: is it possible to accelerate technological development in education separate from its capitalist development?
Acceleration and cultural change, 2023
From the publisher: This book includes socio-anthropological and anthropo-sociological conversations between one of the world’s leading anthropologists, Thomas Hyland Eriksen, and a young scholar, using his groundbreaking "overheating" approach. From the pandemic to the spread of nationalism, from the Anthropocene to the Homogenocene, the authors discuss the most urgent issues of current society: e.g., the loss of biological and cultural diversity owing to the forces of globalisation; and the emergence of new forms of diversity through globalisation and migration; the intersectional dimension of climate change; the incredible rising of anger demonstrations around the world and resentful, overheated identities often linked to right-wing nationalism; the way digital devices have changed the meaning of temporality in people's life-worlds; the regulatory and competitive pressures on universities which are a result of many factors in the intersection of globalisation, massification and marketisation; youth's weakened belief in progress connected to changes in the contemporary world, such as growing inequality, political alienation and environmental destruction; recent pathbreaking research and original theory in sociology and anthropology related to the changes in an overheated world; and what post-Coronavirus social life might become. Highly topical, engaging and written in a conversational style, this book is a must-read for social scientists and discerning lay persons who want a fresh perspective on understanding the critical issues of our time.
FUTURE PROSPECTS ON POLITICS, CULTURE AND GOVERNANCE The 2 nd Annual Meeting and International Conference of the Consortium for Research in Political Theory (CRIPT), 2018
With reference to the accelerationist approach to diverse reflections of capitalism especially introduced by Williams and Srnicek, this study handles the crisis of capitalism. Along with a critical interpretation of accelerationism, this paper also draws upon the current considerations Deleuze and Guattari's reading of the relationship between schizophrenia and deterritorialization. Accelerationist capitalism, in general, implies that political attitudes are now subject to lose their ideas. In these conditions, accelerationism is introduced as an alternative means for generating modalities of “counter-power” relations. By analyzing the general characteristics of a universal silence on the increasing symbolic disaster that remains from capitalism, this paper intends to provide the framework of systemic crisis. Under the circumstances of this systemic crisis, the course of generating hope for the future is lost. Capitalism can survive only within the contradictions of this systemic crisis utilizing the reproduction and recollection of a "symbolic misery", in Stiegler's words. For Deleuze and Guattari, on the other hand, capitalism is a system that we cannot avoid, and there is no exit from such a systemic crisis that involves all parts of life. This paper introduces a reading of capitalism not only by focusing on the destruction of all existing codes of living but also by following the trace of various means for reproducing diverse forms of psychic and collective schizophrenia. KEYWORDS: Accelerationism; schizophrenia; crisis; power; reproduction
In contemporary theory, no speculative gesture from the Left has come under more scrutiny and reaction than that of Accelerationism. A response to the impasses of the present – that, to quote Thatcher, there is really is no alternative – Accelerationism looks to conjure a new politico-philosophical programme, one that can break the shackles of neoliberal, late-capitalist society and propel us into a post-capitalist milieu of a world without work. Behind the political economies of thinkers such as Srnicek and Williams and the more divergent rhetoric of figures such as Nick Land, lies a genealogy of thought originating in the wake of May 1968 and the work of philosophers such as Deleuze and Guattari and Lyotard. Arguing that there can be no outside of capitalism, these arguments tether their understating of contemporary politics as one that must work through capitalism in order to achieve its goals, using the methods and qualities of a global, abstract and complex system against itself. The purpose of this dissertation is to explore first the genealogy of this thought and its ramifications on contemporary thinkers. But also, to explore the trajectories of what may lie in pursuit of an Accelerationist Aesthetic, and whether it is possible to imagine a practice that would reflect the priorities of a truly Accelerationist agenda.
This paper is a reworking of considerations of the attempt by contemporary accelerationism to grasp the present moment, epistemically and politically. It takes issue with these claims through a consideration of the problematic nostalgia for the future at work in contemporary accelerationism and the tensions of how relations of production are embedded in forces of production.
2013
A very brief introduction to accelerationism that originally was published in the Shoppinghour Magazine in the UK, and later used as part of the Accelerationism-workshop at Goldsmiths University in 2013.
Filozofski vestnik, 2018
Accelerationist writing has tended to focus on aesthetics and technology rather than capitalism’s tendencies of motion. This may be because of accelerationism’s catastrophic implications: in an era of generalized social crisis, speeding up capitalism appears counter-intuitive. An alternate perspective, left-accelerationism, has defined it as using technological potentialities for social, rather than private ends. However, to break with the death spiral of neoliberalism’s stagnant profit rates, it is necessary to bring a critique of political economy to bear on accelerationism. This can be best formulated using Marx’s study of capitalism’s central dynamic: the conflict between the forces and relations of production, which drives the crisis-ridden expansion of the system as a whole. Efforts to show that capitalism develops solely on the basis of technological progress cannot be maintained theoretically or empirically. This was most clearly shown by Bill Warren, whose attempt to build a historically progressive role for imperialism failed to account for macro-trajectories of development in the Global South. This suggests that an accelerationist political economy must begin from the conflict between the forces and relations of production, rather than an ahistorical, additive account of development factors. An anti-determinist accelerationism remains possible, providing capitalist development is understood as a political struggle over the creation of value.
Let me start with a caveat: my paper engages with sub-and lowbrow cultures only indirectly. I am interested in the relationship between technophile subcultures, especially cyberpunk fiction/films, and the recent theory current called "accelerationism." My interest goes in both directions: on the one hand, I want to show how accelerationism uses cyberpunk's subversive imaginary as inspiration for its politics. On the other hand, I would like to discuss in the seminar what potentially uneasy questions the appropriation of sub-/lowbrow culture by accelerationism pose to us.
In 2010, critical theorist Benjamin Noys coined the term accelerationism to denote the argument that the only way to overcome capitalism is to intensify exploitation and expansion to the point of collapse. Since Noys’ coinage of the term, several thinkers have attempted to present more positive and celebratory cases for accelerationism. In their “#ACCELERATE: Manifesto for an Accelerationist Politics,” Nick Srnicek and Alex Williams define accelerationism as the basic belief that existing technological tendencies “should be let loose by moving beyond the limitations imposed by a capitalist society.” They expand on this basic premise in their 2015 book Inventing the Future, in which they reframe accelerationism as the demand for the establishment of a post-work, post-scarcity, postcapitalist society. Before Inventing the Future was published, literary theorist Steven Shaviro asserted in his book No Speed Limit: Three Essays on Accelerationism that accelerationism must be an aesthetic program before it can become a political one. Shaviro defines accelerationist aesthetics as the representation of a post-apocalyptic, accelerated form of capitalism. In this thesis, I propose four alternative characteristics for an aesthetics of accelerationism that accounts for the developments and changes in Srnicek and Williams’ political program: melting, mutation, hyperstition, modernity. I then apply these characteristics to the works of three contemporary artists and artist collectives—British installation and video artist Benedict Drew; Japanese artist collective Chim↑Pom, and the British filmmakers known as the Otolith Group. These characteristics present the transition from capitalism into postcapitalism in an aesthetic form, rendering the arguments and ambiguities of accelerationism more recognizable and understandable.
Paper given at V2, Rotterdam, Holland. 19 April 2015.
Introducing my book Malign Velocities, this talk explores the fantasy structure of accelerationism in a series of moments: the financialized present, the texts of Marx, the Soviet Avant-Garde, and "Manhattanism". In probes the effects of deceleration, congestion, and sedimentation on which accelerationism tries to operate and transcend.
Res Publica, 2021
Hartmut Rosa is currently one of the best-known sociologists in Germany. In this interview, we un-dertake a brief retrospective of his initial work on temporality. In doing so, we evaluate his theory 15 years after its first publication in German (Suhrkamp 2005). The interview seeks to examine the topicality of the acceleration theory through the voice of one of its main authors, having in mind current socio-polit-ical phenomena such as the pandemic deceleration, social discontents (both global and local), energy challenges, and the revival of old nationalisms.
Radical Philosophy, 2015
99 pb., 978 0 95752 955 7. Manifesto for an Accelerationist Politics is reprinted in the Reader. Page references are given in the main text as AR and MV, respectively.
Noys (2016) one thing from this opening text: the final battle for the future is to be fought now, in our present. This, I think, is true. Not only true about the actuality of fighting to determine that future as the world seems to slide inexorably to various forms of barbarism, lacking any seemingly realistic figure of socialism, but also true about the fight over the image of the future as well. This battle over the image of the future is at the centre of the accelerationism debate. The defining feature of accelerationism, broadly-speaking the demand that we engage with forms of technology and abstraction as the means to reach postcapitalism, has been the claim to the future. The very title of Nick Srnicek and Alex Williams's book Inventing the Future suggests this, as does all the futuristic and sci-fi imagery that has surrounded accelerationism. The accelerationists claim they are the only ones to offer us a future: all that actually-existing neoliberal capitalism promises is more of the same, and 'there is no alternative' could be written as 'there is no future', except the market stamping on a human face forever; the left is often no better, mired in 'folk politics', driven by nostalgia for social democracy or the face-toface ideology of small communities resulting in a regression to the past. I, of course, dispute this claim to a monopoly on the future. 1 Here I want to give a brief history of the term accelerationism, which at least is part of the condition of understanding the debate. Then I want to recap and refine my critique of accelerationism in its dominant forms. My interest, however, lies not so much in repeating these already fading debates but considering the battle that is being fought over the future in the present. Here I suggest that accelerationism often presents a limited sense of what images are on offer of the future, particularly underestimating the problem of reactionary images of the future. I also want to
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