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2005, The Art Book
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8 pages
1 file
AI-generated Abstract
This paper examines "Defaced" by Valentin Groebner, offering insights into late medieval violence and its social and political implications, focusing on southern Germany, German-speaking Switzerland, and northern Italy. It critiques Groebner's division of the text into historical and theoretical sections, emphasizing the complexity of signs in violence, the relationship between power and interpretations, and the significance of primary and secondary sources. A secondary analysis of religious art highlights the unique contributions of Spanish painter Juan Fernandez de Navarrete and critiques the integration of illustrations in the discussion.
The Sixteenth Century Journal, 2006
The Art Book, 2005
The Sixteenth Century Journal, 2005
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2017
Debates over the issue of violence in late medieval and early modern England tend to focus on ways that the legal system and institutions attempted to control it, or on the influence of wider political or economic forces that generated violence and criminality. This overlooks, or minimises, the cultural and social meaning of violence, particularly as it was performed by members of the social elite. This thesis re-evaluates the meaning of violence for socially elite performers of violence, their victims, and their audiences through a survey of case studies drawn from the records of the central Court of King's Bench and other sources. Using research drawn from criminology, anthropology, and sociology, meaning is found in the performances of violence and their contexts. This method contrasts with previous attempts at studying violence quantitatively or through the lens of the civilizing process. Violence is a form of communication and the way violence is performed communicates mean...
The Art Book, 2005
Memoria y civilización: anuario de historia de la …, 1999
The period after the fall of the Roman Empire is still widely regarded as one of untrammelled violence. In some formulations it is (to caricature the approach only slightly) thought that the end of Roman civilization was followed by a period wherein: 'the labours and happiness of peaceful development are ... wiped out by the upburst of elemental passions which have only slumbered. The long tranquillity of the Roman sway ended in the violence and darkness of the Middle Age' 2 .
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