Longing to be 'New Woman': A Feminist reading of 'Major Barbara'

Annales Universitatis Mariae Curie-Skłodowska, sectio FF – Philologiae

A type of literary criticism that became a dominant force in Western Literary studies in the late 1970 ‟ s, feminist theory more broadly conceived was applied to linguistic and literary matters. Since the early 1980 ‟ s, feminist literary criticism has developed and diversified in a number of ways and is now characterized by a global perspectives. It is nonetheless important to understand differences among the interests and assumptions of French, British and North America,(United States and Canada), feminist critics writing during the 1970 „ s, and early 1980 „ s, given the context to which their works shaped the evolution of contemporary feminist critical discourse.

1989

Preface - Acknowledgements - Introduction: The Story So Far C.Belsey & J.Moore - Women and Literary History D.Spender - The True Story of How I Became My Own Person R.Coward - Disturbing Nurses and the Kindness of Sharks T.Morrison - Queer Desire in The Well of Loneliness L.Pouchard - The Difference of View M.Jacobus - Representing Women: Re-presenting the Past G.Beer - Sorties: Out and Out: Attacks/Ways Out/Forays H.Cixous - Feminist, Female, Feminine T.Moi - Women and Madness: the Critical Phallacy S.Felman - Promises: the Fictional Philosophy in Mary Wollstonecraft's Vindication of the Rights of Woman J.Moore - Three Women's Texts and a Critique of Imperialism C.Spivak - Cross-dressing, Gender and Representation: Elvis Presley M.Garber - Feminism and the Postmodern: Theory's Romance D.Elam - Women's Time J.Kristeva - The Looking Glass, from the Other Side L.Irigaray - Summaries and Notes - Glossary - Suggestions for Further Reading - Notes on Contributors - Index

Feminist Review, 1987

have been outrageous. To bring this project to closure is, then, to acknowledge with gratitude the struggle of all those who worked to establish legitimacy for the field. A work like this, however massive in its proportion, can never do full justice to their accomplishment.

Journal of Human and Social Sciences (JOHASS), 2023

Mrs. Warren's Profession was written in 1893 by the Irish critic and dramatist George Bernard Shaw, who introduced social realism to the British stage. First performed in 1902 in London, the text is a social critique satirizing the stereotypical Victorian norms. Reflecting Shaw's feminist ideals, the play also contributed to the development of the feminist movement. Mrs. Warren's Profession introduces the-New Woman‖ type who rebels against the stereotyped female representations and male-centered conventions of the nineteenth century. The play mainly revolves around a controversial taboo topic, prostitution. Shaw dramatizes this profession through the two untraditional female characters. Kitty Warren is an audacious woman running a brothel to provide her daughter with better life and education standards and Vivie is a highly-educated and independent woman who expostulates her mother for her profession. Mrs. Warren's Profession stresses that it is the social, economic and moral ills of the society that lead women to choose this profession. This paper, from a feminist lens, links these two non-conformist characters to navigate the ways through which the concept of the-New Woman is represented. This paper also investigates how these characters protest against the stereotypical female roles imposed on them to gain an autonomous identity within society. Thus, this study, through these two female characters, reveals how this play dethrones the myth of the-Angel in the House, the ideal Victorian woman, and sheds light on the modern feminism.