SISESTI VATRA STRABUNA - VOLUMUL VII

1978

Aspecte istorico-etnografice ale viticulturii în ţinuturile sătmărene. - In: Studii şi comunicări de istorie şi etnografie, an 1978, p. 407-416

2000

Traducem aici prin "faptul-de-a-apărea" termenul francez de apparaître. Mai jos, el va apare, datorită cerinţelor contextului, tradus şi ca "manifestare". 2 Ne întrebăm dacă epoché nu are trebui să fie întotdeauna sui generis. Faptul că Husserl ne-a lăsar mai multe versiuni ale teoriei reducţiei nu indică oare faptul că reducţia este un instrument pe care îl putem utiliza "pe loc" şi că, prin aceasta, validitatea sa este dependentă în mod esenţial de succesul său ?

Argonaut eBooks, 2022

De la Rezistență sau cedare, la Ostași, vă ordon: Treceți Prutul! România, un pion în "marele vârtej" .

Pynchon Notes, 1989

Zenodo (CERN European Organization for Nuclear Research), 2023

G. Schopflin's three-variable equation is a model that attempts to explain the relationship between state, ethnicity, and civil society. The equation suggests that the state, ethnicity, and civil society are interdependent and interact in complex ways. According to this model, the state is a political entity that exercises power and authority over a territory and its citizens. Ethnicity refers to shared cultural and social characteristics that distinguish one group of people from another. Civil society refers to the space between the state and the individual, comprising the networks, organizations, and associations that operate independently of the state.

Diacronia, 2017

Vita di Pietro este o lucrare alcătuită de grecul Antonio Catiforo în limba italiană, publicată la Veneția, în 1736; o versiune a sa în limba greacă a fost publicată tot la Veneția, un an mai tîrziu, de către Alexandros Kankellarios. Lucrarea conține șase cărți și sintetizează informațiile oferite de surse referitoare la epoca și personalitatea țarului rus. În română, ea a cunoscut mai multe traduceri la jumătatea și în a doua perioadă a secolului al XVIII-lea, în toate cele trei provincii românești. Numărul mare de copii arată interesul de care s-a bucurat această lucrare în epocă. Articolul de față prezintă cîteva particularități ale transferului numelor proprii din limba-sursă în limba-țintă. Am analizat patru tipuri de nume proprii: horonimul Moscovia și etnonimul aferent, horonime occidentale, antroponime rusești, antroponime de alte origini, urmărind felul în care traducătorii se raportează la sursă și diferențele dintre versiuni din acest punct de vedere.

Studii și cercetări lingvistice

This article is a proposal to standardize a punctuation mark – the semicolon –, and describe the situations of use and the communication implications of the sign: prosodic, pragma-semantic and stylistic functions. The relationships between the semicolon and other punctuation marks, as well as recommendations for use in writing practice are also considered. Semicolon is less and less known and used nowadays; its use depends on the author’s preferences. Among the stylistic varieties, the semicolon is used most frequently in the scientific and argumentative style. It is recommended to use semicolon in enumerative series, especially vertically, in constructions containing parallelisms, or in long and complex statements that also contain other internal punctuation marks.

Materialele conferintei "Lecturi in memoriam acad. Silviu Berejan", 2021

Fără a se focaliza în mod necesar pe abordarea problematicii originii religiei, acest articol propune de fapt șapte corelații între violența interpersonală și progresul religiei organizate, sugerând că violența interpersonală a jucat un rol semnificativ în procesul de instituționalizare a credințelor religioase. Deși violența interpersonală nu provoacă neapărat structurarea credinței religioase, aceasta de fapt întărește și oferă soluții modelelor existente de amenințare cu care se confruntă o comunitate, iar împreună conduc la organizarea religiei. Prima parte a acestui articol (etapele 1–4) analizează psihologia violenței, concentrându-se pe teoriile frustrare – agresiune, rivalitate mimetică, triangulare, geneza țapului ispășitor și vinovăție. A doua parte (etapele 5–6) marchează trecerea de la psihologia personală la psihologia socială și studiază violența în religia primitivă, așa cum se manifestă în procesul ritualizării țapului ispășitor și în geneza sacrificiului. A treia pa...

Analele Universității de Vest. Seria Științe Filologice, 2022

In two of her works, Mateiu I. Caragiale – Initiation and Aestheticism (2005) and Under the Sign of the Baroque (2009), Dana Nicoleta Popescu has synthesized the thematic similarities between Mateiu’s Gallants of the Old Court and Lampedusa’s The Cheetah, investigating the baroque motifs throughout these works. Beyond the stream of motifs on which Dana Nicoleta Popescu makes subtle commentaries, a baroque of nature can be identified, represented by the twilight moment, bright and exuberant, but marked by an awareness of transience, of dimming light and death, specific to the baroque. The presence of the twilight is associated, in Mateiu’s creative space, with a veritable chromatic explosion, meant to convey the astounding colour palette of the sun through a series of ample, richly decorated images, in which an abundance of roses and crimson nuances is joined by an abundance of blood and fire. Splendidly coloured, but with a nostalgic tint, the twilight is converted in Mateiu Caragiale and Lampedusa into an expressive metaphor of the aristocratic twilight, awakening in the imagination of the reader the iconic image of a past filled with glamour and noble majesty. Keywords: twilight; baroque of nature; splendour; melancholy; twilight of nobility.

Cercetări Arheologice, 2012

A major real estate development required a rescue archaeology intervention in the very downtown Bucharest, mainly between February and June 1996. A large section, 75 long and about 3 m large was made in the street, mostly mechanically, just in the front of the National History Museum. The archaeological rescue digging documented 12 rooms belonging to a large inn, built by a famous Ruler of the Romanian Country (Ţara Românească), Constantin Brâncoveanu, in the last decade of the XVIIlh century. This kind of inn, of Oriental inspiration, is typical for the passage from Late Middle Age to Modem times, and is, in fact, a complex project including hosting areas, enclosure for animals, large storehouses, but usually churches also. Flourishing in towns with a certain demographic growth, but with a very poor communication means, like Bucharest, the inns were supposed to gather all goods needed by community in five months of cold and wet weather, when the road network was impracticable. The inn functioned about 160 years, until around 1860, the internai spaces being frequently restored, up to 7 times. Despite the fact that the landlord was unique, for its entire existence, a comparison between the type of internai rehabilitation operations proved that the initiative was lefi on tenants, the sequence type offloors (wood, bricks or vegetal cover) being unrepeatable. The use ofthe spaces-when proved by micromorphological study-is also distinctive, either cooking area, workshops connected with open fire, or even stables for sheep, for some relatively short episodes. Those 12 rooms are placed on the western wing of the building, on the main facade, facing a major street-Podul Mogoşoaiei-studied in the southem end of the archaeological section. The public road was made of wooden boards supported by wooden pillars buried under the walking levei, similarly with a bridge, from which the street took its name ("pod" meaning bridge). This type of public street, made entirely of wood, is documented in wet lowlands, where stone is not available, like Timişoara (western Romania). The history of the place begins during the late XV 1 h century, for which deep buried huts were discovered. For the mid XVIlh century a new type ofhouse was in use, made ofwood, relatively large and with cellars, typical for aristocracy. In the XVIIlh century this strip of land was no more a constructive area, a little cemetery being discovered in the southem part of the trench. The layers dated between the cellar-houses and the inn are first in which fragments of bricks and mortar were recorded, probably from buildings in proximity. Regarding the political history of the Romanian countries, it might be surprising that from our discoveries Ottoman co ins are missing. W e found instead some Turkish pipes, a good witness of adopting an oriental lifestyle. This paper also presents the main results of the sedimentological and micromorphological study performed on Constantin Vodă Inn archaeological site. The field study firstly considered in the analysis of the sedimentary successions observed on the main stratigraphic profiles and the identification of the different types of units. The main diagnostic criteria observed in the field at the macroscopic leveitexture, structure, color, nature of constituents, homogeneity and degree of compaction-allowed establishing a typology of sedimentary facies necessary for the interpretation in terms of mechanisms of formation, in order to identify human activities and post-abandon transformations of the accurnulated deposits. Thus, different types of construction and arrangement units, occupation units and natural accumulations were recognized. Micromorphological analysis, at the microscopic scale, brings detailed information on the sedimentary units and thus contributes to a better interpretation of the archaeological levels. Extraordinary information provided by this study is the identification of sferulites, structures indicating the presence of the domestic animals (Ovis/Capra) in spaces fitted out with a wooden floor. The palinological expertise-the first ever done in an archaeological site from Bucharest-revealed a predominance of a ruderal vegetation, followed by hydrophilic vegetation and lowlands trees, but not cereals, explained by the position is in the middle of the medieval town.