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2020, Phenomenological Reviews: https://reviews.ophen.org
Published in Phenomenological Reviews, 2020-07-12. In his recently published study The Phenomenology of Pain Saulius Geniusas sets himself the task of developing precisely that-a phenomenology of pain-on the basis of Edmund Husserl's philosophy. According to Geniusas, in Husserl's work (including the posthumously published manuscripts) we find all the resources needed to develop such a phenomenology. Husserl took the first steps himself in developing a phenomenology of pain and by following in his footsteps, proceeding by way of the phenomenological method and concepts he developed, we can achieve this important goal. Why is it important to develop a phenomenology of pain? Apart from the general impetus of exploring all phenomena relevant to human life, we may in this case also point towards the mission of helping those who suffer from severe and chronic forms of bodily pain. Pain is from the experiential point of view generally something bad to have, even though it may guide our actions and call for changes of life style that are in some cases beneficial for us in the long run. The definition that Geniusas develops in his book and defends in comparison with other suggestions and conceptions of what pain consists in is the following: "Pain is an aversive bodily feeling with a distinct experiential quality, which can be given only in original firsthand experience, either as a feeling-sensation or as an emotion".
Series in Continental Thought (Ohio University Press), 2020
The Phenomenology of Pain is the first book-length investigation of its topic to appear in English. Groundbreaking, systematic, and illuminating, it opens a dialogue between phenomenology and such disciplines as cognitive science and cultural anthropology to argue that science alone cannot clarify the nature of pain experience without incorporating a phenomenological approach. Building on this premise, it develops a novel conception of pain grounded in phenomenological principles: pain is an aversive bodily feeling with a distinct experiential quality, which can only be given in original first-hand experience, either as a feeling-sensation or as an emotion. The book crystallizes the fundamental methodological principles that underlie phenomenological research. On the basis of those principles, it offers a phenomenological clarification of the fundamental structures of pain experience and contests the common conflation of phenomenology with introspectionism. It analyzes numerous pain dissociation syndromes, brings into focus the de-personalizing and re-personalizing nature of chronic pain experience, and demonstrates what role somatization and psychologization play in pain experience. In the process, it advances Husserlian phenomenology in a direction that is not explicitly worked out in Husserl’s own writings.
research in phenomenology 44 (2014) 384-404 brill.com/rp R e s e a r c h i n P h e n o m e n o l o g y © koninklijke brill nv, leiden, 2�14 |
The following investigation aims to determine the historical origins of the phenomenology of pain. According to my central thesis, these origins can be traced back to an enthralling discussion between Husserl and two of his most important teachers, Brentano and Stumpf. According to my reconstruction of this discussion, while Brentano defended the view that all feelings, including pain, are intentional experiences, and while Stumpf argued that pain is a non-intentional feeling-sensation, Husserl of the Logical Investigations provides compelling resources to resolve the polemic between his teachers by showing how pain can be conceived as a pre-intentional experience. According to my argument, this largely forgotten discussion is of significance not only because it enriches our understanding of pain, but also because it modifies the phenomenological conception of consciousness. Thus in the concluding section, I show why the Husserlian resolution of the controversy between Brentano and Stumpf is of importance for our understanding of the central phenomenological theme-intentionality.
Humana.Mente: Journal of Philosophical Studies, 2018
In this paper the complex phenomenon of pain is discussed and analysed along different theoretical paths: cognitivism, hermeneutics, phenomenology. The neuro-cognitive approach is exemplified through Paul and Patricia Churchland's writings; then H.-G. Gadamer's hermeneutical approach is evaluated. While apparently opposite, they share a common assumption, namely that the body is basically to be conceived of as not really different from the Cartesian Res extensa. Some problems thus arise: in particular, the aspect of reflexivity implied in any experience of pain is overlooked. Accordingly, an adequate approach to feeling pain must take the phenomenological path. This means to discuss Husserl's but also Scheler's and Heidegger's contributions, in order to bring to the fore the complexity of the phenomenon of pain, which shows a particular and paradoxical structure: exposing the subject feeling pain to its own internal exteriority.
Forthcoming in The Philosophy of Pain, edited by D. Bain, M. Brady, and J. Corns. London: Routledge
Over recent decades, pain has received increasing attention as – with ever greater sophistication and rigour – theorists have tried to answer the deep and difficult questions it poses. What is pain’s nature? What is its point? In what sense is it bad? The papers collected in this volume are a contribution to that effort ...
The Philosophy of Suffering, eds. D. Bain, M. Brady and J. Corns, 2019
The popular view on which unpleasant pain consists of two dissociable components, and on which there may be pains that wholly lack affect, is the product of a theoretical deference to consciousness. The same is true of the thesis that suffering is exclusively a conscious phenomenon. Pain researchers defer to consciousness, but in my view they do not properly heed its message regarding pain, painfulness, and suffering. I will argue that consciousness actually gives us a double-edged message about these phenomena. Introspection reveals pain and painfulness to be essentially kinds of qualia, or qualitative character, (§1)—a thesis I defend from the ‘heterogeneity problem’ (§2). But introspection also prompts a conception of pain and painfulness on which these are capable in principle of unconscious existence (§3, §5). This implies, in turn, that suffering may well occur unconsciously (§§4-5), something I argue for in part by criticising rival models of suffering (§4). Taking consciousness seriously as an epistemic source for the natures of pain, painfulness, and suffering, thus has the surprising result that consciousness is removed from the metaphysics of pain, painfulness, and suffering.
Chapter in the Routledge Handbook of Philosophy of Pain, ed. Jennifer Corns (forthcoming)
2012
What is pain, what does it mean that the subject has a relationship with it, and how does this affect his identity and existence? My definition of pain is derived from that proposed by scientists such as Melzack and Wall, and Freud. Pain is a dynamic, multilayered, diverse collection of experiences which impact and influence the subject throughout life. Pain is a kind of conglomerate of past, traumatic, neurobiological, psychological and emotional imprints-pain as in suffering or being in pain. The aim of this thesis is to argue that it is not pain, as such, but the relationship of the subject to (his/her) pain which is most significant to his/her processes of life. In examining the combination of two theories of pain, namely, Freud's psychosexual theory of development and Melzack's theory of the Neuromatrix, my thesis endeavours to evidence my theory by using case study methodology. The similarities in the theories which are a hundred years apart have sparked my interest to propose that there is the distinct possibility for the existence of what I have named a Psychomatrix-patterns of pain (loss-abandonment, grief, rejection, desire) imprinted from infancy within an innate matrix that are specifically translated by their own 'psychological and emotional neural loops' and therefore, similar to the neuromatrix concept. As pain is triggered these 'loops' become more ingrained as information is analysed and coded to create a continuous (subjective) experience of suffering or being in pain. This is also true for positive emotions, such as love and joy, however I suggest that pain is the primary, and most significant emotion that needs to be understood in order to understand the others which are triggered by the same neuralpsychological and physicalpathways as incidental emotions of the quality of existence. A vast spectrum of (on-going) research has identified the impact of cultural, religious, social and political factors on pain and pain management. I suggest that all of these figure in the conglomerate. Using a psychoanalytical frame of reference this is a theoretical and conceptual thesis. My final conclusion is that pain becomes an object that compels the subject to respond accordingly and consequently, from birth to death, defining his/her identity and existence.
It is curious, but also telling, that the main methodological standpoints that underlie contemporary pain research are the very ones that constituted the chief intellectual rivals of phenomenology during the years of its inception. In the Logos article, 1 Husserl aimed to position phenomenology between two methodological extremes, which might have seemed to be the only viable positions. Supposedly, when it came to methodological issues, one could either be a naturalist, or one could be a historicist, and it might have seemed that there is no other attitude one could take on. The Logos article showed that to assume such a methodological alternative as exhaustive would be a matter of committing the fallacy of bifurcation. Phenomenology turned out to be the much-needed third way, situated between the mentioned extremes.
2005
When my wife was pregnant, our birthing coach asked the class " What is pain? " I thought I might finally get to display some of my philosophical training, but alas, the correct answer was: " Pain is whatever she says it is. " The coach's " sufferercentric " definition echoes the one offered by the International Association for the Study of Pain (IASP)— " Pain is always subjective " —as well as the definition of pain offered by the philosopher Saul Kripke in his argument against identity theory— " Pain. .. is picked out by the property of being pain itself, by its immediate phenomenological quality " (1972/1980, p. 152). These subjective conceptions of pain pose problems for the scientific study of pain, as Price and Aydede point out in the introduction of their chapter. If the essence of pain is its phenomenological quality, then it seems the only way to study it directly is through introspection and subjects' verbal reports...
Gestalt Theory, 2017
This paper develops a phenomenological approach of pain, which highlights the main presuppositions that underlie pain research undertaken both in the natural and in the socio-historical sciences. My argument is composed of four steps: 1) only if pain is a stratified experience can it become a legitimate theme in both natural and socio-historical sciences; 2) the phenomenological method is supremely well suited to disclose the different strata of pain experience; 3) the phenomenological account here offered identifies three fundamental levels that make up the texture of pain experience: pain can be conceived as a pre-reflective experience, or as an object of affective reflection, or as an object of cognitive reflection; 4) such a stratified account clarifies how pain can be a subject matter in the natural and socio-historical sciences. Arguably, the natural and socio-historical sciences address pain at different levels of its manifestation. While the natural sciences address pain as an object of cognitive reflection, socio-historical sciences first and foremost deal with pain as a pre-reflective experience and as an object of affective reflection.
Gestalt Theory, 2017
Summary This paper develops a phenomenological approach to the concept of pain, which highlights the main presuppositions that underlie pain research undertaken both in the natural and in the sociohistorical sciences. My argument is composed of four steps: (1) only if pain is a stratified experience can it become a legitimate theme in both natural and sociohistorical sciences; (2) the phenomenological method is supremely well suited to disclose the different strata of pain experience; (3) the phenomenological account offered here identifies three fundamental levels that make up the texture of pain experience: pain can be conceived as a prereflective experience, as an object of affective reflection, or as an object of cognitive reflection; and (4) such a stratified account clarifies how pain can be a subject matter in the natural and sociohistorical sciences. Arguably, the natural and sociohistorical sciences address pain at different levels of its manifestation. While the natural sc...
International Journal of Older People Nursing, 2012
Pain is an individual experience. This paper presents four phenomenological accounts of pain which describe: the pain at the time of the experience; the meaning the pain had at the time of the experience (reflection in); and the meaning of the experience looking back on it (reflection upon). Specifically, the accounts describe pain that is emotional, cognitive and physical (acute and chronic). By exploring the essence of pain using very personal accounts, we encourage nurses to reflect on how their own understanding of pain and individual responses to pain can impact on how they in turn recognise, assess and manage pain in older people and especially those living with dementia. Paper 1 highlights the under-assessment of pain in older people with dementia. By confronting readers with this paper's phenomenological approach, it is hoped that they will be challenged to address this situation.
Transactions of the Royal Historical Society, 2013
ABSTRACTWhat is pain? This article argues that it is useful to think of pain as a ‘kind of event’ or a way of being-in-the-world. Pain-events are unstable; they are historically constituted and reconstituted in relation to language systems, social and environmental interactions and bodily comportment. The historical question becomes: how has pain been done and what ideological work do acts of being-in-pain seek to achieve? By what mechanisms do these types of events change? Who decides the content of any particular, historically specific and geographically situated ontology?
We naturally seek to avoid pain, so it is a subject we tend to avoid. The problem is it remains cloaked in misunderstanding, and unknowing. This results in fear, which results in further avoidance, which results in a cyclic process. The investigation which follows is one person's attempt to remove the cloak of misunderstanding and unknowing, to reveal pain for what it is, and gain some understanding, then show this to the reader. The discussions present in the investigation delve into such things as the definition of pain, types of pain, historical conceptions of pain, pain's societal aspect, pain assessment, the psychology of pain, and finally the philosophy of pain. Each of these subjects attempts to gain an understanding of the subject from a different perspective. The purpose, to illuminate pain, so the reader may gain a greater understanding.
Filozofia, 2024
The aim of this article is to show how the inseparability of its objective and subjective dimensions renders pain such a complex phenomenon that it poses a challenge for both the biomedical sciences and philosophy. Neurophysiology has ascertained the variability of the relationship between damage and pain, showing that it is the result of interaction between the sensory and affective-emotional constituents of the human being. However, the process of defining the clinical concept of suffering appears comprehensively laborious and ongoing. Philosophy, while declaring the impossibility of identifying the essence of pain, makes a valuable contribution to the discovery of the singularity of the experience, thanks to the phenomenology of the homo patiens. Finally, we examine the debate on the possibility and the different ways of narrating and appraising suffering, a need with obvious ethical implications, perceived more and more within the field of care, also given the chronicity of many medical conditions.
Problemos, 2023
This work proposes that pain meets the requirements of being characterized as a secondary quality, as it covers, like a color, a determined extension. The argument seeks to establish a literal pain-color analogy through an inquiry into the intensity and location of the pain. From the classic intensity/location relationship reported by patients with acute appendicitis, three degrees of pain are distinguished: mild, moderate, and severe. The objective is only achieved by examining the Body's extensional determinations (primary quality) insofar as each of these degrees of pain covers three particular measures. Once these three measures have been explored according to the perforation process (tissue damage), the work ends by identifying pain as a transcendent moment.
The Berlin Review of Books, 2012
Review of A.J. Vetlesen, 'A Philosophy of Pain'. London: Reaktion Books, 2009. Veltesen offers an eclectic study of pain, mixing philosophical and cultural analysis. I divide his chapters roughly into three overlapping parts. These make sense of pain as an isolating experience, a shared aspect of the human condition, and a cultural phenomenon. Part I probes the pain which results from torture, chronic illness, and psychological trauma. Through these, Vetlesen provides a conceptual analysis of how pain changes our normal connections to the world, including to other humans. Part II is a phenomenological description of how pain is experienced. From it, he draws existentialist conclusions about our responsibility and vulnerability in the world. Part III develops a model of how pain circulates within society and how culture transforms this pain. He uses it to interpret two aspects of western culture: its violence and valorisation of choice. The published version of this article is available at: http://profile.nus.edu.sg/fass/phiccf
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