Indus Valley Vedic Life Science

Veda Vigyan Kendra BHU, 2021

Deciphering the Indus Valley Vedic Sanskrit Lexicography on seals Prof. Chandra Prakash Trivedi Former Principal, MJS College, Bhind, MP & Vedic Research Institute, Ratlam, Indore Introduction A new Book on study into IVC has revealed its scientific achievements. Vedic Culture and the Indus Valley was the most advanced civilization. With the discovery of Higgs field 2012, DNA Watson and Crick 1953, Darwin Origin of Species 1859, Phonon can disintegrate Photon in a crystal Lie et al 2014, and a recent discovery of Gravitational waves 1919, we have touched their height up to this and can grasp further. Though the IVC was the most expansive civilization of its time – spanning parts of present-day Afghanistan, Pakistan and Northwest India – and its archaeological sites are of great scholarly interest, we don’t yet know which language(s) its people spoke. Their script is also yet to be deciphered. Deciphering the Indus Vedic Language code Language and script changes with time, they have used Lexicography, where each word, hymn or sentence has a symbol. The symbols have a vast ocean of knowledge in the background. Its answer is in complementary symbols in concern Vedic hymn. It means Sanskrit and Veda were in practice in IVC. Sanskrit is oldest and mother of all languages it was having its existence in IVC along with other languages. Symbols of Vedic hymns have been engraved on the seals to explore origin and evolution of creation and life on the earth. Lexigraphy; where each word or sentence signifies a symbol. In this sense the symbols on the seals are complementary with Vedic symbolism for demonstration and teaching with its text in Vedic hymn. To interpret the Vedic hymns has been a great puzzle for scholars. It is because the scholars were not acquainted with the Vedic scientific terminology and height of the Vedic science. UNESCO has included the ÿgveda in the list of world heritage. It is unanimously accepted that the Vedas are the oldest literary monuments of human civilization on the earth. Einstein’s Unification Theory Einstein was motivated “The intellect seeking after an integrated theory cannot rest content with the assumption that there exist two distinct fields independent of each other by their nature,” Einstein said in his Nobel lecture in 1923. The fundamental energy is working with its dualistic force Phonon and Photon, it has been termed both the father and their son metaphorically.   Both their father is also their son; both the chief is also the meanest (Kani–—ha) of them; the one God, who has entered into the mind, born the first, and he within the womb Ath. 10-8-28. The fundamental energy is working with its dualistic force Phonon and Photon. They together have been termed as both the father and their son metaphorically. of them; the one God, who has entered into the mind, born the first, and he within the womb. . Out of these two, one Phonon has entered in the mind first and stimulates the language of DNA in the womb, the phonon is earliest, it has activated the Dark matter in pre-cosmic condition. Vedic Science is in the metaphors and riddles with symbolism. The Vedic hymns have their beginning, with the discovery of a single unified force and dualistic force of fundamental energy Photon and Phonon.

The Harappan seals contain several linguistic symbols which have not been properly understood so far.Through my works especially- Indus script decipherment breakthrough, PaNameTa-the troy tower weight and measure system of Harappa, The Harappan Symbol Of Man+ Trident And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower Weights), The Harappan Unicorn And The Kalinga Malla MeTas(Tower Weights) , The Harappan Symbol Of Intersecting Circles And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), The Harappan Contest Motif Of Nude Man With Six Locks Of Hair Fighting Two Tigers And Its Relation To The Kalinga Malla MeTas( Tower Weights), The Harappan symbols of Roots, Nuts And Cocks And Their Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), Identification Of KaNva In The Indus Script, Identification Of Troy In The Indus script,Identification Of Barley And Mustard In The Indus Script, Krishna’s Mathura And Dvaraka In The Indus Script, The Pinna In The Indus Script, The Identity Of Vedic Sarasvati And The Location Of Krishna’s Dvaraka, Identification Of Vedic Bharadvaja In The Indus Script, Krishna’s Dvaraka In The Indus Script, One Symbol Of Indus Script Can Tell A Lot About The Indus Valley Civilisation, The Identity Of Kasyapa In The Indus Valley And Sumeria, Kusa -The Son Of Rama-In Mesopotamia(Sumer),Indus -Sumer Trade, A Few “Copper” Names In The Indus Script, Janaka-King Of Mithila-In The Indus Script,The Vedic Asvins, Yama And Kartikeya In The Indus Script, The Goddess Sarasvati And The Origin Of Brahmi And Kharoshthi, The Origin Of The Roman Aes Grave From The Indus Valley Money, A Solution To The Mystery Of The Gundestrup Cauldron, The Eternal Soma Of The Vedas, Vedic Roots Of Ancient Egyptian Religion, A Veiled Visvamitra Soma Sacrifice In The New Testament , The Script Of Indus Valley Civilisation-1:The Script Of Indus Valley Civilisation-2, The Punny Plough,The Bearded Kings Of The Ancient, Bharata -The Language Of The Indus Valley Civilisation, The Script Of Indus Valley Civilisation -3,The Script Of Indus Valley Civilisation-4,Harappan Vedic Sacrificial Feasts In Mesopotamian Art And In The Bible,The Script of Indus valley Civilisation-6 :A Vrishni Silver Coin And Its Harappan Source,The Script of Indus valley Civilisation-7: The Conversion Of Makha(Sacrifice) To Tanka(Mint) In The Indus Script,Script Of Indus Valley Civilisation-8:Vedic Root Of Gudea’s Akshayapatra,Three Men In A Boat Seal Evidence Of Indus –Dilmun Trade,The Script Of Indus Valley Civilisation-9: The Goodluck Symbols Of The Indus Script, The script of Indus valley civilisation-10:Identification Of The True Vedic Soma From Harappan Seals Confirms The Indus Valley Civilisation As Vedic, The Script Of Indus Valley Civilisation-11: Daksha (Soma) Yaaga-The Vedic Eucharist -In The Indus Script , The Script Of Indus Valley Civilisation-12: Dāśarājñá And Dasaratha In The Indus Script, The Script Of Indus Valley Civilisation-13:The Silver Palm Seals Are Rosetta Stones Of The Indus Script , Vedic And Sumerian Linguistic Evidences For The Language Of Harappa, The Script Of Indus Valley Civilisation-14:The Difference Of Meluhha And Mlecca, The Script Of Indus Valley Civilisation-15:The Shift Of The Capital Of The Vrishnis From Mathura( Kalibangan) To Dvaraka( Mohenjodaro) - I have shown that several seals contain vedic metrological terms,names of vedic ornaments,names of people, places and gods etc. My perception is that only a comprehensive study of ancient vedic metrology can decipher the script symbols satisfactorily. A significant find herein is the existence of the Kalinga malla mana system during Harappan times challenging the common perception of its origin from the later Kalinga kingdom(Orissa).The unicorn is identified as the pala/nishka/soma/agni.Signs of intersecting circles, fish , crab,bud,tower etc. also indicate pala.The six locks of hair indicate the paNameTa weight of six barley grains.Roots and nuts indicate viira bhadra/ Drupada/ varaha/pala.We have located Lord Krishna’s Mathura and Dvaraka in the Indus valley scripts. We have confirmed Mohenjodaro as the first Dvaraka on the basis of the inscription on the copperplate B7C2 from there and textual evidences from the Rgveda, Mahabharata etc.We have located PadmakuuTa,one of the palaces of Krishna there.Also we have identified the Sindhu(Indus) as the Vedic Sarasvati river.We have gone through the symbols identifying the Bharadvajas,the clan of composers of the earliest vedic texts.In Krishna’s Dvaraka we gathered more details from the script on Lord Krishna’s Dvaraka and Sindhu/Sarasvati. We have looked into the indications of the Harappan jar symbol with three forks on each edge.We have located the Kasyapas in Hastinapura trading with Sumeria.We have decoded the Mari Standard,went deeper into the meanings of several Sumerian images and confirmed Meluhha as Vedic Harappa/Indus valley. We have located Janaka,the king of Mithila,father-in-law of Rama, in the Indus script.We have identified the names of copper in the Indus script and located the Asvins,Yama and Skanda in the Indus script.In A Model For Indus Script Decipherment we have identified the deity in the seal M-1181 and built a model for complete decipherment of the Indus script. We have seen how Brahmi and Kharoshthi evolved from the Indus Script and how the Indus script was in use along with Brahmi/Kharoshthi even into the first centuries CE.We have seen how the coins of the ancient world,including the Roman coins evolved from the Indus valley money. We have looked for and located a Rosetta Stone for the Indus script, in the varaha/gadyanaka coin form. We have gone into the relation of the Druids to the Indus valley civilisation and the role of their Gundestrup cauldron in the evolution of Christianity. We have explored the relation of the Anau seal to the Indus Valley Civilisation. We have gone into the relationship of the Egyptian and Harappan deities. We have looked into a beautiful story from the New Testament invoving the vedic soma sacrifice in A Veiled Visvamitra Soma Sacrifice In The New Testament. We have studied the indications of some of the Indus script symbols with particular reference to their use on ancient coins of India . We have looked into symbolism of the overflowing vase on the Sumerian statue of Gudea and through it we identified the indications of several Indus symbols including the Harischandra vaajapeya sacrifice. We have seen how the Harappan glyphs served as goodluck symbols . The identification of the right vedic soma has two important aspects:First, it ends the long quest for the mysterious soma. Second,it confirms the Indus valley civilisation as vedic ,beyond any doubt. We have studied the vedic Daksha Yaaga and its relation to the soma yaaga.Also we have located Dāśarājñá and Dasaratha in the Indus seals. We have explored the application of the palm seals as further rosetta stones of the Indus script . We have looked into the claim of mlecca as the language of the Indus valley civilation and concluded that Bharata,not mlecca, was the language of the Indus valley civilisation. We have gone into the shift of the vedic Yadava clans from the Ghaggar-Hakra to the Sarasvati(Sindhu) basin. In this article we are confirming the river Sindhu as the vedic river Sarasvati.

Cracking the DNA code of Indus Valley Genetics & Cytology Abstract Introduction The quest of creation is quest of human mind from dawn of the Civilization on the earth. The discovery of the double helical structure of the DNA by the Watson and crick 1953 has brought the revolution in the field of Biotechnology. The same echo is coming from the well developed Indus Valley Civilization. The pictographic symbols on the seals are cytological models for teaching; they explore the cellular genetic evolution on the earth with genetic recombination. Its literary text is in the Vedic hymns. The Vedic metaphoric symbols for DNA have been engraved on the seals. Accordingly the seals and cytological symbolic pictographs deciphered in chronological order. It is not a script of known language but microscopic cytological models. The electron microscopic structure of DNA engraved on the seals confirm their advance technology, it explore evolution of human species in chronological order. 1. The synthesis of chromosome 2. DNA replication and Protein translation 3. Nucleotide pairs 4 Nuclear reaction – the Ribosome translate the DNA code into life. The group of tiny seals expresses the evolution of the creation from the pre-cosmic condition up to the evolution of man symbolically in chronological order. Indus Valley Vedic Zero to Infinity Vedic Zero Indus Valley explores the height of scientific development. The Vedic metaphors on the seals reveal that it was the Vedic culture. The pictographic symbols on the seals are cytological models for teaching; they explore the cellular genetic evolution on the earth with genetic recombination The decipherment of Indus Valley seals explore that the pictographic inscription on the seals are cytological pictographs at microscopic level. It reveals development of the cellular body in the womb of mother. It is not the script of a language. The life consciousness evolved from pre-existing cells with cell division and genetic recombination from single DNA and cell body. The human body is a microcosm in side a macrocosm. The human species is highly evolved, which is under the process of mental evolution. To evolve one’s own self from animal instincts to human and God like nature, with sacrifice of desire is the aim of life. Decipherment of Indus Valley seals is most exciting with discovery of DNA 1953 and higgs field 2013. The Indus Valley civilization was scientifically developed and reached at its peak we have received its hoofs of traces as seals and potteries. The symbols on the seals are microscopic cytological pictograms to explain origin of life from single ancestor and genetic recombination with cell division with its text in Vedic hymns. The decipherment of the seals explore that the seals were prepared for the students for demonstration and teaching and belongs to contemporary Institutes of higher education. With this all seals have been deciphered in chronological order. Each seal is complete in itself with even one or more inscription and may be used for examination for comment, with its text in Vedas.

The Preface and Table of Contents of the book are appended to provide background information about the book. A companion book is titled Indus Script Primer (2020) with sub-titles: -- karṇika 'scribes' convey wealth account ledgers -- Meluhha words & meanings, use hieroglyphs. Thus, the books are about 8000+ Indus Script inscriptions which are simply wealth-accounting ledgers and daybooks maintained by guilds of artisans and Meluhha seafaring merchants from 4th millennium BCE. The contents of these 'national accounts' records provide glimpses of what made Ancient India a Super Economic Power of the times, a stunning fact recorded by the Cambridge Economic Historian, Angus Maddison who produced the bar-chart to trigger the formation of European Union. While this chart takes us back in time to 1CE, it does not track down the story of a civilization fully, way before 1CE, say from 4000 BCE. We have found a potsherd from Harappa dated stratigraphically by the HARP archaeology team to ca. 3300 BCE. This potsherd shows three Indus Script hieroglyphs which read: tagara kolimi 'tin smithy'. There is hope that the 8000+ deciphered Indus Script inscriptions will provide details to write an outline Civilization story, Cultural and Economic History of India from 4th millennium BCE. S.Kalyanaraman Sarasvati Research Centre Preface The excavations at Mohenjodaro and Harappa by a British-led team in the 1920s started the revelations about the Indus Valley Civilization. British-led historians and archaeologists theorized how such an advanced civilization flourished apparently 5000 years ago (between 3000 and 4000 years Before the Common Era), and what ended it. Those familiar with the scriptures of ancient India saw evidence of the Sarasvati civilization, discussed starting with the Rg Veda. A Euro-centric theory of civilization, however, insisted that the Indus Valley civilization had nothing to do with the Vedas: instead the Vedas had to be composed by the Tall, Fair and Martial Europeans (Aryans) who rode horses down the Khyber Pass, drove away the short, dark and meek cattle-herding Dravidians, and then, amazingly, decided to settle down and write the Vedas there. Much of the Indus Valley including Mohenjodaro and Harappa is in Pakistani Punjab. The author of this monograph was proudly informed by a PIA flight attendant, that the drink coasters in Business Class were replicas of seals from the Ancient Pakistani Civilization at Mohenjodaro and Harappa. Following the 1974 atomic explosions at Pokhran in the Rajasthan desert, US remote sensing assets such as the LandSat satellite, focused on the Rajasthan desert, looking for effects of the explosion. Other ground agents obtained samples of ground water to seek radioactive seepage. These provided irrefutable visual proof of three facts: 1. A large, dried riverbed ran from the Himalayas to the sea in Gujarat in northwest India, well east of the Indus. 2. The groundwater below this riverbed was from isolated pools, thousands of years old, not annual flows. 3. The large, shallow river would have joined the sea near Dholavira, in India’s Gujarat, close to the legendary location of the submerged port city of Dvaraka. The frequent occurrence of intense earthquakes and landlsides in the region all show why a large, snow-fed river from the Himalayas could get redirected, leaving its previous bed dry – and displacing the settlements that depended on the navigable fresh-water river. Indian archaeologists supplemented their ancient Scriptures with modern diagnostic techniques such as ground-penetrating radar in exploration. Over 2600 sites have been excavated along the Sarasvati valley, and the larger “SaptaSindhu” region, the 7th being the long-lost Sarasvati. The submerged city of Dvaraka has been rediscovered. The above developments have some undeniable effects: 1. The “center” of the so-called Indus Valley civilization has certainly shifted east of the Sapta Sindhu region. 2. This places much of the civilization east of several waterways, further debunking the invasion theories. 3. Maritime trade has been established as a feature of this region, explaining connections to a far larger region. 4. These developments have precisely followed, and now explained, the descriptions in the ancient Scriptures, starting with the earliest identified to-date: the Rg Veda. We now shift attention to other debates. Many artifacts found in these river valley sites have been described as “seals”. But what purpose did they serve? Why did the residents make so many of these? If they were precious, as the expertise and intricate detail suggest, why were they left lying around, absent any catastrophe befalling the residents? Naturally, the academic focus of most archaeologists and historians, has been on ‘decoding the Indus Script’, seeking the equivalent of the Rosetta Stone that gave the same law decree in 3 languages. Nothing of the sort has been found: the residents, and their leaders, appear to have been people of few words, but much effort to communicate those words. Without understanding the context, efforts to decode the ‘script’ have floundered. One solution (none else have come this far!) is a radically different way of looking at these seals. The evidence is in this book. Unsurprisingly, it took the mind of a retired officer of the Asian Development Bank credentialled in public administration as well as economics, and used to seeing accounting every day, to recognize the purpose of the seals. The seals are now seen as marks used in trade and wealth accounting. No wonder that, shorn of the consignments that they guaranteed, they have little value. The intricate seals signify a superlative level of skill in working metal and stone – for metal products were the main trade that they appear to signify. In other words, the translations do not yield Royal Edicts or historical descriptions: they were prosaic statements of the provenance of goods sold, and wealth accumulated from trade. The term “Dravidians” has long been used to signify the “short dark and meek” Indus Valley inhabitants who were supposedly driven away by the Tall, Fair and Martial, but Veda-authoring scholarly Aryans from Europe. It is now seen to denote: “those who lived near/on the water” (Dravya means water). Maritime traders and river-bank dwellers. No wonder some were dark-skinned and focused on their civilizational skills and trade, rather than on predatory and insular instincts: some came from the equatorial sunshine of south India, Sri Lanka and Indonesia. They were used to dealing with diverse peoples, at least from modern-day Vietnam, if not Japan, all the way to Israel if not Scandinavia, and from Indonesia to Central Asia. In short, they had better worries than that of killing the next person they saw to steal food and wealth. They were Civilized. Surely such a civilization did not survive on metals alone. But the signs of their diverse products must be gleaned from elsewhere: most of those articles would not have survived exposure or burial for 5000 years; those that survived would have been taken away and used by those who came later. The implications are stunning. The “Indus Valley” and larger Sapta Sindu region, were not a unique fount of civilization, but the trading edge, and junctions, of a massive hinterland that manufactured (and consumed) the goods traded. This extended at least through the rest of the Indian peninsula and the larger subcontinent, as well as most of South East Asia. How long had this civilization evolved, before it got to the advanced trading stage seen in the Sapta Sindhu? The extremely succinct (though massive!) distillation of knowledge in the Vedas begins to make sense, as the distillation of untold aeons of experience! To speculate on what this does to the Eurocentric narratives of the origins of civilization, is beyond the scope of this book. This two-volume set is written in a very succinct monograph style, originally intended for audiences from the community of present-day historians and archaeologists. It extensively refers to, and cites, the archaeology literature across continents Given the rigid 19th century/ 1920s textbook beliefs that appear to control “Indology” and “South Asian History”, however, many readers may be from outside these communities. Therefore, before one dives into the first chapter, a brief analogy may be useful. The key to the “code” such as it, is the term “Rebus”. An everyday example is the “Arm & Hammer” logo seen on packets of Baking Soda. These are from a corporation started by Mr. Armand Hammer. The words denoting an Arm and Hammer sound like ‘Armand Hammer’ only in English. But people who buy the products need not speak English: they just need to recognize the logo. Thus a common dialect spanning the trading region is not a pre-requisite; though evidence exists that “Meluhha” denotes such a spoken form that formed a “Sprachbund”: a union of speech, across the entire region. The elaborate and intricate seals would have been an extremely laborious and impractical system if used in everyday written communications. However, if they served as stamps to communicate a standard set of messages, they would have been convenient, secure and very efficient. The words sound familiar and intuitively evident, to native speakers of Indian languages. It takes someone steeped in native lore and scripture to make the connections, as done in this monograph. Of course any rebus could have multiple meanings, as laboriously documented in the monograph. There is much to be discovered, but a start has been made, to understand a civilization that spanned a period of at least a few thousand years, ending over 5000 years ago.

According to the prevalent history of Bharata varsha as told by western scholars the Indus valley civilisation belonged to the Dravida/Munda people and the vedic people(Aryans) reached India around 1900 BCE only . But in reality the Indus civilisation is vedic and the vedic people were in the Indus Valley at least from 6000BCE as seen from the excavations. If an unknown script can explain the known myth and known history of a nation,what more proof is required to show that the script belongs to the same people.The script of Egypt explains their myth and history.The script of Sumer,Akkad or Elam does the same.So it is natural for the Indus script to denote the myth and history of the Hindu/Sindhu / Sarasvati/ vindu/vipra/sura/ bhuusura/bhudeva/bharata/kuru/pancala/Somaka people.Hence in this article we shall try to understand a bit of Indian history through the Indus script.We shall presently see a few evidences pointing to the existence of the Aryans in the Indus Valley several millennia prior to the so called Aryan arrival in the Indus valley. In the last article we have looked into the writing of the Harappans in the early Ravi/Kot Diji phases and concluded that they are the same vedic people of the mature Harappan phase. We have also compared an inscribed Ravi sherd showing presence of the Pancalas/ Bharatas in the Indus valley before 3300BCE and a Taxila coin showing their presence in Taxila around 200 BCE confirming the continuity of the vedic civilisation in the Indus Valley from the early Harappan days.We have also seen how an indus seal portray the story of Ahalya described in later literature. In this article we are exploring the universal idea of the mount of the dead Concept In The Worship Of The Sun God -Pancala-Bharata-Somaka-Moksha-Kosala-Kurukshetra-Dharmakshetra concept-in the solar worship as was practised in the IVC and elsewhere. What are the linquistic and ritual logics employed in the practice? Religions are dependent on rituals and rituals are dependent on languages.Hinduism depends on Bharata/pitR/ deva/rava/veda/Sanskrit/Jina-kshetra/pan-caala language.Budhism depends on the Paali/vaaNi /heli language.Judaism depends on Hebrew/bruuhi language.Christianity depends on Greek/Latin Lnaguage.Islam depends on Arabic languge.All the religions of the world were dependent on words formulated by the priests of those religions as linquistics played a key role in formulating the belief and ritual tenets of their followers.All these religions and the languages owe a great deal to one religion and langage which was the religion of Gobekli Tepe and its language which is the pitR/Bharata /deva/veda language.The Bharatas of Pancala Ruled The known Ancient World By Using The Mound Of The Dead Concept In The Worship Of The Sun God.

Indus Valley Vedic Civilization Endangered Historic Glory of India Prof. Chandra P. Trivedi Indus Valley Vedic Zero to Infinity Introduction Indus Valley is the symbol of glory of India. Today it may look like a myth of India’s glorious past as we have forgotten our past in the wave of long slavery. The British with deep inquiry into the Vedic culture were surprised to see the slavery of such a great culture. They have introduced Europe with India’s Vedic heritage and Archaeology of ancient India. With their education policy and industrialization, they have awakened the dormant Indians and burn the flame of freedom in the Indian mind in the light of democracy. The Max Muller declared that India was the country of most richly endowed with all the wealth, power and beauty that nature can bestow, indeed a very paradise on earth, a place where the human mind has most fully developed. The India has solved the problem of life long back. India is the cradle of civilization, and the man has arisen in India, the birth place of races, Philosophy and of religions. The most important was the discovery scientifically developed Indus Valley Civilization by Sir John Marshal, they recognized that Indus Valley is glory of India’s glorious past, but struggling for survival with inherent deep rooted faith in Vedas and age old traditions only. Because scholars are unable to trace the height of scientifically developed civilization at its peak and contemporary scientific development is still far away. It is the reason behind it. Otherwise each seal is complete in itself with its text in Vedas and modern Science. The decipherment of Indus Valley can restore India’s glorious past. Endangered Historic Glory of India Indus Valley Vedic Zero to Infinity Vedic Zero Indus Valley explores the height of scientific development. The Vedic metaphors on the seals reveal that it was the Vedic culture. The pictographic symbols on the seals are cytological models for teaching; they explore the cellular genetic evolution on the earth with genetic recombination. 1. The synthesis of chromosome 2. DNA replication and Protein translation 3. Nucleotide pairs 4 Nuclear reaction – the ribosome translates the DNA code into life. The Light of Life – DNA DNA replication The figure expresses the DNA replication, Protein translation, and triplet Code Flying with falcons, may your chariot, Aśvins, most gracious, bringing friendly help, come hither,- Your chariot, swifter than the mind of mortal, fleet as the wind, three seated, O ye mighty Rig-Veda 1-CXVIII-1 It has been expressed that the DNA has spread in all the direction with falcon’s speed. The Aśvins, the nucleotide pairs of the DNA are most gracious, their speed of replication with the triplet code is just like the speed of human mind. The De oxy ribose Nucleic Acid DNA is light of life. It carries the information from generation to generation with hereditary characters. The DNA is universally present in the living-beings, and It regulate the life of an individual with its coded information. Hence he is the watchman of life, which store the thoughts of an individual in its coded language and decode the same with time. Indus Valley Seals; Vedic Zero to Infinity 5000 year old seal from Moenjodaro The Creator Dualistic Force of the Creator The creator has manifested with its dualistic force the dark force was concealed in the darkness prior to cosmic dawn with equal and opposite character, just like two river Vipasha and Shutudri Opposing struggling The dark matter was activated by shock waves in pre-cosmic condition. The annihilation of shock waves and dark matter resulted in to photon imbued energy with light and sound. XX & XY chromosome - the human figures expresses the evolution of male and female from the XX and XY chromosomes from single DNA The force prior to big bang Vχa resonant vibrations; shock waves draws up his wave from out the ocean; mist-born the fair one’s back made apparent (ÿg. 10-123-2) The resonant shock waves with concentration and compression of dark matter prepared the condition for big bang, and explosion with blast is its first manifestation of sound and light with activation of dark energy. The sound and resound echo is collision of mysterious dark matter and antimatter shock waves with annihilation, and produced mass less photon imbued with energy in fraction of a second with primary hydrogen and helium, were created in the big bang. Pre-cosmic condition Then was not non--existent nor existent: there was no realm of air, no sky beyond. What covered in and where? And what gave shelter? Was water there, unfathomed depth of water? ÿg. 10-129-1 Death was not then, nor was there aught immortal: no sign was there, the day’s and night’s divider. That One Thing, breathless, breathed by its own nature: a part from it was nothing what so ever ÿg. 10-129-2 Prior to the origin of cosmos, when neither time nor space was created, it has been expressed then was not non--existent nor existent: in this pre cosmic condition, there was only one force, which began to disintegrate from infinite to finite with its back ground in the infinite cosmos. It has been expressed symbolically through breathless, breathed by its own nature. Accordingly, the creative force manifested with its dualistic force and the forces of nature came in to function with generation of heat energy. The heat energy is the pioneer energy, which has generated the fundamental particles of the nature. It has been expressed through the words ‘great power of warmth’ in the pre-cosmic condition, where neither time nor space was born, at that time only deep darkness was there ÿg.10-129-3 Darkness there was: at first concealed in darkness this all was in discriminated chaos. All that existed then was void and form- less: by the great power of Warmth was born that Unit ÿg.10-129-3 How the cosmos came in to function? It has been expressed symbolically by darkness concealed in darkness with its dualistic force. Its dualistic force manifested with generation of heat energy as primeval seed of the creation with energy transformation. Dualistic Force of the Creator XX & XY chromosome - the human figures expresses the evolution of male and female from the XX and XY chromosomes from single DNA A body formed for flight hast thou, O charger; swift as the wind in motion is thy spirit. Thy horns are spread abroad in all directions: they move with restless beat in wildernesses ÿg. 1-163-11 The Charger The DNA has a body for flight in nature. The immortal thought words charged the DNA with the language code of past birth with hereditary characters. Its speed is swift as wind. Figure 3 The DNA and Life The bull, the youngling with the hump, hath frolicked, the strong and never-ceasing Calf hath bellowed. Bringing our offerings to the God’s assembly, he moves as Chief in his own dwelling-places ÿg-Veda 10-8-2 The universal nature of the DNA has been expressed. L 7 1 7.1 The horn - the DNA and the life The Horn is symbolic term for DNA, it has been expressed by four horned buffalo emitted Let us declare aloud the name of Gh‚ta, and at this sacrifice hold it up with homage. So let the Brahman hear the praise we utter. This hath the four-horned Buffalo emitted (ÿg. 4-58-2) Tva–—È the lord hath made all forms and all the cattle of the field: Cause them to multiply for us ÿg. 1-188-9 The structure of DNA Four are his horns, three are the feet that bear him; his heads are two, his hands are seven in number. Bound with a triple bond the Steer roars loudly: the mighty God hath entered in to mortals Rig.4-58-3 The four horns - The four horns is a symbolic expression for four bases of DNA, they are universally present in the living-beings, Three legs - the DNA execute its function with triplet genetic code, the triplet genetic code is just like his three legs for its function. Two head- The two helix of DNA are just like his two head. Seven hands- The triplet nucleotide pairs have two hydrogen double bond and a hydrogen triple bond. = it is just like the seven hands for actions. Triple bond - The DNA replication and synthesis depends on the hydrogen triple bond, it has been explained by saying that ‘bounds with the triple bond the DNA roars loudly just like a steer. The DNA is universally present in the living-beings, they are subject to birth and death, hence it has been expressed that the mighty God-DNA has entered into mortals. Unicorn How it all began! The creation has evolved from single ancestor and single cell with genetic recombination, crossing over and cell division from genomic chromosome A 5000 year old Seal on Granite stone at Moenjodaro Single ancestor The life has evolved from single DNA, the cell division leads to evolution with genetic recombination and crossing over of genomic chromosome with DNA replication in fourfold manner. DNA replication and pair of chromosome - Saranyu deserted twins Atharvaveda 18-2- 33 Genomic chromosome Crossing over Cell body cell division leads to evolution Unicorn How it all began! The creation has evolved from single ancestor and single cell with genetic recombination, crossing over and cell division from genomic chromosome Result The result shows that the creation came into the existence from a fundamental energy with energy transformation under the laws of the thermodynamics, the Scientists call it as zero – Gravitational force. The life has originated from the single cell with cell division and genetic recombination with photosynthesis.. The life on the earth is protected by ozone layer in the atmosphere and magnetosphere of the earth.

What came to be called Hinduism was an amalgamation of beliefs and practices from several sources. This chapter focuses on the first of the two major contributors: the indus Valley Civilization. in subsequent chapters we will focus on the second: the indo-aryans. The discovery of the indus Valley Civilization in the nineteenth century revealed a sophisticated and long-forgotten ancient culture that appears to have contributed to the development of the hindu traditions. in this chapter, we examine the architectural ruins and artifacts left by this civilization and contemplate their import for its inhabitants and for subsequent hindu history. This examination reveals that indus Valley religion focused on maintaining ritual purity and appropriating divine powers to assist in reproduction and the maintenance of life. Finally, we introduce the indo-aryans with a brief discussion of their relationship to the dwellers of the indus Valley.

Notion Press, 2020

The excerpts cite decoding of Indus Script of Dholavira gate. It also contains decoding of a few frequently used Indus scripts in Santali language. The decipherment contained in the book 'Indus Valley Civilization Script Decoded' is chiefly based on Traditions and Institutions of the Santals by L. O. Skrefsrud and P. O. Bodding and the images of the deciphered seals taken from Deciphering the Indus Script by Asko Parpola. 'Indus Valley Civilization Script Decoded' contains more than 155 deciphered seals in Santali.

A new insight based on the Alphabet of Sindhu Prakrit

The quest of creation is quest of human mind from dawn of the Civilization on the earth. The discovery of the double helical structure of the DNA by the Watson and crick 1953 has brought the revolution in the field of Biotechnology. The same echo is coming from the scientifically developed Indus Valley Civilization. The pictographic symbols on the seals are cytological models for teaching; they explore the cellular genetic evolution on the earth with genetic recombination. Its literary evidences are in the Vedic hymns.

Essai, 2011

South Asia's first civilization known as the Harappan or Indus Civilization was already flourishing by the middle of third millennium B.C. within the vast area of the Greater Indus Valley drained by the Ghaggar-Hakra and Indus river systems of Pakistan. Best known from its extensively excavated two principal urban centres at Harappa on the Ravi River where it was first discovered and recognized, and at Mohenjodaro on the bank of the Indus,' it is marked by many a unique and distinct feature among its contemporaneous civilizations of the Nile and Tigris-Euphrates Valleys. An astonishing aspect of the Indus Civilization is its geographical extent much beyond the core re~ion in the central Indus Valley where Mohenjodaro, Harappa and the third unexcavated urban centre of Ganweriwala are located. It reached as far north as Badakhshan in northern ,Afghanistan and southwards along the Arabian Sea coast of Pakistan and Western India. Such a political domination or cultural expansion over a large territory had not been ever achieved by any other oriental civilization of the ancient world. Equally outstanding feature is the town planning as at Mohenjodaro which is divided by streets and lanes and lined with public and private buildings with an elaborate drainage system. The long life span of the Harappan cities and towns, their growth and prolification mostly in the flood plain, clearly demonstrate availability of sufficient economic resources and surplus which were mobilized to construct huge fortifications and public buildings on artificially raised platforms of earth, and technology for effective utilization of the riparian environment to support growing numbers of permanently settled human population and inducing the rise and development of inter-related socio-economic, political and religious institutions. A net-work of inter-settlement trade of exchange existed within the Greater Indus Valley and with neighbouring regions for the procurement and supply of raw materials and distributions of finished articles. Possessing the essential elements of full urbanization, the Harappan society was sharply stratified as would be evident from the varying size of private houses and differences in their grave furniture and modes of burials. Specialised crafts activities involved manufacturing of shell, faience and terracotta bangles, flint knapping, beads, pottery, seal cuttings and gravings, melting of copper and manufacture of metal utensils. The glyptic and representational arts were well developed and 'numerous cultic objects are indicative of formal role of religion. The mass production of different kinds and their occurrence throughout tire Greater Indus Valley requires a high technological level, an elaborate means of communication and an effective political or administrative system controlling a vast territory which induced a sort of Pan-Indus cultural integration not achieved elsewhere in the ancient world.

Preview What came to be called Hinduism was an amalgamation of beliefs and practices from several sources. This chapter focuses on the first of the two major contributors: the indus Valley Civilization. in subsequent chapters we will focus on the second: the indo-aryans. The discovery of the indus Valley Civilization in the nineteenth century revealed a sophisticated and long-forgotten ancient culture that appears to have contributed to the development of the hindu traditions. in this chapter, we examine the architectural ruins and artifacts left by this civilization and contemplate their import for its inhabitants and for subsequent hindu history. This examination reveals that indus Valley religion focused on maintaining ritual purity and appropriating divine powers to assist in reproduction and the maintenance of life. Finally, we introduce the indo-aryans with a brief discussion of their relationship to the dwellers of the indus Valley. 15

South Asian Archaeology Series 4, 2018

This publication is a collection of the papers presented at the International Seminar on Current Research on the Indus Civilization held at Kansai University on June 8, 2018, which includes four papers by the scholars who participated in the seminar. The study on the Indus Civilization has a history of almost 100 years since its discovery at Harappa and Mohenjodaro in the early 1920s. Since then, a number of studies and researches have been conducted by numerous scholars and many issues have been raised to understand this ancient civilization. In the early phase of studies, the external origin and connection with the Mesopotamian Civilization were emphasised. With an increasing number of excavations, cultural developments in the Greater Indus Valley region itself were successfully traced leading to the emphasis on the indigenous developments of this civilization. Recent researches focus on a diverse range of issues including palaeo-environmental reconstruction. The research methods used in fields have also become diverse introducing digital technologies in recent years. While our understanding on the Indus Civilization has become profound by the tremendous efforts by scholars from many countries including India and Pakistan, a number of problems and issues to be solved and investigated are in our hand. To develop better understanding of this civilization, it is crucial to address problem-oriented issues, to develop updated research methodology and to share the results of researches among scholars and those who are interested in this field. The contributors to this volume are all working in fields to obtain and analyze primary data, and to present their works and data to the academic society. Dr. Vivek Dangi has been conducting a number of surveys in the Ghaggar valley which covers the modern states of Haryana, Punjab and Rajasthan of India. He presents a general view on the Indus sites in the Ghaggar valley based on his fieldworks in this volume. Dr. Rajesh S.V., who also has been engaged in many surveys and excavations in Gujarat, overviews the history of researches at the Indus sites in Gujarat and presents the current understanding on the Indus archaeology in the region. Dr. Gregg Jamison examines the stylistic features of the Indus-style seals to see the interregional connections of the Indus urban society. Dr. Takekazu Nagae, a metallurgist, who has broad interests in ancient metallurgy in various parts of Eurasia, has recently been conducting a research on copper/bronze objects of the Indus period and Iron Age in South Asia. I, Akinori Uesugi, has been parts of many projects in India and Pakistan and has been attempting to develop an integrated view towards the socio-cultural developments in the South Asian Bronze and Iron Ages. My article in this volume overviews the current state of the material cultural studies in the Indus archaeology.