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Throughout the 20th century, scholars have initiated a process aiming to overcome social biases, especially from scholarly studies of the Roman Republic (509–27 BC) where women remain silent. In this paper, I reassess women’s experiences as publicly active agents in their community. To do so, I examine how women’s image was shaped by public opinion. Their use of space is revealed not only by evidence ‘left’ by women themselves, but also by members of their inner and outer social circles. Thus, I argue that to fully understand women’s spatial experience, we should not limit ourselves to analyse the messages sent by their environment, but to consider their own use of space itself. Therefore, it is crucial to investigate how women behaved around these spaces. And when writing about the Roman society, we need to refuse to do as some of our predecessors: to systematically ignore women from our narratives.
A note from me, 2021: In the first few pages of this article I make an argument that the shift from women's history to gender history in the twenty years or so leading up to its publication risked leaving behind some important unfinished work on women's lives. I was mostly worried about what I saw as a trend in the late 1990s and early 2000s towards masculinity studies, which in the wrong hands meant using the terminology of gender studies to recentre men and masculinity: I got a sense in some venues that 'just' researching women was seen as passé. When I read this article now, I am horrified at how close my argument gets to the kind of rhetoric used in recent years by TERFs or 'gender-critical' writers to deny trans women's rights and position their existence as some kind of attack on cis women. I hadn't come across that rhetoric at the time; now that I have, I think that if I were reading the piece for the first time I would suspect that the author was making an anti-trans dogwhistle. And I worry that trans scholars and others who love and support them may have read it and been hurt, or felt less welcome in the research community. I believed then and believe now that trans women are women, and that all women's (all people's!) liberation is bound together. I am sorry. Abstract Feminist approaches to gendered space, including the second wave theories of the 70s (Ardener, Pateman), the Marxist-inflected geographies (Soja and Hooper) and urban theories of the 90s (Spain, Wilson), and more recent work (Puwar), often rest on assumptions situated in their own time and place which are not easy to apply to the ancient world. For example, some such models claim that gender stratification is often reinforced by spatial segregation, that women are not given access to places where power is exercised or knowledge is kept, and that ‘the greater the distance between women and sources of valued knowledge, the greater the gender stratification in the society’ (Spain, 27). In Republican Rome, sources of valued knowledge were spatially located in places like the elite house – seen at least in part as women’s domain – while the topography and archaeology of the political space of the Forum suggests an open and accessible multipurpose square which was not defined by architectural barriers and was available to all. Other contemporary theoretical work considers the relationship between the public/private divide and gender: in this model, while women are not physically confined to ‘private’ space or men to ‘public’ space, the public/private divide is a tool used to police gender. Women are conceptually tied to the private sphere, and when they are in public space they are either constrained and marked or smothered and denied. Our imperfect understanding of Roman concepts analogous to ‘public’ and ‘private’ make it hard to apply this model directly, but by heeding Soja and Hooper’s call to look not for ‘the difference that space makes’ but ‘the spaces that difference makes’, we can in fact turn the question on its head and use Roman gender policing to understand the public/private divide itself. By asking how women’s spatial experience may have been different from that of the (male) ideal user we usually envisage we can identify previously invisible categories and spatial boundaries. Many of Republican Rome’s civic buildings and monuments sent a clear message to that same ideal viewer: they testified to a patron’s glory, military success, and the unbroken tradition of Roman virtus – ‘manliness’ – stretching down the centuries. But what of those who could not vote for the patron or serve in the army, and were biologically incapable of ‘manliness’? In a world where the elite house was hardly less ‘public’ than the Forum and elite patrons used architectural style and decoration to construct the buildings they donated as civic benefactions almost as an extension of their own private property, we cannot unthinkingly rely on the unstated equivalences between the dichotomies public/private and masculine/feminine which characterize much work on gendered space in our own culture. Tracing the evidence from Cato’s disgust at the presence of women in the Forum in 215 BCE to the sculptural decoration of Pompey’s portico, I find evidence for a discourse which did use the public/private divide to police gender (and status), and both marked and erased the presence of women in public. Thinking about how these processes might have worked and how women experienced them can help us understand better how the house was and was not different from the basilica, or the forum from the portico: the spaces difference makes.
Historical Studies of Women and Gender (Shanghai) 2 (2018) 115-30. Translation of TRAC 2015 164-76. In the ancient Republican city of Rome, there were few spaces segregated by gender. Nor were women always conceptually tied to ‘private’ space. Yet the public/private divide was still used to police gender. This paper considers feminist approaches to spatial analysis, and uses gender as a lens to help us understand Roman urban space. By asking how women’s spatial experience may have been different from that of the (male) ideal user we usually envisage we can identify previously invisible categories and spatial boundaries. Tracing the evidence from Cato’s disgust at the presence of women in the Forum in 215 BCE to the sculptural decoration of Pompey’s portico, I find evidence for a discourse which did use the public/private divide to police gender (and status), and both marked and erased the presence of women in public. Thinking about how these processes might have worked and how women experienced them can help us understand better how the house was and was not different from the basilica, or the forum from the portico: the spaces difference makes.
Published in: Historische Anthropologie. Kultur -Gesellschaft -Alltag. Special issue on Living Room, 26:3, pp.287-307 , 2018
In recent years early modern historians of gender have paid considerable attention to space. In Foucauldian fashion scholars initially embraced the idea that space is constructed to reflect the politics of power -in this case the gender order -and to separate what is considered 'the other' from 'the same'. Hence, women were seen to be excluded from many outdoor public spaces, especially those 1 devoted to the exercise of government and trade, and to be quintessentially associated with the private sphere of the home Historians of early modern Italy have focused in particular on urban living and traced the areas of the city accessible or denied to women. In his study of renaissance Venice Dennis
New Testament Studies, 2020
Scholars have often explained discrepancies in evidence for women's participation in the early church by reference to the gendering of public and private spaces. Public spaces were coded male, and when churches moved into these spaces, women's leadership was disavowed. This article rejects the usefulness of the public/private dichotomy as an explanatory tool, arguing that the modern sense in which these terms are used was anachronistic to the New Testament period. The overlap between public functions and space that the modern concept of the ‘public sphere’ takes for granted did not exist in the ancient world. Public functions often occurred in household spaces, and functions considered private also took place outside homes. For these reasons, scholars should look for new language that better describes the ancient patterns.
2020
In recent years, scholars have increasingly begun to ask to what extent gender played a role in shaping the character of Roman urban space. One area of contention has been the civic forum, which has often been portrayed as a predominantly masculine space. While initially honorific statues for women were erected in proximity to the forum, in the second century ce they began to appear more frequently in the fora themselves, both in Italy and in North Africa. These women were often honoured not due to their own merits, but because of the political careers of their husbands and sons. This paper presents as more nuanced perspectives on why or why not statues for women were set up on and around fora and on how far they can or cannot be used for gender-related questions.
Neighbourhoods and the social use of urban space are areas of growing interest that concern both contemporary city planners and archaeologists. The latter focus on the built space of the past and can offer a long-term perspective on spatial trends and patterns in urban development. Based on a detailed examination of the archaeological remains of two distinct city blocks (IV ii and iv) from Ostia (Imperial Rome's principal port city), the article explores the spatial properties of these urban quarters and seeks to identify spaces which potentially fostered social cohesion and community building. By combining archaeological and syntactical methods of spatial analysis (space syntax), novel insights have been generated regarding the physical environment in which Roman city dwellers lived their daily lives. The shared courtyards and passage spaces of Block IV ii suggest a continuity of community focus over a period of almost four hundred years. In contrast, Block IV iv appears to lack shared spaces and revealed a spatial organisation of self-contained buildings focused on individual access to public space. Block IV ii is characterised by shared internal courtyards suggestive of collective use within its own perimeter; Block IV iv looks outward toward external community building with activities centred on the street confining the block. The combined results reveal insights into the flexibility of ancient Roman urban structures and allows for several suggestive glimpses into the urban community that sustained these blocks and the wider city in the long-term.
In Republican and imperial Rome, the house was seen as a locus of public life and a symbol of the status of its male residents. The influential position of elite women turned the houses that they owned, or the residential space with which they were associated the most, into appealing elements of literary discourse. Central to all the anecdotes discussed in this contribution is the idea that a woman who gathers people around her might, at some point, become a political force to be reckoned with. Modern scholarship has often characterized the Julio-Claudian period as a period of trial and error. The portrayals of Julio-Claudian women illustrate this most clearly: whereas state-regulated media, such as imperial coins or senatorial decrees, show that these women were given a visible role in public life and were consequently considered as influential members of society, they were never recognized as formal players in the struggle for power. Describing their residence and its visitors enabled ancient writers to point this out. The women whose domus frequentata is discussed in this contribution are: Verres’ mistress Chelidon, Clodia Metelli, Cornelia, Octavia, Livia, Agrippina the Elder, Messalina, and Agrippina the Younger. http://eugesta.recherche.univ-lille3.fr/revue/eng/issues/issue-6-2016/
Journal of Roman Studies, 2023
both of oneself and of others' (Roman Homosexuality, 1999, 151; my emphasis). While G. acknowledges that 'control of the self, both in and outside of sex, was imperative' (16), he does not fully integrate this aspect of the communis opinio into his critique, which is aimed at a model of Roman manliness based solely on 'martial and political aggression' (19). In fact, many of the examples he proffers to illustrate the vir bonus or malus boil down to questions of self-control. Scipio Africanus and the Elder Cato were praised for various forms of restraint (47-50), whereas Catiline and Clodius were impugned as effeminate on the basis of their perceived lust for power (22-3). This overlap between the familiar prerogative of self-mastery and G.'s 'republican masculinity' obscures, though by no means vitiates, the distinctiveness of the latter. Considering the performance of masculinity by people other than male aristocrats would also have helped G. identify precisely what, if anything, was characteristically 'manly' about the subordination of personal interests to the public good. For instance, G. depicts poor urban voters as a body that 'cared only for action, and for active men, not the ner points of republican principle' (88); but the populus regularly overrode the senate on matters of principle,
Memoirs of the American Academy in Rome, 1997
A s absolute as the pope in Rome" was a simile that seventeenth-century Italians invoked when they wished to express the notion that a ruler could do exactly as he pleased. Spatially the popes of the Counter-Reformation lived up to this image by carving out and clearing grand ceremonial vistas that invited the admiration of Rome and the world. Their patronage contributed to two of the most famous monumental public spaces in early modern Europe, Michelangelo's Capitoline plaza in the sixteenth century and Bernini's St. Peter's square in the seventeenth. As the patrons intended, these rhetorical gestures of absolutist urbanism-the great "stage sets" of the Counter-Reformation papacy-have long succeeded in dazzling visitors and scholars with the magnificently articulated authority of the popes. But what was the reality behind this image from the point of view of the urban population who were the popes' subjects? There was more than one actor on the city stage, and authority in Rome was not as easily monopolized as the pontiffs tried to suggest. In this study I analyze the political character of papal absolutism from the perspective of the Roman population, focusing on the rhetorical uses of space that this population articulated. The rhetoric of absolutism turned all eyes toward the prince. But this rhetoric veils the fact that the eyes and attention of the prince's devoted and obedient subjects were often turned elsewhere. Rome was a city of diverse and independent centers of influence. Despite the relative success of the papacy's efforts to deny subjects any formal public authority, patrician families, religious orders, and foreign embassies were just some of the groups that rivaled the popes as foci of private, less formal, attention and power. Lacking political institutions that gave them an active role in decision making, these and other urban groups found other ways to advance or protect their interests. The city landscape itself became a substitute for participatory institutions; it was a flexible and accessible rhetorical resource. When we see how these city dwellers utilized and gave meaning to urban space in their private battles for social prestige or for control of particular neighborhoods, we understand more clearly why the popes themselves resorted to such grandiose public gestures. Space in Rome was a vehicle for political expression. Here I explore how papal subjects used urban space as a means of expression and what their use of space reveals about the tensions within this particular absolutist regime, an elected monarchy ruling an Italian state and an international church. In probing the political meanings of "private," that is, nongovernmental, space in Rome, we shall see that the city had a great diversity of types of space. Our protagonists are a wide range of Roman residents: people of varied gender, class, culture, and nationality. If "space I am grateful for the suggestions of Nicholas Adams,
Urban History, 2014
I Tatti Studies in the Italian Renaissance, 2014
https://www.routledge.com/Urban-Space-and-Urban-History-in-the-Roman-World/Flohr/p/book/9780367406226 Built space structures everyday life in the city, and people build spaces that suit their conceptions of what their society is, or should be. The connection is both material and symbolic. In this chapter I aim to tackle the question of how Romans related two of the city’s most important political spaces at two different historical moments: the Forum Romanum during the late Republic and the Forum of Augustus during the early Empire. By drawing on the French theorist Louis Althusser’s concept of interpellation and a more recent set of concepts devised by organisational theorists Karen Dale and Gibson Burrell, I propose a vocabulary that might allow us to discuss the relationship between an individual and an urban space in their societal context. Once we have a consistent mechanism for putting that relationship into words, we can begin to compare it with other relationships at other times and in other places described in the same terms. The Forum Romanum of the late Republic and the Forum of Augustus during the early Empire both have a claim to be their city’s primary political space. There is so much more to be said about each example: these are rich and multivalent spaces, which allow for many different interpretations, and Althusser’s critics must be right that alternative interpretations, misrecognitions, resistance, and more were possible even for their original Roman visitors. But it should be no surprise to find that, on the whole, their architecture reflected the power relations that structured society at these two different historical moments.
Archaeology and Text, 2018
In this paper I argue that comparing views derived from texts and material culture highlights the conscious manipulation of both media by their creators in order to communicate specific messages. I suggest that an awareness of this kind of manipulation has a vital role to play in the interpretation not only of textual sources (as is often recognized), but also of archaeological ones (which is more rarely acknowledged). To demonstrate this point I focus on the debate concerning the roles of women in Classical Athens. With the support of a theoretical framework established by Amos Rapoport and elaborated by Richard Blanton, I argue that Athenian domestic architecture was deliberately designed to convey messages about the gender roles and social status of a house's residents. I suggest that such an interpretation is in keeping with previous studies of sacred and civic architecture in Classical Athens, which have demonstrated that the builders and users of such structures were aware of the communicative potential of architectural space.
Transactions of the American Philological Association, 2011
This article explores the evidence for women and gender in the Forum Romanum, investigating (primarily through literary sources) women's use of this space, and (primarily archaeologically) historical women's signification there by images and structures. The illustrated analysis proceeds chronologically from the Republic to the early third century c.e. Authors report women's presence in the civic Forum as abnormal, even transgressive through the Julio-Claudian period. The paucity of women's depictions and patronage here until the second century c.e. echoes constructs of Livy, Seneca the Younger, Tacitus, and others. The mid-imperial Forum, however, marks changes in Roman ideology as well as topography.
The Roman epigraphic habit, much like Roman literature and history, favors the story of its male inhabitants. Consider, for example, this women's epitaph from Rome which focuses on the male of the family:
2019
Gender, Space, and Experience at the Renaissance Court investigates the dynamic relationships between gender and architectural space in Renaissance Italy. It examines the ceremonial use and artistic reception of the Palazzo Te from the arrival of the Holy Roman Emperor Charles V in 1530 to the Sack of Mantua in 1630. This book further proposes that we conceptualise the built environment as a performative space, a space formed by the gendered relationships and actors of its time. The Palazzo Te was constituted by the gendered behaviors of sixteenth-century courtiers, but it was not simply a passive receptor of gender performance. Through its multivalent form and ceremonial function, Maria F. Maurer argues that the palace was an active participant in the construction and perception of femininity and masculinity in the early modern court.
2019
This paper explores the complex role of the gynaeceum in ancient Roman society, highlighting how this traditionally restrictive space became a sanctuary for women, enabling artistic, mercantile, and social independence. Despite prevalent misogynistic attitudes, as captured by ancient poets and philosophers, women like the poet Cornificius and the artist Laia leveraged the gynaeceum to nurture their talents away from patriarchal scrutiny. The analysis reveals how the architectural design of Roman households, with women sequestered in their quarters, paradoxically facilitated an environment conducive to creativity and collaboration. Through weaving and other domestic arts, women established strong communal ties and engaged in economic activities that fostered a sense of agency. The paper further argues that the gynaeceum served not only as a domestic space but also as a site of emotional expression and personal autonomy, allowing women to navigate the constraints of their societal roles in innovative ways. Ultimately, the findings suggest that the gynaeceum, while emblematic of oppression, also enabled significant avenues for female empowerment and cultural contributions in ancient Rome.
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