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2015, 國立臺中科技大學通識教育學報
2016
2013 年9、10 月間,中國國家主席習近平利用訪問中亞四國與印尼的機會,分別提出建設「絲綢之路經濟帶」與「21 世紀海上絲綢之路」的構想。而這樣的戰略意圖到底是如同中國外長王毅所強調的「不是地緣工具……不能用冷戰思維看待」,亦或是如解放軍少將喬良所稱「是跟美國戰略東移的一次對沖」。事實上,中國崛起在國際認知上,從來就沒有一致的認知,是否將會因經濟實力的變遷,而衝擊當前國際秩序,原本就在不同學派認知的爭議中劇烈衝撞。攤開地緣戰略地圖,如此大規模的跨區域戰略布局,不可能僅止於經濟、貿易、通商等低位階的安排,而不去調動高位階的國際政治與權力結構關係。因此,如何觀察這樣一個戰略安排的本質,如何理解其中的權力轉換,如何思考崛起中國在歐亞世界島的權力位置,而如此龐大的跨區域整合、鉅額的投資需求,複雜的權力重組,將會帶來的是無限美好的發展藍圖,亦或是新一輪冷戰的再起,基本上都是本文所關切,而亟欲思考、解決的議題。透過戰略局勢的地緣觀察,筆者認為,地緣的本質不變性與變動性,恰正可以提供超越意識形態認知的一條思維途徑。
2017
Generally speaking, people believe that the living conditions of the new area will be better, then they make decision to migrate to another place to live. In the theory of migration, it can be divided into individual factors and structural factors. No matter which factor, migration will have an effect on the development of immigrant society. In 1949, there were over 1.2 millions of the people who migrated from mainland China to Taiwan. Undoubtedly, it was caused by the structural and political factors that pushed the "great migration". Because the immigrants moving into Taiwan accounted for a considerable proportion of the population, they formatted an ethnic group so-called "mainlanders". This paper attempts to use migration as an approach to review and explore the development of society in Taiwan in the second half of the 20th century. The time frame is between the year of 1949 when the Nationalist government immigrated to Taiwan and the year of 1996 when direct presidential election took place in Taiwan.
2013
How did people in the Han (漢) Dynasty project their attachment to and imagination of hometown? What does this “hometown”refer to? These are the two questions which this thesis wants to ask. This thesis especially emphasizes the political context which personal feelings depend on and tries to explore how people in the Han Dynasty removed themselves from the indulgence and restraint of homesickness. How did an individual still keep different ways of emotional expression while sharing the same homesick atmosphere? The exhibition of these differences is called agency in this thesis. Chapter One explores how Liu Bang(劉邦) and Xiang Yu(項羽) felt homesick and their different relations and reactions to“hometown” according to the examples of choosing capital cities. What is involved includes not only emotional aspects but political calculations and rational reasoning. The two’s every decision was to seek for a balance between attachment with hometown and political calculations. In addition, th...
2017
本文在方法論上嚴謹依循「澄清概念」、「釐清判準」,以及「建構系統」三條原則,透過對先秦儒家原典的全面分析,探討「聖」、「聖人」及「聖人之道」等重要概念的豐富內涵,闡明「君子之道」與「聖人之道」之間適當的義理關係,並藉由先秦儒家「聖人觀」的基本理解進一步釐清其人性論與其「道統意識」的確切指涉,從而對先秦儒家之「道」展開系統性的界說。為了達成這些研究目的,本文著手回應下述四項核心問題:一,先秦儒家所謂的「聖」及「聖人」到底實指什麼?換言之,「聖人」的標準何在?二,如何界定「君子」(「君子之道」)與「聖人」(「聖人之道」)之間的適當關係?三,能否藉由先秦儒家「聖人觀」的分析反思其共通的「道統意識」?四,先秦儒者所主張的「聖人觀」與其人性論能否取得意義上的融貫?經由本文對《論語》、《孟子》以及《中庸》之「聖人觀」的解析,以及對先秦儒家「道統意識」的重新界定及再詮釋,我們得出以下三點結論。 其一,有關儒家「聖人」的定位問題,「聖人」是在某君子離世以後作為後世君子所敬仰和追念的道德典範而獲得的尊稱;它既是對君子一生道德事蹟的肯認與嘉定,也是作為後世君子所學習與效法的垂世典範。其次,「聖人之道」與「君子之道」不是彼此對立,各自為政的兩個概念,而實為一對相互證成、交相輝映的概念:「君子之道」以達成「聖人之道」為其終極目的,「聖人之道」必須藉由「君子之道」的具體開展而呈現其意義。具體來說,「聖人之道」透過聖人教化的形式構成一連接異代儒者的「意義場域」,而在此特殊的意義場域中,君子或聖人之徒將以歷代聖人的道德事功及人格典範為其自身行道的參照系。此「意義場域」之所以可能,關鍵在於先秦儒家一貫主張的「聖凡同心」之要義——每個人都有可能透過自身的立志和實踐而與「聖人之道」相契合,而「聖人之道」亦有義務光照每個人的成聖之路 。如此一來,「聖人之道」與「君子之道」即為同一個「道」的兩種面向,而這兩種面向經常是相互交涉的——沒有「君子之道」對「聖人之道」的期許與追求,「聖人之道」將淪為空洞懸浮的理念;沒有「聖人之道」的範導作用,「君子之道」將難以完成其自身的拓展。 其二,本文承接前面對先秦儒家「聖人觀」所展開的分析,試圖藉由一個概念的提出凸顯先秦儒家「聖人觀」的共同意識與關懷,並且將散漫於各先秦儒家經典的「聖賢論述」統合在一嚴謹的理論架構之中。這個概念即為「道統意識」。先秦儒者的「道統意識」...
《玄奘佛學研究》25期, 2016
摩登伽女的故事歷來都是漢傳佛教警戒男修行者遠離美色誘惑的 典型,她也成為情欲魔女的象徵。民國16 年溥緒(1882-1933)(清逸 居士)創作《摩登伽女曲本》,由京劇名伶尚小雲於北京新明戲院演出, 引起轟動。民國22 年,這個印度來的故事被印度泰戈爾(1861-1941) 創作成歌舞劇《昌達爾姑娘》,再改編為《昌達爾姑娘歌舞劇》搬上劇 場公演,至今仍表演不輟。同時代的二個劇本都能移動傳統視角,正視 摩登伽女自身,卸去僵化的魔女形象,但又各自呼應著自己的文化土壤 與時代關懷,呈現不同主題寓意:一者關注她的情愛與修悟,以色幻悟 道為精神;一者關注她的啟蒙與平等,以實踐平等新生為精神。 在溥緒筆下,摩登伽女具有端莊美麗,專情高潔的形象,有傳統文 學的杜麗娘之傷春幽情、賈寶玉之色空悟道,又有《西遊記》魔考誘惑 的情節。故事關注情愛與修悟,在情愛美色的貪執中,徹悟不淨與如幻, 並輔以平等慈悲之懷。 而泰戈爾的歌舞劇,藉此抒發對印度種姓不平等制度的批判。他筆 下的摩登伽女言語靈動,活潑熱情,從不平等的種姓思惟中被啟蒙新生 後,自我作主,勇敢追愛,這份蘊含「愛」的新生,歸向阿難與佛陀所 象徵的平等慈悲,隱含泰戈爾「在愛中徹悟」的梵愛合一路徑。 就女性視角詮釋的二個路徑「情欲主動」、「速證果位」觀察,溥緒 以專情高潔之主動來詮釋其「情欲主動」,並以消融情欲而得悟,雖然 能呈現她因情而悟,但並無深刻描寫其「速證果位」。泰戈爾則完全沒 有著墨「速證果位」,主力全在「情欲主動」上,這份主動來自平等的 啟蒙,情欲化為自主勇敢去愛,與泰戈爾「梵愛合一」的宗教哲學呼應。 關鍵詞:摩登伽女、阿難、溥緒、泰戈爾、昌達爾姑娘 In Chinese Buddhism, the story of Matangi's daughter has been taken as a warning for male Buddhists to keep away from the temptation of lust, and Matangi's daughter has become a representative of femme fatale. In 1927, Pu Xu (1882-1933, art name Qing Yi Ju Shi) composed a tune of "Matangi's daughter", starred by Shang Xiao-yun and caused a sensation in the Xinming Theater in Beijing. Then in 1933, this Indian story was written as a musical drama "Chandalika" by the respected Indian writer Rabindranath Tagore, and be readapted and played in theaters until now. These two scripts of the same era both change the point of view toward female by facing up to this character and getting rid of the stereotype as a femme fatale. What's more, they reflect to their own cultural soil and contemporary concern, and present two different theme implications: the former focuses on her love and enlightenment, taking enlightenment from form & vision as the essence; the later focuses on h...
東吳中文研究集刊 第11期, 2004
隨著地下文物的出土,尤其是簡帛佚籍的發現,使得思想史的研究得以展開新頁。如過去學者所討論的「五行」,對於《荀子.非十二子》中「案往舊造說,謂之五行」的批評,受於資料限制,往往不得其解。等到馬王堆帛書與郭店楚簡〈五行〉篇出土後,這問題才得到大致的解決,並抽繹出儒學中,子思、孟子一系的發展。郭店楚簡另有一篇〈太一生水〉,其蘊含的宇宙生成、名實關係、天地形狀與古老的自然、數術觀念,俱與道家學說有相通之處。本文便取先秦至前漢的道家典籍加以比較,尤其是《老子》一書,最後並歸結其思考模式的特色,以期能對當時道家思想的樣貌有更深一層認識。
2013
古蹟保存之修復論述中再提出技術這一疑旨結構的主要意義,是為了意圖重新釐清古蹟保存與修復的真義,以及重新建立對於古蹟保存修復技術之實踐主體性的認識。更確切而言,它將指涉古蹟之保存修復論述的技術形構為何?本文認為,古蹟保存修復的論述實踐可說是基於「創新使用」的技術史,涉及的是技術的選擇與使用。概因保存修復技術所面對的處理對象-古蹟,既不是必然存在或生成的事物,亦非其存在或生成是由於自然作用的事物,而是可改變和可製作的事物;這種「實踐-造物」導向的技術本質,旨在製作的反思活動,是一種「造物」與「產生新知識」相結合的過程。這樣的技術建構,關乎的是「知的方法」,而不必然是創造新知識或新事物的方法。是故,與其稱之為技術,或許稱之為「技術產物」更為適當;它就如同古蹟的存在一樣,是特定之社會文化條件的意識形態脈絡下的產物。
2016
Of regular script calligraphy styles from the Tang Dynasty, the style of Yan Zhen-qing (709-785) became one of the most highly regarded styles by later scholars. For centuries, " Yan style " was seen as a climax of Tang Dynasty regular script, and his work has had a wide and profound effect on Chinese calligraphy ever since. However, Tang Dynasty calligraphy critics did not place much value on Yan style, and they did not think of Yan Zhen-qing as a great calligrapher. This phenomenon is difficult to understand. The main aim of this paper is to further investigate the above-mentioned observation of Yan's lack of popularity in the Tang dynasty. The conclusions are as follows: 1. There are only ten extant genuine works of Yan Zhen-qing's regular script calligraphy, including Wang-lin Mu Zhi "Wang Lin's Epitaph", Duo-bao-ta Bei "Prabhutaratna Pagoda Stele",Yan Qin-li Bei " Stele for Yan Qin-li" and others. All other works are either co...
法鼓佛學學報, 2008
This article takes various expressions using the Chinese term "speak" (shuo) as the basis for its investigation of Nāgārjuna's linguistic strategy. These include speak, unspeakable, unspoken, and spoken by prajñapti in the Chinese version of the Mūlamadhyamakākarikā. I first point out the two background causes that make the Buddha withdraw from preaching and remain in silence: the profundity of the Dharma and the limits of people's capacities. In response, the Mūlamadhyamakākarikā seems to reveal a two-sided strategy, i.e., confirmation and negation. On the one hand, it emphasizes the unspeakable to get rid of people's attachment, until at last all prapañcas have ceased, and one arrives at the unspoken. On the other hand, Mūlamadhyamakākarikā positively approves of the conventional truth and prajñapti to express that conventional linguistic cognition is necessary. The Mūlamadhyamakākarikā's theory of pratītya-samutpāda and śūnyatā, therefore, reveal double the aspects of negation and confirmation in Buddhist Philosophy and lead people to the way of nirvāṇa.
2001
由於台灣天然災害發生的頻率甚高,常釀成重大災情,災難防治遂為重要課題。九二一地震讓我國災難防救體系成為眾所矚目的焦點,開啟一扇政策討論之窗。然而,一個尚未被深入探究的面向,則是民主化如何影響救災行政體系的運作。災難援救看似一個技術性的工作,可透過強而有力的官僚體係-良好的人員訓練、精密而充分的工具設備,再加上有效的領導統御-來解決。但步入民主化之後,行政官僚的行動必須兼具回應性與可靠性,故面對災難,政府已無法單向地施政,而必須與受治者密切互動-民眾會定義災難情境並因此對政府有所期待,政府則必須有效處理這樣的期待以維繫政權。同時,民主的新挑戰乃私部門的興起以及官僚體系的網絡化-由許多擁有自治權以及不同利益觀點的行政次體系,要共同擔負災難情境的管理工作。因此,如何促成各組織間的協調與合作,成就此「治理」的工作,乃民主化之後災難治理的新課題。本文除援引上述理論來解釋九二一震災中為何政府救災成效不彰外,並強調各級政府間伙伴關係的建立,政治利益被正確地認識並納入制度改造的考量,才是改善我國災難治理效能之道。
2022
從規範佛教而言,佛教戒律中不贊同修道者歌舞倡伎以影響道心,但是佛教 傳至明清時期卻扭轉了這種規範性的認知,確實看見了大傳統與小傳統的不同。 不論從唐代的《洛陽伽藍記》描述佛教寺院中有戲臺的影子,到了明清版畫中也 能看到寺院搭起戲臺表演俗劇。除了戲臺外,還出現佛道融合的儀軌例如「破地 獄」,將表演與儀式結合,表現出的文化現象。在佛教戒律中禁止歌舞倡伎,但 是在寺院外卻搭起戲臺歌唱世俗情愛,這種佛教與民間衝擊的弔詭現象,現在佛 教研究的學術界甚少討論,因此希望藉由本文作為一個開端,使未來更多人關注 佛教音樂的研究。 本文欲透過文本分析、圖片考證,整理中國佛寺戲臺以及明清佛教戲劇與儀 式的資料,試圖歸納過去佛寺戲臺搬演及紀錄,還有現存佛寺戲臺的遺址。並且 列出明清時期佛教相關戲曲,乃至於佛教故事表演如何與儀式結合進行探討。希 望透過這兩個層面,概述明清佛教寺院戲劇與儀式的形態。
2018
This dissertation begins with Michael Foucault's classic explanation of "biopower". For Foucault, the reason why life asserted itself as the ultimate point of reference in the modern age is that the operations of power increasingly abandon the mode of sovereignty whose rationality consists in "power against power", performed in spectacular rituals with the right to take life as ultimate reference. Instead, the mode of biopower maintains itself by the productive effects of powers circulated in different partial mechanisms, the processes of materialization from partial mechanisms to global strategy and the economy and transfer between power technologies within the whole dispositif. According to the three highly theoretical methods of genealogy, the dissertation reconstructs the discourse of war in Foucault: war as the principle of social organization, the mutual deciphering among patterns of war in discrete discourses, and lastly, the displacement from war to government. From the threads of genealogy to the clarification of discourses of war, the correspondence in empirical reality is a new political domain to which Jean-Jacques Rousseau attempted to bind by sovereign and law. In this new political domain which was named "the police" in 18 th and later Foucault referred to as "the government". In this new domain, there are multiple objects for government, which could be generalized as "population", there is no single principle for effective government, only the general term "governmentality", and "dispositif of security" in this new domain avoids the conflicts and depletion between governmental mechanisms. In the replacement of raison d'etat with the liberal creeds in rationality of government, there emerged new objects as population, new principles as governmentality and new political rationality as security. In Foucault's highly experimental exploration of the implication of biopolitics, the physical bodies gradually recede, or, in the networks of dispositif, which perfectly achieve the exchange of life and death, they could come on the biopolitical scene in new forms, that is why "neoliberalism as the birth of biopolitics". This dissertation responds to Esposito's interrogation of Foucault if the distinction between sovereign and biopower with discrete effects of death and life would be conceptually inaccurate. However, in the elaboration of biopolitical antagonism between Empire and Multitude
國立政治大學歷史學報, 2008
This article is an attempt to explore how scholarly doctors perceived and treated ”demonic affliction” in Ming-Qing China. In the recent past certain medical historians claimed that the classic Chinese medicine is a ”rationalized” medical system primarily based on naturalistic explanations of illness and methods of treatment. To me, this viewpoint is only partly true. In fact, shamanistic exorcism and religious healings have never been excluded completely from Chinese medicine throughout the ages. The ritual therapies of zhouyou 祝由 and zhoujin 咒禁 have even become a part of the official medical education since the Tang until the late Ming. It is therefore my interest to examine if the scholarly doctors in the later ages employed any ritual therapy of this kind, particularly in the cases of ”demonic affliction”. To begin with, my article introduces a category of illnesses, namely, xiesui (literally trans. ”evil influences”) as recorded in Ming-Qing medical writings. Some doctors inter...
2018
This study investigated early and recent news reports on typhoons and typhoon-related disasters released by United Daily News from the perspectives of language construction, core meanings, and reporting trends. This study collected news reports from January 1, 1986 to December 31, 1996, and from January 1, 2006 to December 31, 2016, representing early and recent news respectively. The study employed text mining and frame analysis methods and studied the "frame" difference of news media over the past three decades. An analysis of the language construction of the news reports revealed that, concerning the subject of social communication, recent typhoon reports often utilized opinions from different social "actors" to increase the conflicts and violations of norms and human rights. From early to recent period, it is found that news frame are transiting from the early "response to nature" to the recent "response to society". The former focuses on the information transmission of natural ...
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