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2018, Oxford Handbook of Science and Medicine in the Classical World Edited by Paul T. Keyser and John Scarborough
The chapter shows how the texts of early Byzantine alchemy transformed the alchemical tradition. This period is characterized by a generation of “commentators” tied to the Neoplatonic milieu. Their writings, designed primarily to clarify the ideas of the previous generations, represent the most advanced stage of ancient alchemical theory. In the fifth century, authors external to alchemy explicitly speak of alchemy as a contemporary practice to produce gold from other metals. Around the seventh century, the corpus of alchemical texts began to be assembled as an anthology of extracts. The object of the research was agents of transformations of matter. The cause of the transformation is an active principle that acts by dissolution: “divine water” (or sulfur water), mercury, “chrysocolla” (gold solder), or raw sulfur. Mercury is at once the dyeing agent and the prime metallic matter, understood as the common substrate of the transformations and the principle of liquidity
in: A. Pellettieri (ed.), Identità euromediterranea e paesaggi culturali del vino e dell’olio, Foggia 2014, 249-259.
in: Ε. Nicolaidis (ed.), Greek Alchemy from Late Antiquity to Early Modernity [De Diversis Artibus 104], Brepols, Turnhout 2018, 11-43.
Illinois Classical Studies, 1990
"Alchemy" is the anglicised Byzantine name given to what its practitioners referred to as "the Art" (τἐχνη) or "Knowledge" (ἐπιστήμη), often characterised as divine (θεία), sacred (ἱερά) or mystic (μυστική). While this "techne" underwent many changes in the course of its life of over two thousand years (and there are traces of it even in modern times, as I will discuss), a recognisable common denominator in all the writings is the search for a method of transforming base metals (copper, iron, lead, tin) into noble (electrum, gold or silver). There is unfortunately no modern critical edition of any of these writings (the extant editions being old or uncritical or both), though the Budé has begun the process. In this essay I sketch the background and origins of the ancient alchemy, as well as its later transmutation into a mystical art of personal transformation. Finally I turn to the modern period and briefly examine the influence of this mystical tradition in our own world-picture.
De Medio Aevo 13.2 (2024): Scientific Interests and Technological Innovation in Byzantium: Interdisciplinary Perspectives, 307-319.
The concept of innovation has not been thoroughly explored in the context of Byzantine science, much less so concerning Byzantine alchemy. This article argues that persisting historiographical biases depicting Byzantium as a stagnant culture also influence perceptions of Byzantine science as anti-innovative. Building on recent advancements in the study of innovation in Byzantine culture, this article begins with a preliminary examination of the relationship between science and innovation in Byzantium, revealing intriguing dynamics between the concepts of "tradition" and "innovation". Next, it investigates a case study of innovation in Byzantine alchemy, namely how a monetary and economic innovation, the introduction of the solidus by Constantine the Great, likely influenced the perception of alchemy as primarily a chrysopoetic art. In essence, it explores how an external innovation can impact a scientific field, potentially leading to innovative conceptions and change within it.
Renaissance Quarterly, 2008
In Mystical Metal of Gold: Essays on Alchemy and Renaissance Culture, Stanton J. Linden has collected together sixteen essays exploring the varied and reciprocal exchanges between alchemical thought and the wider culture of the Renaissance. He takes the fortieth anniversary, in ...
Isis, 2011
This essay considers the implications of a shift in focus from ideas to practices in the history of alchemy. On the one hand, it is argued, this new attention to practice highlights the diversity of ways that early modern Europeans engaged alchemy, ranging from the literary to the entrepreneurial and artisanal, as well as the broad range of social and cultural spaces that alchemists inhabited. At the same time, however, recent work has demonstrated what most alchemists shared-namely, a penchant for reading, writing, making, and doing, all at the same time. Any history of early modern alchemy, therefore, must attend to all of these practices, as well as the interplay among them. In this sense, alchemy offers a model for thinking and writing about early modern science more generally, particularly in light of recent work that has explored the intersection of scholarly, artisanal, and entrepreneurial forms of knowledge in the early modem period.
Science & Education, 2008
There is thus nothing paradoxical about the inclusion of alchemy in the ensemble of the physical sciences nor in the preoccupation with it on the part of learned men engaged in scientific study. In the context of the Medieval model, where discourse on the physical world was ambiguous, often unclear, and lacking the support of experimental verification, the transmutation of matter, which was the subject of alchemy, even if not attended by a host of occult features, was a process that was thought to have a probable basis in reality. What is interesting in this connection is the utilization of the scientific categories of the day for discussion of transmutation of matter and the attempt to avoid, in most instances in the texts that survive, of methods reminiscent of magic.
Introitus. Our Lord, fount of goodness, inspirer of the sacred art, from whom all good things come to your faithful, have mercy. Christe. Christ, Holy one, blessed stone of the art of the science who for the salvation of the world hast inspired the light of the science, for the extirpation of the unbelievers, have mercy. Kyrie. Our Lord, divine fire, help our hearts, that we may be able, to your praise, to expand the sacraments of the art, have mercy. Graduale. He descends like rain upon the fleece, and as showers falling gently upon the earth. Allelujah. O blessed creator of the earth, whiter than snow, sweeter than sweetness, fragrant at the bottom of the vessel like balsam. O salutary medicine for men, that cureth every weakness of the body: O sublime fount whence gushes forth truly the true water of life into the garden of thy faithful. Ave Maria. Hail beautiful lamp of heaven, shining light of the world! Here art thou united with the moon, here is made the band of Mars and the conjunction of Mercury. From these three is born through through the magistery of the art, in the river bed, the strong giant whom a thousand times a thousand seek, when these three shall have dissolved, not into rain water... but into mercurial water, into this our blessed gum which dissolves of itself and is named the Sperm of the Philosophers. Now he makes haste to bind and betroth himself to the virgin bride, and to get her with child in the bath over a moderate fire. But the Virgin will not become pregnant at once unless she be kissed in repeated embraces. Then she conceives in her body, and thus is begotten the child of good omen, in accordance with the order of nature. Then will appear in the bottom of the vessel the mighty Ethiopian, burned, calcined, discoloured, altogether dead and lifeless. He asks to be buried, to be sprinkled with his own moisture and slowly calcined till he shall arise in glowing form from the fierce fire... Behold a wondrous restoration and renewal of the Ethiopian! Because of the bath of rebirth he takes a new name, which the philosophers call the natural sulphur and their son, this being the stone of the philosophers. And behold it is one thing, one root, one essence with nothing extraneous added and from which much that was superfluous is taken away by the magistery of the art... It is the treasure of treasures, the supreme philosophical potion, the divine secret of the ancients. Blessed is he that finds such thing. One that has seen this thing writes and speaks openly, and I know that his testimony is true. Praise be to God for evermore. In many ancient Books there are found many definitions of this Art, the intentions whereof we must consider in this Chapter. For Hermes said of this Science: Alchemy is a Corporal Science simply composed of one and by one, naturally conjoining things more precious, by knowledge and effect, and converting them by a natural commixtion into a better kind. A certain other said: Alchemy is a Science, teaching how to transform any kind of metal into another: and that by a proper medicine, as it appeared by many Philosophers' Books. Alchemy therefore is a science teaching how to make and compound a certain medicine, which is called Elixir, the which when it is cast upon metals or imperfect bodies, does fully perfect them in the very projection. CHAPTER II. Of the natural principles, and procreation of Minerals. Secondly, I will perfectly declare the natural principles and procreations of Minerals: where first it is to be noted, that the natural principles in the mines, are Argent-vive, and Sulphur. All metals and minerals, whereof there be sundry and diverse kinds, are begotten of these two: but: I must tell you, that nature always intends and strives to the perfection of Gold: but many accidents coming between, change the metals, as it is evidently to be seen in diverse of
This paper will provide a map of historical relations between alchemy and medicine in Byzantine period promoting a deeper understanding of the various interactions that can be historically ascertained. The main question is how alchemy is being related to other disciplines, how it affects everyday life, what technological applications it brings about, what interactions can be detected between alchemical and medical practices. According the texts by Byzantine scholars who presented works on alchemy, medicine and natural philosophy, as for example Michael Psellos and Nikephoros Blemmydes, this presentation will focus in the concepts of matter, common among the scholars from early Byzantine era until the end of Byzantine state, its characteristics, properties and of course its potential transmutation, within the epistemological, educational, technical and also religious context of this period. On the other hand, our study will mainly examine how this concept relates with medicine and the concept of human body in an orthodox Christian context. Another question is how the Byzantine scholars evaluated the alchemical practices and techniques, as a tool for scientific knowledge, not occult or magic, and how this perception connected with the medicine. The above questions are important for the value of knowledge in Byzantium and also the relation of empirical and theoretical knowledge in historical societies, an open question for the history of sciences
Substantia, 2019
For a long time alchemy has been considered a sort of intellectual and historiographical enigma, a locus classicus of the debates and controversies on the origin of modern chemistry. The present historiography of science has produced new approaches to the history of alchemy, and the alchemists’ roles have been clarified as regards the vicissitudes of Western and Eastern cultures. The paper aims at presenting a synthetic profile of the Western alchemy. The focus is on the question of the transmutation of metals, and the relationships among alchemists, chymists and artisans (goldsmiths, silversmiths) are stressed. One wants to emphasise the specificity of the history of alchemy, without any priority concern about the origins of chemistry.
2015
Introduction This presentation is a part of a research project in progress about natural philosophy, sciences and alchemy in the Byzantine era. The paper addresses a significant void in the current historiography of science by surveying and mapping a previously unexplored area: the relationship between alchemy and natural philosophy in the Byzantine era. Our study is based on the examination of the life and works of the scholars who presented works on both natural philosophy and alchemy. There are a lot of difficulties in the study of the relation of byzantine natural philosophy and science. Firstly, the sources are very few and fragmentary. Secondly, philosophy, the arts, and technology were not separated by clear boundaries, as the surviving sources reveal. So, a clear definition, although is necessary, is very problematic. In addition, the more one takes into account the differences among texts, contexts, and even social roles of the Byzantine thinkers, the more one realizes how ...
Greek-Byzantine alchemical manuscripts preserve various typologies of texts including among others treatises and recipes. Typical of this literary-scientific production is a large use of symbols standing for elements such as substances, metals and other ingredients used in the different procedures described. The correct de-codification of such system of signs was crucial for every user of Byzantine alchemical manuscripts: lists explaining their meaning were also compiled as aid for the readers. Nevertheless, given the high level of ‘encryption’ of this hidden knowledge, errors are quite common: symbols were both falsely understood and changed with different ones. The analysis of mistakes occurring in different manuscripts can therefore help in understanding the cultural milieu of their producers and users. Starting point of the present investigation will be an alchemical lexicon transmitted in some Byzantine manuscript dating from the 10th to the 15th century. The text has no parallel within the Greek alchemical tradition and it posed many problems to the copyists and users of it, also because of the use of symbolic notation that caused further errors and misunderstandings. Modern editors are also not immune.
Isis 113.3, 2022
This essay analyzes the known evidence for Byzantine engagement with what are conventionally termed “alchemical” texts, theories, and practices of the Islamic world. Much of the evidence is difficult to date. Nevertheless, the aggregated direct, indirect, and circumstantial evidence suggests at least some engagement by Greek-speaking scholars throughout the Middle Ages. This engagement took various forms, from the use of Arabic, Persian, and Turkish terminology to the adaptation of whole Arabic treatises in Greek. Sometimes the Byzantine texts emphasize their Islamicate sources, and sometimes they do not mention these sources at all. The resulting picture is still fragmentary, but it indicates that medieval Greek-speaking scholars were active in the circulation of chemical knowledge and techniques in the Mediterranean and Middle East. Byzantium, therefore, should no longer be left out of research into long-term patterns in the history of science.
The Occult Sciences in Byzantium, 2006
The main concern of this paper will be with the problems raised by the reception of ancient alchemy in Byzantium. After a brief introduction, I will start from the study of a pre-Byzantine author, Zosimos of Panopolis, and deal with the following questions : How, from a purely material viewpoint, were Zosimos' writings handed down during the Byzantine period? Did Byzantine alchemists have access to his works and did they resort to them? Was Zosimos known outside the alchemical Corpus; in other words, did Graeco-Egyptian alchemists exert any kind of influence outside strictly alchemical circles? When and how was the alchemical Corpus put together? In a more general way, what evidence do we have, whether in the Corpus itself or in non-alchemical literature, that alchemy was practised in Byzantium? Answers (or at least partial answers) to these questions should help us to understand and define to some extent the place held by the 'sacred art' in Byzantium.
2013
Spanning the world’s artistic, scientific and religious traditions, alchemy has embraced and continues to embrace the complete spectrum of existence. From metallurgy to metaphysics, alchemy engages the technical, fine and hieratic arts in order to provide a living phenomenology of the one, single, elusive process that acts through all things. Ultimately—in its guise as « ars transmutationis »—alchemy penetrates to the heart of the transfiguring spiritual intensity that underpins the perfection of life, from mineral to human. Despite this profoundly all-embracing purview, however, alchemy continues to be conceived as either proto-chemistry or proto-psychology. The present volume seeks to redress this false dichotomy by exploring alchemy as a quintessentially integral phenomenon. Opening wide the full spectrum of alchemy—from east to west, in history and practice, from antiquity to the avant garde—our aim is to penetrate as deeply as possible, within the limits of a single volume, into the rich practical and experiential traditions of the alchemical mysterium. Featuring both well-established scholars and emerging, cutting-edge researchers, this book synthesises a quintessentially high caliber of academic authorities on the vast and baroque heritage of the alchemical world. As a whole, the volume seeks to strike the perfect balance—the golden mean—between strict, historical objectivity and empathic, phenomenological insight. Drawn from international ranks (Europe, the Antipodes, the Americas) and cutting across disciplinary boundaries (Egyptology, Classics, Sinology, Indology, Tibetology, philosophy, religious studies, Renaissance studies, history of science, art history, critical theory, media studies), the contributors to this volume include some of the most gifted investigators into the world’s esoteric lineages." Featuring Aaron CHEAK ∙ Algis UŽDAVINYS ∙ Rodney BLACKHIRST ∙ David Gordon WHITE ∙ Kim LAI ∙ Sabrina DALLA VALLE ∙ Christopher A. PLAISANCE ∙ Hereward TILTON ∙ Angela VOSS ∙ Paul SCARPARI ∙ Leon MARVELL ∙ Mirco MANNUCCI ∙ Dan MELLAMPHY Egyptian alchemy ∙ Greek alchemy ∙ Hellenistic alchemy ∙ Taoist alchemy ∙ Hindu Tantric alchemy ∙ Tibetan Buddhist alchemy ∙ Islamicate alchemy ∙ European alchemy ∙ Surrealist alchemy ∙ Erotic alchemy ∙ Laboratory alchemy ∙ Alchemy of the word ∙ Alchemy of the body ∙ Alchemy of the spirit ∙ and more. CONTENTS Acknowledgements Peer Reviewers List of Illustrations PART I—CORNERSTONES: Ancient Alchemies, East and West Introduction to Part One: Circumambulating the Alchemical Mysterium —Aaron Cheak 1. The Perfect Black: Egypt and Alchemy —Aaron Cheak 2. Telestic Transformation and Philosophical Rebirth: From Ancient Egypt to Neoplatonism —Algis Uždavinys 3. Metallurgy and Demiurgy: The Roots of Greek Alchemy in the Mythology of Hephaestos (Discussions) —Rod Blackhirst 4. Taking from Water to Fill in Fire: The History and Dynamics of Taoist Alchemy —Aaron Cheak 5. Mercury and Immortality: The Hindu Alchemical Tradition —David Gordon White 6. Iatrochemistry, Metaphysiology, Gnōsis: Tibetan Alchemy in the Kālacakra Tantra —Kim Lai PART II: TRANSFORMATIONS: Alchemies of the Spirit, Body and Word Introduction to Part Two: Interzone: On the Origins and Nature of European Alchemy —Aaron Cheak 7. The Alchemical Khiasmos: Counter-Stretched Harmony and Divine Self-Perception —Aaron Cheak & Sabrina Dalla Valle 8. Altus’ Ominous Aphorism: Reading as Alchemical Process —Mirco Mannucci 9. Turris Philosophorum: On the Alchemical Iconography of the Tower —Christopher A. Plaisance 10. Of Ether, Entheogens and Colloidal Gold: Heinrich Khunrath and the Making of a Philosophers’ Stone —Hereward Tilton 11. Becoming an Angel: The Mundus Imaginalis of Henry Corbin and the Platonic Path of Self-Knowledge —Angela Voss 12. The Kiss of Death: Amor, Corpus Resurrectionis and the Alchemical Transfiguration of Eros —Paul Scarpari 13. Agent of All Mutations: Metallurgical, Biological and Spiritual Evolution in the Alchemy of René Schwaller de Lubicz —Aaron Cheak 14. Take Two Emerald Tablets in the Morning: Surrealism and the Alchemical Transubstantiation of the World —Leon Marvell 15. Incredible Lunatic of the Future: The Alchemical Horticulture of Alan Chadwick —Rod Blackhirst 16. Alchemical Endgame: ‘Checkmate’ in Beckett and Eliot —Dan Mellamphy End matter: Abbreviations Bibliography Author Biographies
Archaeology International, 2012
Journal of the History of Ideas 84.4, 2023
The term “alchemy,” born out of early modern professional polemics among chemists, is problematic as a historical category. The present article shifts away from asking what pre-modern alchemy “really” was, to asking how medieval scholars writing in Greek and Arabic thought about the practice of treating and combining naturally occurring substances to produce apparently quite different substances, and how they interpreted, valorized, or critiqued this practice and its results — in other words, what they thought about chemistry.
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