Academia.edu no longer supports Internet Explorer.
To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser.
A. Mork – P. Christodoulou (eds), Creating the House of European History (Luxembourg 2018)
…
12 pages
1 file
Creating the House of European History presents the long road towards the creation of a new museum, the House of European History. Forty authors describe in 44 papers this fascinating and complicated development process from very different professional and personal angles. They recount ideas and challenges, ambitions and doubts, obstacles and solutions. The book is divided in five parts. The first part, Process, reflects the organisational work behind the creation of a new museum under the auspices of the European Parliament. The second part, Building, is dedicated to the history of the building and its renovation. The third part, Content, is the most extensive, and presents the narrative of the exhibition and some of its key objects. The fourth part, Production, highlights all the creative work behind the scenes before the opening of the museum, from the design to the translation of texts in 24 languages. Finally, the fifth part, Outreach, concerns the preparatory work for communication, learning in the museum, and planning for temporary exhibitions.
Creating the House of European History, edited by Andrea Mork and Perikles Christodoulou, 2018
BMGN - Low Countries Historical Review
Edgar Wolfrum, Odila Triebel, Cord Arendes, Angela Siebold, Joana Duyster Borredà (eds.), European Commemoration: Locating World War I (Stuttgart 2016), p. 218-235
The House of European History, a museum under construction in Brussels, is based on the idea that main events and key developments in European history which have been formative for the continent were transnational, even though they were experienced in very different ways. The House of European History aims to become a “reservoir of European memory”, a reservoir of a shared memory in the dual sense of the word: European history has bound us together and it has divided us.
Creating the House of European History, edited by Andrea Mork and Perikles Christodoulou, 2018
2016
INTERNATIONAL SOCIETY FOR INTELLECTUAL HISTORY CONFERENCE "RETHINKING EUROPE IN INTELLECTUAL HISTORY" Rethymnon Campus, University of Crete, 3-5 May 2016
This book explore current trends in European contemporary museums. Analysing their ongoing evolution triggered by this “age of migrations” and with specific attention to their architecture and exhibition design, the volume collects the preliminary observations ensuing from this survey, complemented by the some paradigmatic examples, and further enriched by interviews and contributions from scholars, curators and museum practitioners. With contributions by Florence Baläen, Michela Bassanelli, Luca Basso Peressut, Joachim Baur, Lorraine Bluche, Marco Borsotti, Mariella Brenna, Anna Chiara Cimoli, Lars De Jaegher, Maria Camilla De Palma, Hugues De Varine, Maria De Waele, Nélia Dias, Simone Eick, Fabienne Galangau Quérat, Sarah Gamaire, Jan Gerchow, Marc-Olivier Gonset, Klas Grinell, Laurence Isnard, Marie-Paule Jungblut, Galitt Kenan, Francesca Lanz, José María Lanzarote Guiral, Vito Lattanzi, Jack Lohman, Carolina Martinelli, Frauke Miera, Elena Montanari, Chantal Mouffe, Judith Pargamin, Giovanni Pinna, Camilla Pagani, Clelia Pozzi, Paolo Rosa, Anna Seiderer. Volume 1 includes: Introduction, Chapter 1: National History Museums, Chapter 2: Natural History Museums, Chapter 3: Ethnographic and World Culture(s) Museums" Legal Notices: This work is provided on line as open access document under the terms of Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported. The work is protected by copyright and/or other applicable law. Any use of the work other than as authorized under this license or copyright law is prohibited. For additional information http://creativecommons.org/. The views expressed here are the sole responsibility of the authors and do not necessarily reflect the views of the European Commission.
In recent decades, as Europe's populations have become increasingly diverse and mobile, as nations have struggled in difficult economic circumstances and wrestled with increasing integration, and as new nations have sought independence and greater power, and as larger nations have once again revealed their political muscle, so we have seen national histories deployed politically. A sense of Europe as a space of shared histories and cultural similarities is repeatedly challenged by a past that can be re-awakened by rising nationalism, national insecurity, and by religious and ethnic difference. Across Europe, some national museums construct historical narratives that speak of shared global culture while others promote essentialised nationalism, some memorialise a poetic heroic past while others struggle to forget a more troubled one, many celebrate the heights of cultural achievement while others have found educational and tourism potential in the depths of human depravity. National museums implicitly, and sometimes overtly, still engage in acts of competitive cultural representation, attempting to elevate one nation above another. They are also used to perpetuate a war against former enemies and Others. Europe's national museums house some the continent's greatest historical treasures but also some of its most difficult historical spaces.
This book explore current trends in European contemporary museums. Analysing their ongoing evolution triggered by this “age of migrations” and with specific attention to their architecture and exhibition design, the volume collects the preliminary observations ensuing from this survey, complemented by the some paradigmatic examples, and further enriched by interviews and contributions from scholars, curators and museum practitioners. With contributions by Florence Baläen, Michela Bassanelli, Luca Basso Peressut, Joachim Baur, Lorraine Bluche, Marco Borsotti, Mariella Brenna, Anna Chiara Cimoli, Lars De Jaegher, Maria Camilla De Palma, Hugues De Varine, Maria De Waele, Nélia Dias, Simone Eick, Fabienne Galangau Quérat, Sarah Gamaire, Jan Gerchow, Marc-Olivier Gonset, Klas Grinell, Laurence Isnard, Marie-Paule Jungblut, Galitt Kenan, Francesca Lanz, José María Lanzarote Guiral, Vito Lattanzi, Jack Lohman, Carolina Martinelli, Frauke Miera, Elena Montanari, Chantal Mouffe, Judith Pargamin, Giovanni Pinna, Camilla Pagani, Clelia Pozzi, Paolo Rosa, Anna Seiderer. Volume 1 includes: Introduction, Chapter 1: National History Museums, Chapter 2: Natural History Museums, Chapter 3: Ethnographic and World Culture(s) Museums" Legal Notices: This work is provided on line as open access document under the terms of Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported. The work is protected by copyright and/or other applicable law. Any use of the work other than as authorized under this license or copyright law is prohibited. For additional information http://creativecommons.org/. The views expressed here are the sole responsibility of the authors and do not necessarily reflect the views of the European Commission.
Loading Preview
Sorry, preview is currently unavailable. You can download the paper by clicking the button above.
2012
JCMS: Journal of Common Market Studies, 2016
Museum International, 1988
Muzeologia a kulturne dedicstvo (Museology and Cultural Heritage), vol. 12, Is. 1, 2024
Anthropological Journal of European Cultures, 2008
Routledge, 2015
COLLECTORS, FOUNDERS, MUSEUMS IN EASTERN EUROPE IN THE 19th–20th CENTURY Proceedings of the International Conference on Museum History held at Jósa András Museum, Nyíregyháza, November 11–13, 2019, 2020
Culture. Society. Economy. Politics, 2(2), 2022, p. 63–79