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AI-generated Abstract
The "Grammar of the Shot" explores the foundational principles governing the construction and presentation of visual elements in filmmaking. It defines key concepts such as 'grammar' in the context of visual storytelling and outlines the significance of various shot types and aspect ratios. The book provides insights into how filmmakers can effectively engage viewers by adhering to these visual grammar rules, which have remained relatively stable over the years despite technological advancements.
Papers of The Bibliographical Society of Canada
2014
“English Syntax (With 1000 Georgian Sentences, English Keys, and Commentaries” is a supplementary textbook designed to help Georgian High School students (9th–12th grades), teachers, and anyone willing to study English to overcome a number of syntactic difficulties in the process of learning. The textbook is written in Georgian and English and will also help foreigners willing to master such a challenging language as Georgian.
Focal Press is an imprint of Elsevier | Focal Press is an imprint of Elsevier The Boulevard, Langford Lane,
1975
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We take as our point of departure the view that any assumptions placed on morphology have to include the very basic assumption that there is a phonological/semantic-syntactic cut between (i) what is considered the underlying abstract scheme of a morpheme (i.e., the role the morpheme plays across its semantic-syntactic field, and (ii) what phonological shape the abstract scheme takes in certain environments. We further assume that all instances of morphology, being quintessential abstract in nature, entail (i) some level of abstraction, and (ii) that abstraction, by our linguistics definition, entails some amount of a movement analogy. Hence word order, compounding, derivational and inflectional morphologies all entail some level of movement. However the family of movement is spread over a cline. On one extreme pole of the 'Move spectrum', we follow Roeper (2009) and show that 'distant move' blocks transfer to interpretation and thus allows an item/phase to survive and move-up the syntactic tree in order to acquire more abstract feature specificity. On the low range of the spectrum, we show how 'local move' immediately gets sent to interpretation and thus secures a more thematic/semantic reading.
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Technology and Culture
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