13— PESSOA ON CAMÕES' OS LUSÍADAS: METER, GRAMMAR AND RHYTHM

The Translator, 2020

Fernando Pessoa devoted part of his prolific creative life to the practice of literary translation, mostly from his native Portuguese and English. He also wrote about this craft, as loose posthumous unfinished essays and scattered notes in his archive attest. Reading this material closely alongside a metrical analysis of selected published and unpublished poetry translations, we aim to: (1) understand the extent to which his thoughts on literary translation align with his poetry translation practice, primarily defined by his approach to poetic rhythm; (2) revisit some key ideas proposed by Wilhelm von Humboldt and Walter Benjamin on translation, as well as Plato's concept of anamnesis, all of which, arguably, resonate with Pessoa's poetry translation theory and practice. The article also includes critical transcriptions of unpublished material from Pessoa's Archives held at the National Library of Portugal (Pessoa's Papers) and the Fernando Pessoa House (Pessoa's Private Library), both located in Lisbon.

Pessoa Plural―A Journal of Fernando Pessoa Studies, 2015

MONTEIRO, George, "Twenty-two New Translations: English renditions of Pessoa's heteronymous Portuguese poems" (2015). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 8, Fall, pp. 602-648. Brown Digital Repository. Brown University Library. https://doi.org/10.7301/Z06H4FNH Is Part of: Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 8 Twenty-two New Translations: English renditions of Pessoa’s heteronymous Portuguese poems [Vinte e Duas Novas Traduções: versões inglesas de poemas heteronímicos portugueses de Pessoa] https://doi.org/10.7301/Z06H4FNH ABSTRACT Here we present twenty-two Pessoan poems rendered in English by George Monteiro. These poems are attributed to three heteronyms of Fernando Pessoa: two numbered texts from O Guardador de Rebanhos (The Keeper of Sheep) of Alberto Caeiro; ten loose poems and a cycle of five sonnets by Álvaro de Campos; and five odes of Ricardo Reis. Each translation contains three elements, respectively: the English recreation by Monteiro; the facsimile of the Portuguese original by Fernando Pessoa (or of the last Portuguese version, if there exist more than one Pessoan document concerning the poem); and a transcription of the Portuguese text, in the case of a manuscript (solely notes in the case of a legible typescript prepared by Pessoa). RESUMO Publicam-se aqui vinte-e-dois poemas pessoanos vertidos para o inglês por George Monteiro. Esses poemas são atribuídos a três heterônimos de Fernando Pessoa: dois textos numerados de O Guardador de Rebanhos de Alberto Caeiro; dez poemas soltos e um ciclo de cinco sonetos de Álvaro de Campos; e cinco odes de Ricardo Reis. Cada uma das traduções contém três elementos, respectivamente: a recriação em inglês feita por Monteiro; o facsímile do original português de Fernando Pessoa (ou da última versão em português, se existir mais de um documento pessoano relativo ao poema); e uma transcrição do português no caso de manuscrito (apenas notas no caso de um datiloscrito legível preparado por Pessoa). BIBLIOGRAPHY ALMEIDA, Onésimo T. [ed.] (1983). The Sea Within: A Selection of Azorean Poems. Selection, introduction and notes by Onésimo T. Almeida; translations by George Monteiro. Providence: Gávea-­‐‑Brown. MONTEIRO, George (2013). “O Antigo Artífice”, in As Paixões de Pessoa. Translation by Margarida Vale de Gato. Lisbon: Ática/Babel.* PESSOA, Fernando (2014). Álvaro de Campos—Obra Completa. Edition by Jerónimo Pizarro and Antonio Cardiello; collaboration by Jorge Uribe and Filipa Freitas. Lisbon: Tinta-­‐‑da-­‐‑China. ____ (1988) Self-­‐‑Analysis and Thirty Other Poems. Translations by George Monteiro. Lisbon: Calouste Gulbenkian Foundation. ____ (1931) “Trapo,” in Presença: revista de arte e crítica; n. 31-­‐‑32. Coimbra; p. 9. ____ (1928) “Escripto num livro abandonado em viagem,” in Presença: revista de arte e crítica; n. 10. Coimbra; p. 2.

Pessoa Plural―A Journal of Fernando Pessoa Studies, 2020

SCHWARTZ, John Pedro, "Problems in translating Pessoa's poetry into English" (2020). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 17, Spring, pp. 42-75. Brown Digital Repository. Brown University Library. https://doi.org/10.26300/7tq8-s225 Is Part of: Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 17 Problems in translating Pessoa’s poetry into English [Problemas ao traduzir a poesia de Pessoa para o Inglês] https://doi.org/10.26300/7tq8-s225 ABSTRACT This paper focuses on five problems all translators of Fernando Pessoa's poetry into English must grapple with. The first is whether or not to distinguish the poetry of Pessoa (orthonym), Álvaro de Campos, Alberto Caeiro and Ricardo Reis through the use of stylistic and lexical markers. The second is: to what degree should the translator imitate Pessoa's occasional labyrinthine constructions? Third, every translator must decide at the outset whether or not to use rhyme and meter, where these occur in Pessoa's poetry. The final two problems concern Portuguese grammar: how to translate the pretérito perfeito do indicativo [simple past tense], which lends itself in English to both simple past and present perfect tenses; and how to translate the personal infinitive, a form unique among all languages for handling a change in subject within a sentence. RESUMO Este artigo foca-se nos cinco problemas com os quais qualquer tradutor da poesia pessoana tem de batalhar quando traduz para inglês. O primeiro é distinguir ou não a poesia de Pessoa (ortónimo), da de Álvaro de Campos, Alberto Caeiro e Ricardo Reis através de indicações estilísticas e lexicais. O segundo é até que ponto o tradutor deve imitar as construções labirínticas ocasionais. Terceiro, o tradutor tem de decidir no início se deve usar rima e métrica ou não, quando e onde estas ocorram na poesia de Pessoa. Os dois problemas finais referem-se à gramática portuguesa: como traduzir o pretérito perfeito do indicativo, que em inglês empresta-se ambos ao simple past tense e ao present perfect tense; e como traduzir o infinitivo pessoal, uma forma única de todos os idiomas para lidar com uma mudança de sujeito dentro de uma frase. BIBLIOGRAPHY BLANCO, José (2008). “Fernando Pessoa’s Critical and Editorial Fortune in English: A Selective Chronological Overview.” Portuguese Studies, vol. 24, n.º 2, special issue (“Pessoa: The Future of the Arcas”, guest editors: Jerónimo Pizarro, Steffen Dix), pp. 13-32. BOSLEY, Keith, trans. (1995). “Poetry” [by Fernando Pessoa], in A Centenary Pessoa. Eugénio Lisboa, with L.C. Taylor (eds.). Manchester: Carcanet Press, pp. 21-114. BROOKS, Cleanth (1947). The Well Wrought Urn: Studies in the Structure of Poetry. New York: Houghton Mifflin Harcourt. BUTLER, David ([2004] 2009) (trans.). Fernando Pessoa. Selected Poems. Dublin: The Dedalus Press. DANIELS, Chris (2009) (trans.). Fernando Pessoa. Collected Later Poems of Alvaro de Campos: 1928-1935 (v. 2). Exeter: Shearsman Books. ____ (2007) (trans.). Fernando Pessoa. The Collected Poems of Alberto Caeiro (v. 1). Exeter: Shearsman Books. FILHO, Cruz (2009). História e teoria do soneto. Annotated by Glauco Mattoso. Rio de Janeiro: Elos. FISCHER, Claudia J. (2012). “Auto-tradução e experimentação interlinguística na génese d'’O Marinheiro’ de Fernando Pessoa.” Pessoa Plural—A Journal of Fernando Pessoa Studies, n.º 1, Spring, Brown Digital Repository, pp. 1-69. DOI: https://doi.org/10.7301/Z0B56GZH FRANCE, Peter (2000) (ed.). The Oxford Guide to Literature in English Translation. Oxford: Oxford University Press. FREITAS, Filipa de (2015). “Naval Ode Translations: Reading the Poet’s Dispositions.” Pessoa Plural—A Journal of Fernando Pessoa Studies, n.º 8, Fall, Brown Digital Repository, pp. 128-90. DOI: https://doi.org/10.7301/Z04M92S2 GRIFFIN, Jonathan ([1992] 2007) (trans.). Fernando Pessoa. Mensagem / Message. Introduction by Helder Macedo. Exeter: Shearsman Books and Menard Press [London: Menard Press and King’s College London, 1992]. _____ ([1974] 1982) (trans.). Fernando Pessoa. Selected Poems. London: Penguin Books. _____ (1971) (trans.). Fernando Pessoa. I: Alberto Caeiro; II. Ricardo Reis; III. Álvaro de Campos; IV. Fernando Pessoa. Oxford: Carcanet Press. GUYER, Leland (1996). “Translating ‘Tabacaria’.” Indiana Journal of Hispanic Literatures, n.º 9, Fall, Special Issue on Fernando Pessoa, pp. 193-210. HONIG, Edwin (1971) (trans.). Selected Poems by Fernando Pessoa. Introduction by Octavio Paz. Chicago: Swallow Press. HONIG, Edwin; BROWN, Susan M. ([1986] 1998). Poems of Fernando Pessoa. San Francisco: City Lights Book [New York: The Ecco Press, 1986]. JENNINGS, Hubert D. (2019). Fernando Pessoa. The Poet with Many Faces: A Biography and Anthology. Edited by Carlos Pittella. Lisbon: Tinta-da-china. KRUMMRICH, Philip (2003) (trans.). Fernando Pessoa. Quadras ao Gosto Popular / Quatrains in the Popular Style. Lewiston: Edwin Mellen Press. LADEIRA, Antonio (2019). “Fernando Pessoa nos Estados Unidos: redesenhando fronteiras.” Pessoa Plural—A Journal of Fernando Pessoa Studies, n.º 16, Fall, Brown Digital Repository, pp. 241-80. DOI: https://doi.org/10.26300/en1y-7j92 LEY, Charles David (1938). “Poema” [O céu, azul de luz quieta.]. Presença – Folha de Arte e Crítica, n.º 53-54, Coimbra, p. 11. LISBOA, Eugénio; with L.C. TAYLOR (1995). A Centenary Pessoa. With an introductory essay by Octavio Paz, trans. by Michael Schmidt, and contributions from Antonio Tabucchi, José Blanco, and others. Manchester: Carcanet in association with the Calouste Gulbenkian Foundation, the Instituto Camões, the Instituto da Biblioteca Nacional e do Livro. LOPES, Teresa Rita (1993) (org.). Pessoa Inédito. Lisbon: Livros Horizonte. LÓPEZ, Nicolás Barbosa (2018) (trans.). Fernando Pessoa. Mensaje / Mensagem. Illustrated by Samuel Castaño Mesa. Medellín: Tragaluz Editores. LONGLAND, Jean R. (1970). Poet Lore—A National Quarterly of World Poetry and the Drama, Autumn, 1970, pp. 1-13. MONTEIRO, George. (2013). As Paixões de Pessoa. Trans. Margarida Vale de Gato. Lisbon: Ática. _____ (1988) (trans.). Fernando Pessoa. Self-Analysis and Thirty Other Poems. Lisbon: Calouste Gulbenkian Foundation. _____ (1998). The Presence of Pessoa: English, American, and Southern African Literary Responses. Lexington: The University Press of Kentucky. _____ (1982) (ed.). The Man Who Never Was: Essays on Fernando Pessoa. Edited with an introduction by George Monteiro. Providence: Gávea-Brown. PARKER, John (1985). “Fernando Pessoa, Selected Poems, trans. by Jonathan Griffin.” Book review. Bulletin of Hispanic Studies, vol. 62, n.º 15, p. 215. Pessoa. All Art is a Form of Literature (2008). Curated by Ana Ara and João Fernandes. Organized by Museo Nacional Centro de Arte Reina Sofía with the support of the Fundação Calouste Gulbenkian. Madrid: Museo Nacional Centro de Arte Reina Sofía. Now it is online: https://issuu.com/museoreinasofia/docs/02_pessoa_ingles_catalogo_imprenta PESSOA, Fernando (2018). Poesia—Antologia Mínima. Edition by de Jerónimo Pizarro. Lisbon: Tinta-da-china. _____ (1993). Mensagem. Poemas Esotéricos. Critical edition by José Augusto Seabra [with the collaboration of Maria Aliete Galhoz]. Madrid: CSIC. Colección Archivos. _____ (2009). Sensacionismo e Outros Ismos. Critical edition by Jerónimo Pizarro. Lisbon: Imprensa Nacional-Casa da Moeda. PIZARRO, Jerónimo (2018). Ler Pessoa. Lisbon: Tinta-da-china. _____ (2017). “Álvaro de Campos Revisited.” Estudos Regianos, n.º 22-23 (commemorative number), Vila do Conde, Centro de Estudos Regianos, pp. 67-90. QUINTANILHA, F.E.G. (1971) (trans.). Fernando Pessoa. Sixty Portuguese Poems. Cardiff: University of Wales Press. RATTIGAN, Michael Lee (2007) (trans.). Fernando Pessoa. Alberto Caeiro: The Complete Poems. London: Rufus Books. RICKARD, Peter (1971) (trans.). Fernando Pessoa. Selected Poems. Edinburgh; Austin: Edinburgh University; University of Texas Press. RODITI, Edouard (1956). “Four Poems.” Poetry, vol. 87, pp. 26-29. SCHWARTZ, John Pedro (2019). “Pessoa, Concrete Poet, Influence, Muse.” Pessoa Plural—A Journal of Fernando Pessoa Studies, n.º 15, Spring, Brown Digital Repository, pp. 36-61. DOI: https://doi.org/10.26300/6868-c194 _____ (2018). “Rendering the Formless: Language and Style in Fausto.” Pessoa Plural—A Journal of Fernando Pessoa Studies, n.º 14, Autumn, Brown Digital Repository, pp. 59-83. DOI: https://doi.org/10.26300/at6s-bd10 SCHWARTZ, John Pedro; SCHWARTZ, Robert N. (2020) (trans.). Fernando Pessoa. Poetry—Minimal Anthology. Edited by Jerónimo Pizarro. Lisbon: Tinta-da-china. WOOD, Michael (1972). “Mod and Great.” The New York Review of Books, September 21. Online: https://www.nybooks.com/articles/1972/09/21/mod-and-great/ ZENITH, Richard ([2008] 2016) (trans.). Fernando Pessoa. Message. Illustrated by Pedro Sousa Pereira. Lisbon: Oficina do Livro. _____ (2006) (trans.). Fernando Pessoa. A Little Larger Than the Entire Universe: Selected Poems. London: Penguin Books. _____ (1997) (trans.). Fernando Pessoa. 21 poemas de Álvaro de Campos. Illustrated by Manuel Graça Dias. Lisbon: Casa Fernando Pessoa.

Pessoa Plural - Journal of Fernado Pessoa Studies, 2015

Here we present two unpublished essays by Hubert Jennings about the challenges of translating the poetry of Fernando Pessoa: the first one of them, brief and fragmentary, is analyzed in the introduction; the second, longer and also covering issues besides translation, is presented in the postscript. Having as a starting point the Pessoan poem “O que me doe” and three translations compared by Hubert Jennings, this presentation examines some aspects of poetic musicality in the Portuguese language: verse measurement, stress dynamics, rhymes, anaphors, and parallelisms. The introduction also discusses how much the English versions of the poem, which are presented by Jennings, recreate (or not) the musical-­‐‑poetic dimensions of the original text.

2012

Foi um trabalho que pude empreender graças ao projecto de interesse nacional «Ecdótica e tradição cultural na área ibérica», coordenado pelo Prof. Dr. Giovanni Caravaggi, da Universidade de Pavia. Em 2007 o Prof. Dr. Giovanni Caravaggi reformou-se e um grande número de discípulos, colegas e amigos quis homenageá-lo com um volume de ensaios. Por essa ocasião, tive a oportunidade de continuar as minhas investigações sobre os manuscritos apógrafos dos Lusíadas e as suas relações com a tradição impressa (Tocco 2011). O que proponho agora é uma versão emendada, acrescentada e refundida dos trabalhos anteriores, contendo o resultado desses anos de investigação, que não acabou com a Homenagem ao Prof. Dr. Giovanni Caravaggi, mas prosseguiu até hoje. Desde a publicação dos comentários aos Lusíadas de Manuel Faria e Sousa (1639), de facto, os estudiosos do poema têm que lidar, por um lado, com umas oitavas que o polígrafo barroco diz pertencerem a manuscritos do poema e, por outro, com as incluídas na miscelânea poética, conhecida como Cancioneiro de Luís Franco Correia, que remonta a finais do século XVI. Os críticos camonianos confrontaram-se muitas vezes com a problemática relativa a estas estâncias, para procurarem demonstrar a apocrifia delas ou, pelo contrário, para sustentarem a possibilidade de nos encontrarmos perante resquícios autênticos de uma redacção primitiva do poema. Até ao meu estudo de 2005, porém, ninguém analisara sistematicamente todas essas oitavas: os comentários-preciosos e agudos-de que dispúnhamos diziam respeito, apenas, a algumas das estâncias presentes nos manuscritos, faltando, no entanto, uma visão detalhada desse provável "proto-texto" camoniano. Por outro lado, também a edição datada de 1572 apresenta algumas problemáticas textuais não despiciendas, que ainda estão à espera de uma reso-ABREVIATURAS Utilizei amiúde os seguintes acrónimos:

Pessoa Plural―A Journal of Fernando Pessoa Studies, 2016

STOUGH, Cary , "The Incomplete English Poems of Fernando Pessoa" (2016). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 10, Fall, pp. 568-574. Brown Digital Repository. Brown University Library. https://doi.org/10.7301/Z0N014QD Is Part of: Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 10 The Incomplete English Poems of Fernando Pessoa [Os Poemas Ingleses Incompletos de Fernando Pessoa] https://doi.org/10.7301/Z0N014QD PESSOA, Fernando (2000). Poesia Inglesa II. Edited and translated into Portuguese by Luisa Freire. Lisbon: Assírio & Alvim.

Pessoa Plural―A Journal of Fernando Pessoa Studies, 2016

PORTELA, Manuel, "Putting Your Heart to Sleep with Pentameters: A Prosodic, Lexical, and Syntactic Analysis of Fernando Pessoa's Sonnet X" (2016). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 10, Fall, pp. 173-192. Brown Digital Repository. Brown University Library. https://doi.org/10.7301/Z0M043K1 Is Part of: Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 10 Putting Your Heart to Sleep with Pentameters: A Prosodic, Lexical, and Syntactic Analysis of Pessoa’s "Sonnet X" [Pondo o Coração para Dormir em Pentâmetros: Uma análise prosódica, sintática e lexical do "Sonnet X" de Pessoa] https://doi.org/10.7301/Z0M043K1 ABSTRACT This article analyses Fernando Pessoa's Sonnet X ("As to a child, I talked my heart asleep") as a modernist parody of the Shakespearean sonnet. The presence of that highly constrained form is clearly recognizable at the level of both versification and language. At the same time, a number of "marked and essential differences" indicate that this poem is not a mere stylistic or thematic imitation of its model. The text's reflexive reference to the possibilities of splitting and binding sound to sense, on the one hand, and of splitting written self from writing self, on the other, highlight Pessoa's awareness of a self who is constituted in and through language. Weaving word-as-sound and word-as-sense with self-as-grammatical person, the text becomes the material evidence for the self-inventing and self-deceiving nature of literary activity. RESUMO Este artigo analisa o "Sonnet X" de Fernando Pessoa ("As to a child, I talked my heart asleep") como uma paródia modernista do soneto Shakespeariano. A presença desta forma tão constritiva é claramente reconhecível em ambas as dimensões da linguagem e da versificação. Ao mesmo tempo, um número de "marked and essential differences" (diferenças marcadas e essenciais) indicam que este poema não é apenas uma imitação estilística ou temática do seu modelo. A referência reflexiva do texto às possibilidades de dividir e amalgamar som e sentido, por um lado, e de separar o eu escrito do eu escritor, por outro lado, enfatizam a atenção de Pessoa a um eu que é construído na e através da linguagem. Entretecendo palavra-como-som e palavra-como-sentido com o eu-como-pessoa-gramatical, o texto torna-se a evidência material para o inventar-se e o iludir-se característicos da atividade literária. BIBLIOGRAPHY DARRAS, Jacques (ed.) (1999). Les métamorphoses du sonnet. Bruxelles: Le Cri. DUFFELL, Martin J. (2002). “The Italian line in English after Chaucer.” Language and Literature, nº 11, pp. 291-305. FERRARI, Patricio (2012a). “Meter and Rhythm in the Poetry of Fernando Pessoa.” Department of Linguistics. Unviersity of Lisbon. PhD Thesis. _____ (2012b). “Genetic Criticism and the Relevance of Metrics in Editing Pessoa’s Poetry.” Pessoa Plural —a Journal of Fernando Pessoa Studies, nº 2, Onésimo Almeida, Paulo de Medeiros, and Jerónimo Pizarro, eds., Brown University, Warwick University, and University of the Andes, Fall, pp. 1-57. _____ (2015). “Bridging Archives: Twenty-Five Unpublished English Poems by Fernando Pessoa.” Pessoa Plural, nº 8, Carlos Pittella, guest editor, Brown University, Warwick University, and University of the Andes, Fall, pp. 365-431. FRIEDBERG, Nila (2011). English Rhythms in Russian Verse: On the Experiment of Joseph Brodsky. Berlin: De Gruyter. FROTA, Sónia, Charlotte Galves, Marina Vigário, Verónica Gonzalez-Lopez, and Bernadete Abaurre (2012). “The Phonology of Rhythm: from Classical to Modern Portuguese.” Journal of Historical Linguistics, nº 2.2, pp. 173–207. FULLER, John (1972). The Sonnet. London: Methuen. HUTCHEON, Linda (1985). A Theory of Parody: The Teachings of Twentieth-century Art Forms. Chicago: University of Illinois Press. MEHLER, Jacques and Marina Nespor (2004). “Linguistic Rhythm and the Acquisition of Language.” Structures and Beyond: The Cartography of Syntactic Structures. Adriana Belleti, editor. Oxford: Oxford University Press, vol. 3, pp. 213-222. PESSOA, Fernando (1993). Poemas Ingleses. Antinous, Inscriptions, Epithalamium, 35 Sonnets. Edited by João Dionísio. Lisbon: Imprensa Nacional-Casa da Moeda. Critical Edition of Fernando Pessoa. Major Series, Volume V, Tome III. _____ (1974). Poemas Ingleses. Antinous, Inscriptions, Epithalamium, 35 Sonnets e Dispersos. Bilingual edition with preface, translations, variants and notes by Jorge de Sena, and translations by Adolfo Casais Monteiro and José Blanc de Portugal. Lisbon: Ática. PORTELA, Manuel (2010). “‘O Corvo’ de Poessoa: Uma Filosofia da Tradução.” Revista da Faculdade de Ciências Humanas e Sociais, nº 7, pp. 40-52. Web: http://bdigital.ufp.pt /bitstream/10284/2800/3/40-53.pdf PRINCE, F. T. (1977). “The Sonnet From Wyatt to Shakespeare.” Shakespeare: The Sonnets. Edited by Peter Jones. London: MacMillan. [Article first published in 1960]. RUSSOM, Geoffrey (2016). “Metrical Complexity in Pessoa's 35 Sonnets.” Pessoa Plural —a Journal of Fernando Pessoa Studies (Inside the Mask: The English Poetry of Fernando Pessoa), nº 10, Patricio Ferrari, guest editor, Brown University, Warwick University, and University of the Andes, Fall. SHAKESPEARE, William (1986). The Sonnets and A Lover’s Complaint. Edited by John Kerrigan. London: Penguin. _____ (1998). Shakespeare’s Sonnets. Online. Renaissance Electronic Texts, University of Toronto. http://www.library.utoronto.ca/utel/ret/shakespeare/1609inti.html _____ (2000). The Complete Works of William Shakespeare. Online MIT, 1993-2000. http://shakespeare.mit.edu/.

The essays that follow derive from these two events. The first one was held at the Fernando Pessoa House in Lisbon on 3 July 2014 and the second on 17 and 18 April 2015 at Brown University. Major sponsorship for this event came from the Department of Portuguese and Brazilian Studies. «Among the many things they cover, the essays gathered in this important and highly original volume, sometimes individually but certainly cumulatively, make the case for taking seriously Fernando Pessoa’s large body of poetry written in English. Moreover, they suggest, if only by implication, that Pessoa deserves a place in the long and distinguished traditions of English poetry. Few if any have hitherto had the courage to make the claim for his inclusion in the illustrious group of English poets» [George Monteiro]. Inside the Mask: The English Poetry of Fernando Pessoa [A printed edition of Pessoa Plural—a Journal of Fernando Pessoa Studies, nº. 10] Gávea-Brown Publications at Brown University Department of Portuguese and Brazilian Studies © 2018 Brown University All rights reserved Manufactured in the United States of America Various authors Editor: Patricio Ferrari Editors-in-Chief of Pessoa Plural: Onésimo Almeida, Paulo de Medeiros, and Jerónimo Pizarro Copyeditor: Mark Streeter Design and cover art: Gabriela Lissa Sakajiri Typeset: Perpetua by Eric Gill; Josefin Sans by Santiago Orozco ISBN: 978-0-943722-42-9 (paperback) Library of Congress Control Number: 2017945064

Pessoa Plural―A Journal of Fernando Pessoa Studies, 2015

FERRARI, Patricio, "'Bridging Archives: twenty five unpublished English poems by Fernando Pessoa" (2015). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 8, Fall, pp. 365-431. Brown Digital Repository. Brown University Library. https://doi.org/10.7301/Z01V5C64 Is Part of: Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 8 Bridging Archives: twenty-five unpublished English poems by Fernando Pessoa [Conectando Arquivos: vinte e cinco poemas ingleses inéditos de Fernando Pessoa] https://doi.org/10.7301/Z01V5C64 ABSTRACT Critical transcription preceded by a brief presentation of twenty-five unpublished English poems by Fernando Pessoa. The introductory text offers a historical background in regard to Hubert Jennings's pioneer work with Pessoa's English poems. RESUMO Transcrição crítica, precedida de uma breve apresentação, de vinte e cinco poemas ingleses inéditos de Fernando Pessoa. O texto introdutório oferece uma contextualização histórica do trabalho pioneiro de Hubert Jennings junto aos poemas ingleses de Pessoa. BIBLIOGRAPHY [SEVERAL AUTHORS] (2015). Variaciones Borges, n.º 40, Fall. www.borges.pitt.edu/journal/variaciones‑borges. CAMPBELL, Roy (1957). Portugal. London: M. Reinhardt. CRESPO, Angel (1989). “EI último amor de Fernando Pessoa,” in Revista de Occidente, n.º 94. Madrid, March, pp. 5-­‐‑26. DUFFELL, Martin J. (2013). “Tennyson’s ‘Metre of Catullus’: The Ambivalent Hendecasyllable,” in Language and Literature, n.º 22, pp. 19-­‐‑31. ____ (2008). A New History of English Metre. London: Legenda. JENNINGS, Hubert D. (1986). Fernando Pessoa in Durban. Durban: Durban Corporation. ____ (1984). Os Dois Exílios: Fernando Pessoa na África do Sul. Porto: Centro de Estudos Pessoanos & Fundação Eng.º António de Almeida. ____ (1966). The Durban High School Story 1866-­‐‑1966. Durban: The Durban High School and Old Boys Memorial Trust. LIND, Georg Rudolf (1968). “9 unbekannte englische Gedichte F. Ps, Diskussion und Kommentar von Ulrich Suerbaum und Vf, ” in Poetica, n.º 2 (2). Munich, April, pp. 229-­‐‑36. FERRARI, Patricio (2015). “Pessoa and Borges: In the Margins of Milton,” in Variaciones Borges, n.º 40, Fall, pp. 81-­‐‑101. ____ (2012). “Meter and Rhythm in Fernando Pessoa’s Poetry.” Ph.D dissertation presented to the Department of Linguistics, Universidade de Lisbo. [Unpublished]. FERRARI, Patricio & PITTELA-­‐‑LEITE, Carlos (2015). “Four Unpublished English Sonnets (and the Editorial Status of Pessoa’s English Poetry,” in Portuguese Literary & Cultural Studies, n.º 28, Fernando Pessoa as English Reader and Writer. Dartmouth: University of Massachusetts, Tagus Press, Spring, pp. 227-­‐‑246. GASPAROV, Mikhail Leonovich (1996). A History of European Versification. Translated from Russian by Gerry Smith and Marina Tarlinskaja. Ed. by Gerry Smith with Leofranc Holford-­‐‑Strevens. Oxford: Clarendon Press. [First edition in Russian, 1989]. HOBSBAUM, Philip (1996). Metre, Rhythm and Verse Form. London; New York: Routledge. MONTEIRO, George (2000). Fernando Pessoa and Nineteenth-­‐‑Century Anglo-­‐‑American Literature. Lexington: The University Press of Kentucky. PESSOA, Fernando (2015). No Matter What We Dream: Selected English Poems. Edited and selected by Patricio Ferrari and Jerónimo Pizarro. Second edition. Lisbon: Tell-­‐‑a-­‐‑story. ____ (2014). Poèmes français. Edition established and annotated by Patricio Ferrari with the collaboration of Patrick Quillier. Preface by Patrick Quillier. Clepsydre Collection. Paris: Éditions de la Différence. ____ (2013A). Livro do Dessassocego. Edited by Jerónimo Pizarro. Fernando Pessoa Collection. Lisbon: Tinta-­‐‑da-­‐‑China. ____ (2013B). Eu Sou Uma Antologia: 136 autores fictícios. Edited by Jerónimo Pizarro and Patricio Ferrari. Fernando Pessoa Collection. Lisbon: Tinta-­‐‑da-­‐‑China. ____ (2011). Sebastianismo e Quinto Imperio. Edited by Jorge Uribe and Pedro Sepúlveda. Fernando Pessoa’s Works, New Series. Lisbon: Ática. ____ (2009). Cadernos. Edited by Jerónimo Pizarro. Fernando Pessoa Critical Edition, Major Series, Vol. XI, Tome I. Lisbon: Imprensa Nacional-­‐‑Casa da Moeda, 2009. ____ (2006). Escritos sobre Génio e Loucura. Edited by Jerónimo Pizarro. Fernando Pessoa Critical Edition, Major Series, Vol. VII, 2 vols. Lisbon: Imprensa Nacional-­‐‑Casa da Moeda. ____ (2000). Poesia Inglesa II. Edited and translated by Luísa Freire. Lisbon: Assírio & Alvim. ____ (1999). Poemas Ingleses. The Mad Fiddler. Edited by Marcus Angioni and Fernando Gomes. Fernando Pessoa Critical Edition, Major Series, Vol. V, Tome III Lisbon: Imprensa Nacional-­‐‑Casa da Moeda. ____ (1997). Poemas Ingleses. Poemas de Alexander Search. Edited by João Dionísio. Fernando Pessoa Critical Edition, Major Series, Vol. V, Tome II. Lisbon: Imprensa Nacional-­‐‑Casa da Moeda. ____ (1995). Poesia Inglesa. Edited and translated by Luísa Freire. Preface by Teresa Rita Lopes. Lisbon: Livros Horizonte. ____ (1971). Selected Poems by Fernando Pessoa. Translated by Edwin Honig. With an Introduction by Octavio Paz. Bilingual edition. Chicago: Swallow Press. ____ (1967). Sixty Portuguese Poems. Introduction, selection, English translation of the poems and notes by F. E. G. Quintanilha. Cardiff: University of Wales Press. ____ (1921). English Poems I-­‐‑II. Antinous. Inscriptions. Lisbon: Olisipo. ____ (1918). 35 Sonnets. Lisbon: Ed. Monteiro & Co. PIZARRO, Jerónimo; FERRARI, Patricio & CARDIELLO, Antonio (2010). A Biblioteca Particular de Fernando Pessoa. Collection of the Fernando Pessoa House. Bilingual edition. Lisbon: D. Quixote. PIZARRO, Jerónimo (2012). Pessoa Existe? Lisbon: Ática. SANTOS, Maria L. N. dos; CRUZ, Alexandrina; MONTENEGRO, Rosa M.; PIMENTEL, Lídia (1988). “A inventariação do espólio de Fernando Pessoa: tentativa de reconstituição,” in Revista da Biblioteca Nacional, S. 2, Vol. 3, N. 3, Sep-­‐‑Dec. 1988. Lisbon: Biblioteca Nacional, pp. 199-­‐‑213. SEVERINO, Alexandrino (1969). Fernando Pessoa na África do Sul. Marília: Faculdade de Filosofia, Ciências e Letras de Marília [doctoral thesis presented in 1966 to the Universidade de São Paulo]. TENNYSON, Alfred (1902). The Works of Alfred Tennyson. London: Macmill and Co., 1902. [Queen Victoria Memorial Prize awarded to Fernando A. N. Pessôa in 1903. Fernando Pessoa House, Call number 8-­‐‑541].

Literary Onomastics Studies, 2014