Since its publication in 1978, Bernard Suits’s The Grasshopper has become a classic in the philosophy of sport. In the book, Suits aims to provide a traditional definition of games to counter the anti-definitionalist position that Ludwig Wittgenstein proposes in his Philosophical Investigations. Given the interest of sport philosophers and kinesiologists in the main features of games, a large debate quickly sprang from Suit s’s work and it became a seminal book in the discipline. His analysis of the so-called “tricky triad,” which refers to the relationship between play, games, and sport, is foundational. The major role Suits’s definition has played in the philosophy of sport has a downside. Kinesiologists and sport philosophers have focused on concrete details of games, but neglected other philosophical aspects of Suits’s work. One such neglected aspect is what Doug McLaughlin calls “ Suits’s Utopian thesis.” This thesis suggests that the life most worth living, the life in Utopia, consists in game-playing. On McLaughlin’s interpretation of The Grasshopper, which remains controversial, the Utopian thesis is central and the definition of games is secondary, for the former serves the larger purpose of fully understanding the good life. If McLaughlin is right, then Suits’s primary goal in his magisterial work goes far beyond providing a definition of games or game-playing. Rather, it is aimed at engaging one of the most frequently discussed philosophical topics, namely, the meaning of life. By drawing on McLaughlin’s thesis, I argue that Utopia plays a fundamental role in Suits’s definition of games. However, I reject McLaughlin’s claim that Utopia has to do with the best human life possible. Instead, I regard Utopia as a counterfactual regulative ideal, whose functions are: (a) to delineate the defining elements of game-playing, and (b) to provide a normative element by which to criticize instances of game-playing, such as those found in the sports context.