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John Saltmarsh and the Mystery of Redemption

Abstract

Early in 1646, an intriguing little book came forth from Giles Calvert's press. Free-Grace, or, The Flowings of Christ's Blood Freely to Sinners by John Saltmarsh—at that time rector of Brasted in Kent and shortly to assume a chaplaincy at headquarters of the New Model Army—evoked caustic rebuttals from divines of high caliber and prominent profile, each sporting a nose for troublemakers and a willingness to controvert and condemn. This, prima facie, is mildly perplexing. For the demeanor of Saltmarsh's book is not obviously contentious. Rather, Free-Grace is studied in its disinclination to engage argumentatively with specific protagonists; it is neither thunderous nor acidulous, and makes scant effort to situate itself in the to-and-fro of the paper wars conducted in the mangled mid-century terrain of English practical divinity. And yet Saltmarsh, having sent forth his little book, would make his name on a national stage as heretic, blasphemer, impugner of the godly ministry, and paragon of antinomian error. Opponents would treat his name as a byword for theological perversity. The " antinomian, " as wrongful speaker and immoral doer, offered a template for early-modern connoisseurs of the perverse. In mid-century controversies over grace and works, various proponents of antinomian grace—that is to say, of a grace so " free " in its dispensation that it either severely diminishes or altogether cancels the operational competence of divine law—had stated their case with ferocious commitment, displaying in their polemics an ominously combative disposition. One thinks of John Eaton and Tobias Crisp, preachers who linked the moral law with sin, death, and Satan, and who made plain their audacious * Michael McGiffert once more served as wise counsel, showing me things that I'd missed, offering valuable suggestions, and setting straight some false turns of the pen. I happily acknowledge, too, the encouragement afforded by the journal's reviewers.