Guests from Outer Space: Occult Aspects of Soviet Science Fiction

1998

All use subject to http://about.jstor.org/terms of quotations analyzed are taken from Ostrovsky's Groza and Bespridannitsa, Griboedov's Gore ot uma, and Turgenev's Mesiats v derevne. Chap. 2 uses examples from J. Slowacki's play Fantazy to differentiate between the "raw material" of a literary text and its "narrative structure." Moreover, the author describes the basic components of such structures. Van Holk states that Fantazy was chosen to illustrate the discussion because it has a clear thematic composition and an imaginative textual surface. It is also "a striking example of the literary

Nova Religio: The Journal of Alternative and Emergent Religions, 2014

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1998

All use subject to http://about.jstor.org/terms of quotations analyzed are taken from Ostrovsky's Groza and Bespridannitsa, Griboedov's Gore ot uma, and Turgenev's Mesiats v derevne. Chap. 2 uses examples from J. Slowacki's play Fantazy to differentiate between the "raw material" of a literary text and its "narrative structure." Moreover, the author describes the basic components of such structures. Van Holk states that Fantazy was chosen to illustrate the discussion because it has a clear thematic composition and an imaginative textual surface. It is also "a striking example of the literary

The Slavic and East European Journal, 1998

All use subject to http://about.jstor.org/terms of quotations analyzed are taken from Ostrovsky's Groza and Bespridannitsa, Griboedov's Gore ot uma, and Turgenev's Mesiats v derevne. Chap. 2 uses examples from J. Slowacki's play Fantazy to differentiate between the "raw material" of a literary text and its "narrative structure." Moreover, the author describes the basic components of such structures. Van Holk states that Fantazy was chosen to illustrate the discussion because it has a clear thematic composition and an imaginative textual surface. It is also "a striking example of the literary

The History of Esotericism in Soviet Russia in the 1920s–1930s // Birgit Menzel, Michael Hagemeister and Bernice Glatzer Rosenthal, eds. The New Age of Russia. Occult and Esoteric Dimensions. München–Berlin: Otto Sagner, 2011. P. 50-78.