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Jean-Jacques Rousseau and the Chains of Modernity

Abstract

This paper examines Rousseau’s use of the Spartan legend in his quest to rescue Europe from modernity, particularly in the First Discourse, the Letter to D’Alembert, and the Government of Poland. The Enlightenment marked the advent of modernity, yet it is replete with homages to classical antiquity. These competing impulses pervade Rousseau’s thought. He repeatedly expresses his preference for the anti-commercial mores, anti-individualistic political forms, and social cohesion and solidarity of antiquity. He especially admires Sparta, which he depicts as the antithesis of modern European civilization. Rousseau’s conception of the latter is firmly within the Enlightened mainstream: it is characterized by the development of the arts and sciences, the rise of commerce, the elevation of the individual over society, nascent secularism, the dominance of great territorial states, etc. Whereas his counterparts mostly welcomed these transformations, Rousseau consistently repudiated the malign influence of progress, which he believed perverted human nature. Hence his recourse to Sparta, where society and individual were in accord and the general will flowed through every citizen’s breast. By defining Sparta as everything modernity was not, he also defined modernity as everything Sparta was not. Rousseau’s task was to deflect the future from its present course, which he believed was leading to disaster. Yet contesting this terrain actually confirmed his place within modernity and the Enlightenment, for these were concerned primarily with the future, just as he was. Hence, ironically, in his quest to remove them Rousseau ultimately became himself ensnared in the chains of modernity.