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I thank Miss Liu Liu for her translation of my lecture at East China Normal University, Shanghai. My thoughts clearly gain in aesthetic quality when put in Chinese characters.
Korea Journal of Chinese Language and Literature
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Journal of Suzhou College of Education, 2011
Professor Zhang Xiping's The Study of Missionary Sinology provides an overall,close and bidirectional perspective for us to observe the ideological and cultural dynamics and interaction between the two great civilizations in the East and the West.It is of great significance and has important reference value in the study of the history of East-West exchange,the history of Western Sinology,the study of the historical development of christinity in China,and the study of the Ming and Qing dynasties.
Anhui shixue [Anhui historical studies], 2020
This paper suggests that attention to Chinese philanthropy is not, however, as limited as often suggested because this topic has often been “embedded,” or hidden, in other subject areas that resulted in their exclusion from bibliographies under the keywords philanthropy or charity. The main example of this “embedding” can be seen in studies of missionary history, which often included significant exposition of the philanthropic work of missionaries in China despite not being categorized under the “philanthropy” subject heading. A complete understanding of Western studies of Chinese philanthropy cannot ignore the contributions of these studies. This paper also argues that the dominance of missionaries in Western perceptions of philanthropy in China for a long time hindered, or even distorted, the growth of the history of Chinese philanthropy as a specialized area of research. It was only with the development of other trends in Western studies of Chinese history, beginning with an emphasis on “China-centered history,” that eventually helped to correct the distortions in Western perceptions about Chinese philanthropy. These development ultimately contributed growing attention to this subject that finally promises to bring more strength and better balance to the study of Chinese philanthropy in the West.
Sinolingua: Journal of Chinese Studies
This research discusses the struggle values of the main characters in The Climbers film. The purpose of this research is to describe the struggle values of the main character in The Climbers film. This research is based on Joyomartono's theory of struggle values to find out the struggle values shown by the characters in The Climbers film. The theoretical basis used in this research is the sociology of literary theory. The method used in this research is descriptive qualitative. The data collection method used is the listening and note-taking technique. The data analysis method used is interactive model introduce by Miles Huberman and Saldana techniques, namely data collection, data presentation, condensation and, conclusion. Based on the analysis of The Climbers film, the struggle values contained in this film include four components, namely, the value of self-sacrifice, the value of cooperation, the value of unyielding spirit and the value of helping each other. Thus, it can b...
科学教育与博物馆 Science Education and Museums, 2024
基于对高校博物馆的历史背景和新馆筹建过程中出现的具体问题概括总结为基础,从实践路径和可参考法律法规两 个角度出发,综合归纳目前高校博物馆的创办流程和建设重点。在此基础上,提出了新馆筹建的整体方针与决策路径,并对高校 博物馆藏品体系进行了规划。此外,论文深入探讨了现行馆长与基金会制度,综合论述了高校博物馆运营和管理中需要注意的 事项,以期为高校博物馆的可持续发展提供有益的参考,为相关决策提供具体可行的建议。 This paper is grounded in a comprehensive synthesis of the historical backdrop of university museums and the specific issues that emerge during the initiation of new museum facilities. It takes a dual perspective, examining both the practical implementation pathways and the legal and regulatory frameworks that can be referenced. The study systematically consolidates the founding processes and construction focal points of contemporary university museums. Building on this foundation, the study introduces an overarching policy and decision-making framework for the establishment of new museum facilities and articulates a strategic plan for the curation of university museum collections. Furthermore, the paper engages in an in-depth exploration of the current roles of museum directors and the foundation system, providing a comprehensive discourse on considerations pivotal to the operation and management of university museums. The aim is to furnish beneficial insights conducive to the sustainable development of university museums and to proffer concrete and practicable recommendations for pertinent decision-makers.
World Bank policy research working paper, 2009
Theory and Practice of Psychological Counseling, 2020
This paper probes into three parts. Firstly, bewriting the occurrence and development of the concept of "social self " in social psychology. Secondly, expounding the concept of Persona in Jung psychology has a narrow definition and a broad definition. The narrow definition refers to the persona archetype in the collective unconscious, which is the extrovert attitude of that used to reconcile individual and collective, the subject and the external object. The broad definition refers to the social roles of the individual, the presentation of the social identity systems, as a subpersonality located on the surface of personality. Thirdly, according to the topography of "collective unconscious, cultural unconscious, individual unconscious, individual consciousness", this paper tries to amplicate the psychic structure of social self under the framework of Analytical Psychology and Chinese culture. It includes four parts: Being born in the archetype of persona and taking it as a collective unconscious basis; a cultural unconscious part connected to the spiritual and SHE god, individual and
Proceedings of the 2019 International Conference on Education Science and Economic Development (ICESED 2019), 2020
The important reason for tourists to choose a travel experience in a cultural heritage site is to experience the cultural heritage of the destination to seek personal value. This study explores the value link mode of tourists in cultural heritage sites by means-end chain theory, constructs the graph of means-end chain of tourists in cultural heritage sites. The results show that: 1. Tourists from different cultural heritage sites have different perceptions of the attributes of cultural heritage sites, and they have some commonalities as well. 2. On the basis of means-end chain relations between the tourists perceived attributes of cultural heritage site and their pursuits of personal value, cultural heritage tourists can be divided into 5 groups.3. Through the analysis of means-end chain, it is found that the pursuit of individual values of tourists in cultural heritage site is related to different attributes of cultural heritage site. Understanding the relationship between the attributes of cultural heritage site and the pursuit of tourists' individual values is conducive to enhance the individual values of tourists of cultural heritage site from the attribute level, and to promote the protection, inheritance and sustainable development of cultural heritage sites.
Humanities and Arts
The Canglangting Garden was first built by Su Shunqin in the Northern Song Dynasty and underwent frequent changes in the following four dynasties: Song, Yuan, Ming, and Qing. The theme of "Canglang" and its connection with Su Shunqin also disappeared and emerged in history, and gradually became prominent after the renovation of Canglangting Garden by Song Luo during the Kangxi period of the Qing Dynasty. Based on local Chronicles, garden records, poems and images, and other related historical documents, this paper focuses on the study of the spatial narrative changes of Canglangting Garden from the initial construction of Su Shunqin to the renovation of Song Luo by intensive literature reading, image analysis and field survey, discusses some important issues and details in particular, such as the background of the emergence of Canglang theme, the competition between Zhang and Han during the chaotic times, the disappearance
Journal of Chinese European Studies 欧洲研究, 2010
The Clash of Civilizations:War-making and State Formation in Europe explores the causal mechanisms of modern state-formation in Europe,which is dependent on the clash of civilizations,violence-state origin and social power.Victor Lee Burke,the writer of the book,demonstrates the historical legitimacy of the clash of civilizations,who believes that it is interconnected with state formation,that the notion of civilization is a somewhat solid and fixed and that conflicts originate from the identity-oriented civilizations.Burke thus challenges the European-centralism of state-formation theory,who argues that the state-formation in Europe results from the clash of a variety of great civilizations.However,the background and premises of the European-centralism is neglected by Burke,who does not put forward a solution to resolve the clash of civilizations in the context of nationalism.
2015
Depuis 1979, les critiques d'art en Chine ont accompagné le développement de l’art contemporain, participant à la renaissance de la vie intellectuelle durement éprouvée sous le règne de Mao. Les revues d'art reflètent l’évolution de leur réflexion. Dans ma thèse je présente d’une part ce paysage intellectuel dans lequel s’est construite la critique d’art chinoise, et d’autre part, après avoir analysé comment certains concepts passent d’une langue à l’autre, j’aborde les textes théoriques et leur réception dans le milieu académique. Attirés au départ par la pensée occidentale, un champ référentiel qui s’étend de Platon à Danto, les critiques chinois se sont tournés ensuite vers le corpus classique, voire le Livre des mutations, pour forger des outils “propres à la Chine” afin de ré-écrire une histoire de l’art contemporain chinois délivrée du carcan post-colonial, mais au risque de se prendre au piège d’un nationalisme insidieux encouragé par le Parti. Les larges extraits que...
2015
Conference Theme: Chinese Characters Education and Research随着汉语的国际化趋势明显,汉字教学方法研究越来越受到重视。掌握一个汉字,要辨认其形、听读其音、理解其义。新加坡华族学生拥有独特的双语背景,学好汉字,有助于提高中文阅读能力。信息时代,阅读平台多样化和多元化,现在不仅有纸制的书籍、杂志、报刊等平面载体。越来越多的电子产品进入我们的生活。随着各类阅读平台的大量涌现,儿童读到影视屏幕上汉字的机会越来越多。孩子使用电子产品,会影响他们的学习,有些家长甚至不让孩子多看视频。那么,信息时代的孩子不可避免地会接触到电子产品 ...postprin
2005
This paper discusses the typology of focus structure types (variation of information structuring in the clause) and how information structure can be used to explain all of the word order patterns in Chinese without reference to grammatical relations
Sinología hispánica, 2018
person pronouns are qualified, the other for the first-person pronouns contrastive form. At the same time, we try to propose two suffixes */ɯ/ and */m/.
Advances in Social Sciences, 2019
Cai E led the national protection movement, broke the dream of Yuan Shikai's emperor, and was hailed as "the first person to recreate the Republic of China". However, his attitude toward Yuan Shikai experienced the rejection, acceptance, support and gradual change with the change of Yuan Shikai's political inclination, disappointed to the process of opposition. This process reflects the commonality between those, and there are many differences in the way of doing things, political concepts and status. These similarities and differences run through those attitudes towards Yuan Shikai's attitude, reflecting the profound impact of the collision of traditional culture and western culture on the personal and national destiny of the early Republic of China.
2021
person pronouns are qualified, the other for the first-person pronouns contrastive form. At the same time, we try to propose two suffixes */ɯ/ and */m/.
Journal of Language, Literature, and Teaching
The title of this research is the“shèng nǚ” label solution to female main character in the 《剩者为王》movie’s: feminism analysis. In this study the background of the rise of female phenomena aged over 27 years but still does not have the desire to get married so that researchers adjust the formulation of the problem how women look for ways to be free from the shackles of which are labeled shèng nǚ to them, especially in the film “shèng zhě wéi wáng”. The purpose of this research is carried out to describe the way the shèng nǚ women are in order to be in accordance with the norms of the community in their own country. In this assessment, researchers use qualitative descriptive methods and data validity through triangulation by using the film "Shèng Zhě Wéi Wáng" as a source of data .Researchers used the theory of existential feminism from Beauvoir (1956) as a supporter of this research. Lastly, Researchers found out that there are many ways that shèng nǚ can do in order to be in...
Transtext(e)s Transcultures 跨文本跨文化, 2007
Chinese women have been continuous hits in mass media throughout the past decade. While names such as Mian Mian and Wei Hui have caught the attention of readers with their fin de siècle decadent writings, or, "genital writings" as labeled by some critics, Mu Zimei, Zhuying Qingtong and Sister Lotus have excited netizens with their online sex diaries, hawking details of one-night stands, nude self-portraits, and pictures of flirtatious gestures respectively, which have caused far greater disturbances in China. On top of investigating whether these writers have bravely subverted the sexual hierarchy and avenged traditionally oppressed Chinese women or if they have willingly commercialized and objectified the female body, this article pays special attention to the notion of privacy and its relationship to the rise of the modern city and examines the complexity of privacy and publicity intruding upon one another in literary space. It proposes that contemporary Chinese literature has experienced a metamorphosis from an invasion of the private space by public space, specifically Maoist discourse, during the revolutionary periods to an intrusion of the public space by private space with the help of the Internet in capitalistic-communist China. This article also suggests that what the bad girl writers and bloggers have done would have been a revolution to celebrate the renaissance of the hidden and suppressed body in the traditionally male-orientated Chinese culture and a new representation of feminine consciousness of Chinese women. However, the body, intentionally used as the selling point of the works, has been objectified, marketized, and thus turned into a production of capitalist consumerism. As a result, instead of discovering the feminine consciousness, the female body serves to signify a re-entrapment of femininity by male chauvinism.
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