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The Central European Imaginary

1992, Cultural Anthropology

AI-generated Abstract

This paper investigates the interplay of imagination and identity in the context of post-socialist Central Europe, using Béla Tarr's film 'Werckmeister Harmonies' as a case study. It posits that the imagination, though formerly an elite privilege, now wields a social force that shapes community identities in a transition marked by globalization and confrontation with the 'Other'. The analysis aims to unpack the ways in which the struggles for identity manifest in societal reactions, including nationalism and xenophobia, reflecting broader themes of community creation and dissolution.