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Place is one of the most important concepts in human geography. In recent years, it has become necessary to re-evaluate the idea of place in order to use it in changing social, cultural and political situations. Different methodologies have contributed to this rethinking of place. Poststructuralist thinking is one of these approaches, as it has emphasised textuality and writing. This has promoted seeing places not as stable and bound things, but rather as becoming or ongoing events. This research approaches place as a discursive question, and explores the poststructuralist and postmodern ideas of place in relation to other conceptions. The research questions are the following: 1) What kinds of frames for writing place have there been? 2) How can place be thought of as becoming, process or event, and how are such conceptions reflected in the methods and conditions of writing places? 3) What kinds of textual strategies are used while writing places, and what do these tell about politics in writing? The textuality of place is studied from methodological and conceptual points of view. The material consists of geographical and philosophical texts, through which the limits of writing place have been explored. In addition, there are literal, visual, and architectural texts of urban space, which illustrate different textual strategies in the practices of writing. Close reading of these texts allows place to be approached discursively. The question of method is also reflected throughout the study, as the possibilities for “methods of becoming” in addition to the “methods of being” are thought through. Place has usually been defined in terms of location, human experience, exclusion, or social construction. In poststructuralist thinking, there have been efforts to deconstruct the central role of the subject, the logic of exclusion, and thinking in terms of being. The challenge has been how to think spatially without locating, or without reducing differences into categories, oppositions and binaries. Signification, temporisation, spacing and displacement are examples of themes that have promoted those efforts and problematised the assumed limits of writing places. Promoting the idea of becoming place has not demanded radical changes in textual strategies. The idea of movement has been delivered into the texts for instance by multimodality, undecidability, context-sensitivity, or by thinking beyond the divisions of subject/object or world/text. The effort in the last option lies in writing with places instead of writing about them. This research gives conceptual and methodological tools for thinking place. These can be applied particularly in the fields of cultural geography, urban studies and cultural studies. The reformulation of the question of place in this research may be useful especially in studies in which movements, events and changes of places are of interest, or in which the limits of writing places are studied critically.
Open House International, 2018
This study aims to explore the concepts of ‘place’ and ‘place-experience’ within the context of Post-phenomenology. During 70’s, humanistic geographers have introduced ‘phenomenology of place’ as a revolutionary approach toward place, which has been largely condemned by Marxist, Feminist and Post-Structural critiques through the last three decades. Accordingly, this study attempts to merge these place-related critiques in order to clarify a new framework titled ‘Post-phenomenology of place’. ‘Post-phenomenology’, as a novel philosophical trend, is a merged school of thought, trying to re-read phenomenology based on Post-structuralism, Pragmatism and Materialism. In this study after a theoretical review on the formation of Post-phenomenology, the various aspects of place are discussed in order to clarify distinctions and paradoxes between phenomenological and Post-phenomenological understandings of place.
Lund University Dissertation, 2003
In this thesis the notion of place is studied by way of investigating the “non-place” which is excluded or opposed, whenever a place is defined. “Non-place” is used here as a meta-concept, covering various recurring types of opposition to “place,” and it therefore represents a profoundly incoherent spectrum of realities and concepts. Hence, a “non-place” may in this investigation appear as “leftover areas in urban planning,” as “passage,” as “site,” as “utopia,” and as “inauthentic architecture.” The study is made in relation to a set of authors and artists chosen for their influence on contemporary aesthetics of place, and for their explicitly stated dichotomies as regards architectural, geographical or social space. These dichotomies (and authors) have been studied in three parts. In Part I: Places of Preference a group of authors and artists are discussed as conveying a negative view of the modern place-forms where “placelessness” replaced a traditional and culturally dense place. In Part II: Other Places the discussion of polarised notions of place is continued, but now with authors who may be regarded as having a view of non-places as useful. Here, deviance from a normal condition is seen as a prominent theme. Finally, in Part III: The Site-Specific, the notion of place is discussed in relation to the recent historical changes of the concepts of site-specificity and regionalism in art and architecture. The overall aim of the thesis is to show that when place is viewed in terms of dichotomies there is a risk of losing the perspective where social interaction, cultural multiplicity and individual activity is regarded. By focusing instead on placial variants, where the dichotomies are discussed in relation to a set of modalities, places may be regarded in their sociospatial and cultural diversity. The “wants,” the “needs,” the “musts,” the “wills,” i.e., the subjective or actantial influence on a spatial negotiation or an architectural realisation is then put into the foreground. To sharpen the modal approach a concentration should be held not on mere modulation of form where a house, a square or a park is given a slightly new shape, but on the significant alteration of a given comprehension, or use, of a place. This means also that several operators, on different actualising and realising levels, have to be considered when a place or a site-specific work is maintained or changed. Here, such place-formative processes have been studied as the modalities that apear in for instance exploitation, privatisation, domination and identification.
A growing number of studies acknowledge the interpretative potential of spatial models for the understanding of diverse cultural phenomena. Published as part of Geocriticism and Spatial Literary Studies, a book series edited by Robert T. Tally Jr., the volume reflects the increasing global interest in spatiality and the immense expanse of spatial approach within the humanities. According to its editor, Bill Richardson, the volume examines 'how spatial realities inform symbolic expression and how a variety of forms of symbolic expression and cultural production rely on those spatial realities to achieve their ends' (2). The essays seek to extend recent developments in the field of spatio-cultural studies and apply new conceptual approaches to a variety of cultural forms. This theoretically dense collection works at 'the intersection of two conceptual " axes " , the abstract/concrete axis and the individual/collective axis' (3).
2014
What makes a place a place? A question that has eluded thinkers, from Aristotle to some of the leading social scientists of our age. Intuitively it can be sensed that ‘place’ belongs to a different register or modality of existence than other geographic signifiers such as ‘space’ or ‘site’. The question I wish to pose in this chapter is how we can find ways to begin to re-conceputalize place in a manner that, with the words of Donna Haraway (2010), ‘stays with the trouble’ of the entangled ontological complexity of the phenomenon of place instead of forcing us to succumb to unwarranted reductions. A conceptualization that may be of help in highlighting just how the concept of place appears to transverse the ingrained but highly artificial subject/object-divide which is latent in much of Western thinking. Instead I hope to showcase some of the intellectual tooling that may be of help in tracing the intertwinement, or even mutual constitution, of the ‘subjective’ and ‘objective’, as well as the ‘material’ and the ‘social’, which complex ontological phenomena such as places may help to open our eyes to. Borrowing words from Dovey, we can hopefully find some ways to explorehow to “move beyond a false choice between place as pre-given or as socially constructed” (Dovey, 2010:6).
Journal of the association for the study of Australian literature, 2018
Places and stories are innately entwined. The roots of this connection run deep: every story takes place somewhere-and every place is constituted, at least in part, by stories. Within academia, the symbiotic relationship of story and place is evident in the ongoing dialogue between literary studies and human geography. In recent years the 'spatial turn' in arts and humanities scholarship, and a parallel 'cultural turn' in geography, have given rise to several related subfields devoted to exploring this fertile ground. These include literary geography (see Brosseau; Hones, Thinking Space; Alexander), literary cartography (Tally, Literary Cartography), narrative cartography (Caquard and Cartwright), geocriticism (Westphal; Tally, Geocritical Explorations), and ecocriticism (Glotfelty and Fromm). While this interdisciplinary dialogue has intensified in recent years, over time much of the interest has come from academic geographers. Select examples include research on 'atlases' of literary works (Moretti), the distinction between 'textual geographies' and 'the geographies of texts' (Ogborn), digital mappings of fictionalised spaces (Piatti et al.), literary geographies and narrative space (Hones, Literary Geographies), and the entanglement of real and written places (Anderson). In a reciprocal branch of enquiry, literary scholars have increasingly turned their attention to 'the textuality of space and the spatiality of text' (Thacker 60). Australian researchers have considered place from Aboriginal (Moreton-Robinson; Chatwin; Mueke), genre-based (Kraitsowits), postcolonial (Huggan), literary-cinematic (Turner), literarygeographic (Leer), cultural-cartographic (Cultural Atlas of Australia), ecocritical (Cranston and Zeller; Robin), and geocritical perspectives (Stadler et al.).
مجلة بحوث کلیة الآداب . جامعة المنوفیة, 2019
Geography and literature are impressed by their respective disciplinary cultures. However, they witness the emergence of contact zones that subvert the boundaries caused by the cultural divide between these two discrete disciplines. The paper discusses five encounters emerged in the wake of the spatial turn in the 1990s: geography's literature, narrative cartography, geocriticism, geo-poetics, and eco-criticism. The-the map and the text‖ is a spatial trope that becomes a diegetic paradigm, a structuring agent, and a signifying element in literary theory. Therefore, the objective of this paper is to illuminate the methods, objectives, divergences and convergences of these interdisciplinary encounters. Author's Bio-Note Wael M. Mustafa lectures in Literary Theory at Fayoum University, Egypt. His main research interests are in postmodern literary theory; postcolonial translation studies; literary journalism; eco-criticism; spatial literary theory; and Postpostmodern literary theory. Recent publications include a book entitled The Politics of Subversion (2010).
Concepts such as non-place and placelessness can provide planners and designers with new insights to better capture the essence of place. This essay first reviews the literature of place and its byproducts, namely non-place and placelessness. Against such a backdrop, the paper then explores how the contemporary transformation of the three components of place, namely locale, location and sense of place, has contributed to a narrative of loss. Characterized by loss of meaning and loss of proper connection between locations, the geographies of 'otherness' and 'nowhereness' and the crisis of identity are among the major implications of this narrative.
Interdisciplinary Studies in Literature and Environment, 2012
In this chapter I explore the critical power of Place in relation to the researching of subjugated knowledges. I offer a conceptual framework of place as a concept that bridges the material and symbolic, the local and global, and indigenous and non-indigenous knowledges. In each of these binaries, Western knowledge privileges one side of the binary as dominant or legitimate – the symbolic over the material, the global over the local, and the non-indigenous over indigenous. I propose that Place has critical power because it contains the possibility of reversing the order of privilege. As an object of inquiry in relation to crises of our social, cultural and physical environments, Place alerts us to the material effects of our discursive relationships to where we are located. Within the conceptual framework of place, a postcolonial pedagogy of place and methodology of postmodern emergence are proposed as the basis for a critical qualitative research. Examples are offered of the way place can be activated as critical research through a range of place-making methods including body/place journal writing, oral place storytelling, deep mapping, art as a method of inquiry and participatory community place making.
2015
In James Berlin�s, Rhetoric, Poetics, and Cultures, he outlines how Social-Epistemic Rhetoric (SER) can inform composition theory and pedagogy. Much of Berlin�s aim is to show how theories of SER can be used as a tool to expose for students discursive practices that reinforce political, economic, and social inequalities that exist and are perpetuated in the production, distribution, and reception of texts. But Berlin also describes aspects of SER that includes the social and material conditions, and how these forces also influence discourse and knowledge. This dissertation extends Berlin�s stance on how the social and material conditions operate in the production, distribution, and reception of texts. As a result, �place� is a discursive construct that emerges through language by an individual in conjunction with the social and material conditions of a particular historical moment. Subsequently, the way one composes texts is discursively influenced by place, and this has consequence...
The relations between texts and the world are at the forefront of cultural geography. Along with the cultural and linguistic turns in geography, the aims of searching for meanings have been problematized, and the awareness of the complicated nature of the textures of place has at the same time been widened. What does it mean if the meanings of place are interpreted as becoming instead of being, if feeling is emphasized instead of seeing, and if there still remain nondiscursive elements that disrupt the supposed order in writing places? The aims of this article are to consider the current discussions on the textuality of place and to give some openings for writing places and understanding the limits of that writing. These questions are connected here to the deconstructive and humanistic efforts to write places by inhabiting them or by crossing their discursive boundaries.
IOSR Journal Of Humanities And Social Science (IOSR-JHSS), 2024
This article aims to discuss the concept of place based on its evolution since the 1970s. It is argued that the existing places reaffirm the experiences of space that have meaning, while the uneven development of capitalism produces metropolitan fragmentation-often materialized in renovation and re-signification projects. The sociospatial transformations observed in the contemporary metropolises tend to de-characterize traditional urban fabrics and their identities, and this reality is engendered above all by current urban services supported by the entrepreneurial management of space and the consumer culture. In this sense, the research focuses on the possibility of the existence of places in the context of fragmentation and loss of local identities. The articulation of the different processes of space modification legitimizes new paradigms that suggest questions about the relationship between space and its places, their contexts and scales of influence, the conflicts they entail and the search for maintaining places of meeting and exchange. The main assumption of this work is: the place can exist in the midst of a reurbanization process, which results in renewed landscapes contiguous to interstices that, sometimes, differentiate into voids or places. These interstices can symbolize the potential for resistance and permanence and currently allow for experiences of identification towards the urban-contrary to the context of permanent transformation and of the loss of symbolic references. In this context, this work aims to contribute to the discussion about the relationship between the unstoppable urban transformations and the manifestos and representations seen in small localities that survive the imposition of the socioeconomic interests of the capitalist society.
Themes in literary criticism move in and out of focus, influenced by wider cultural trends that sometimes derive from sciences like psychology, ecology, and physics; or through periodic drifts in sociopolitical arenas like Marxism and democracy, or gender-equality. The nation has been the dominant socio-cultural construction of the last few centuries, a verity which has significantly influenced both production and analysis of literature. The relatively recent advances in communicative technologyair travel, internet, cellular phones, GPS, and so onmodify conventional notions of place and time, peoples, and communities. These transformations command new cultural perspectives in the same way that they have resulted in new citizenship and migration laws, economic models, and educational pedagogies. 1 Moreover, postnational characteristics percolate through Hemingway's novels, yet critics often employ American categorizations to the man's life and texts, and this construct has long been a principal axis of investigation, in spite of his distancegeographic, cultural, and linguisticfrom the constraints of that label.
Place, Space and Hermeneutics, 2017
The distinction between place and non-place has occupied a critical role in both the philosophy of place and human geography for the last 20 years. In a distinction that stems from Marc Augé but is traceable to Edward Relph, " place " is thought as being relationally constructed, laden with meaning, and shaped by a broader history; home being emblematic of place. " Non-place, " on the other hand, is taken to mean places divested of meaning, homogenous, and largely interchangeable ; airports, supermarkets, and prefabricated office complexes being examples. Whilst this distinction has tended to be pervasive and influential in phenomenologi-cal accounts of place, critical analysis on the relation between place and non-place has been sparse. This paper aims to (1) develop an analysis of the distinction, ambiguities , and tensions between place and non-place. (2). To question and interrogate what kind of difference is involved in this distinction. (3). To address the role inter-subjectivity and affectivity plays in the " sense of place. "
2007
This paper investigates the role of spatial structure and “urban narrative” in individual’s experience of a “place”. The spatial structure describes the actual space that individual navigates and occupies through its everyday activities. Whereas the term “urban narrative” describes the factors in urban history and social culture that create an imagined space that evolves through historical time and is navigated through city’s cultural mythology. A main challenge that urban designers and planners are facing is of creating recognisable and valued “places” that people would like to live and work in. This paper deals with the nature of neighbourhood as spatial, social and economic phenomenon and brings to the fore the “sense of place” as its intrinsic characteristic. It is acknowledged that the latter has a long history of investigation. However, to date the research has focused either on individual’s perceptions or attitudes towards geographical spaces or the local design features of u...
The paper discusses the aesthetic aspects of place ‑making practices in the urban environment of Western metropoles that are struggling with the progressive undifferentiation of their space and the weakening of communal and personal bonds. The paper starts by describing the gen‑ eral characteristics of an urban environment as distinct from the traditional vision of a city as a well ‑structured entity, and in relation to formal and informal aesthetics and participatory design ideas. The author then focuses on two contrary but complementary tactics for translat‑ ing a space into a positively evaluated p l a c e: by domesticating it through introducing nature into an urbanscape; and by accentuating its alienness with the example of the urban explora‑ tion movement. The growing popularity of the latter is presented in relation to the discourses related to the decline of cities and the romantic endeavours for reaching into the realm of the unknown or the uncanny in order to rediscover and enrich the unique identity of a place. The paper ends with conclusions that present the necessity for the cultivation of a multidimen‑ sional aesthetic awareness and an aesthetic engagement as a crucial issue in the complex task of endowing places with a density of meaning.
Beyond the Postmodern: Space and Place for the Early 21st Century, 2015
This paper will investigate the validity and consistency of the discourse created around French anthropologist Marc Augé's concept 'non-place', considering its internal ambiguities and the contradictions arousing from different critics about the concept. Although Augé's clear and logical definition of non-place seems like a tautology, it's one of the most popular concepts in the discipline of architecture which is used as key theme in academic papers, workshops and theoric lessons related with post/super/hyper modernity, cinema, urban planning and especially with space in the general sense. The understanding and use of the concept seems mainly divided in two opposite absolute meanings. One of them positions Augé as an existentialist (in the Heideggerian sense) and a sedentarist metaphysicist advocating place against space, and the other one as a pioneer in the field of antropology breaking the authority of place and showing new possibilities of space (in a Deleuzian way) in the age of supermodernity. In addition to these, there is a research area dealing with the 'subjectivity problem' of the notion and in relation there are 'expansionists', who doesn't limit the non-places with transitional [transport, transit, commerce, leisure] spaces. This paper will try to show different oppositions and claim that the ambigious and contradictory position of Marc Augé is caused by his transitional position between postmodernity and over-modernity, by his requirements and restrictions coming from the discipline of anthropology and the related contradictory configuration of his theory. However, despite all the ambigious and contradictory character, the concept of non-place can still be used as a theoretical tool to expose and change the controlled spaces of late capitalism.
2012
then.proceeds. to.demonstrate.how.students.progressively.develop.an. understanding.of.place..The.intent.here.is.to.build.on.these. ideas.through.discussion.of.a.wide.range.of.thinking.about. place.with.most.examples.chosen.from.Australia.and.the. Asia-Pacific.region. Place.is.a.rich.geographical.concept.that.fires.the. geographical.imagination..Place.is.teased.out.here.by:. examining.theory,.or,.'grand.narratives' ,.as.well.as.stories. that.people.tell.about.place;.the.experience.of.place.which. emphasises.the.connection.between.'being.in.the.world' 1. and.the.sense.of.place.associated.with.living.in.specific.places. (Agnew,.Livingstone.&.Rogers,.1996.370);.and.place.as.a.locus. of.identity.because.people.invest.their.surroundings.with. meaning.and.can.develop.a.sense.of.place.(367). Places and Place Firstly,.it.is.necessary.to.differentiate.between.places.and. place..Places.occupy.the.high.ground.in.many.primary.school. geographies.and.have.taken.up.much.desk.space.in.high. school.geographies.. Glacken.spoke.evocatively.about.places,.'In.1937.I.spent. eleven.months.travelling.in.many.parts.of.the.world..The. yellow.dust.clouds.high.over.Peking,.the.dredged.pond.mud. along.the.Yangtze,.the.monkeys.swinging.from.tree.to.tree. at.Angkor.Vat,.a.primitive.water-lifting.apparatus.near.Cairo,. the.Mediterranean.promenade,.the.goat.curd.and.the.carob. of.Cyprus,.the.site.of.Athens.and.the.dryness.of.Greece,.the. shrubs,.the.coves,.the.hamlets,.and.the.deforestation.of. the.Eastern.Mediterranean,.the.shepherds.of.the.Caucuses,. the.swinging.swords.of.Central.Asians.in.the.markets.of. Ordzhonikidze,.the.quiet.farms.of.Swedish.Skane.-.these.and. many.other.observations.made.me.realise.as.part.of.my.being. the.commonplace.truth.that.there.is.a.great.diversity.both.of. human.cultures.and.of.the.physical.environments.in.which. they.live' .(Glacken,.1967)..
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