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2012, Proceedings of 10th World Congress of AISS/AIS, La Coruna, Spain, 2009
Аdvertising is a kind of communication which proceeds between two sides in unequal positions. One side (the sender of the message) is tangible and evident while the other (the recipient) is a mass of different minds which is usually named “target-audience” by the marketers. The successful transfer process is based on two factors – definition and differentiation. The brand as initiator of the communication-act faces the problem of constructing the most appropriate code by means of which to transfer its message in such a way that allows it to reach the customer`s mind in the way intended by the initiator. This code simultaneously combines three functions: it defines the brand as such (indicating its existence), differentiates it from the competition (from the noise of the environment) and proposes a concrete reason for purchase to be done (i.e. makes the Unique Selling Proposition). Implementing these three functions in this particular order is a necessary condition for advertising to trigger a change in the consumer’s behaviour. Without this implementation, advertising does not fulfill it’s main goal of triggering a change in the customer’s behaviour but becomes a piece of visual art and/or entertainment. In addition, by means of a detailed segmentation of the market, the brand predetermines to a maximum degree the chances for the audience to take up the message. In this way it lays the foundations of the decoding process (focusing attention on and understanding the information encoded) and defines the set of verbal and visual signs which a given segment is “open” for.
2009
Аdvertising is a kind of communication which proceeds between two sides in unequal positions. One side (the sender of the message) is tangible and evident while the other (the recipient) is a mass of different minds which is usually named "target-audience" by the marketers. The successful transfer process is based on two factors-definition and differentiation. The brand as initiator of the communication-act faces the problem of constructing the most appropriate code by means of which to transfer its message in such a way that allows it to reach the customer`s mind in the way intended by the initiator. This code simultaneously combines three functions: it defines the brand as such (indicating its existence), differentiates it from the competition (from the noise of the environment) and proposes a concrete reason for purchase to be done (i.e. makes the Unique Selling Proposition). Implementing these three functions in this particular order is a necessary condition for advertising to trigger a change in the consumer's behaviour. Without this implementation, advertising does not fulfill it's main goal of triggering a change in the customer's behaviour but becomes a piece of visual art and/or entertainment. In addition, by means of a detailed segmentation of the market, the brand predetermines to a maximum degree the chances for the audience to take up the message. In this way it lays the foundations of the decoding process (focusing attention on and understanding the information encoded) and defines the set of verbal and visual signs which a given segment is "open" for.
2017
Advertising represents the bridge between the company (producer) and consumer, exactly the lie which they use to communicate. More and more companies come to market with new products, compete or not with other existing and thus advertising has a duty to convinces, to remind and to inform the customer that each product is the best. Currently there are a multitude of techniques and methods to which they resort to generate a high level of consumer persuasion current and / or potential. These techniques and methods, excess, most often the imagination of consumers, without them realize the extent to which end up being handled. In general, consumers are different in many respects, such as the perception about the message sent by a company through numerous means of promotion can not be otherwise than different, very rare which is the same for a restrains number of consumers The challenge for a company is very difficult because they must do that through various techniques and media to conve...
Visual communication is an inevitable part of social life nowadays. In today's world, communication is quite intense and for people to observe every chart around themselves is out of the question. Charts have invaded the lives of people more than they did in the past. Companies and brands use the strength of charts to put their products before others, to increase their memorability and affordability. Advertisements are representation mechanisms and chart systems that are the shortest and most effective ways to communicate with people visually. Influences of charts in creation of successful brands have been recognised and with more and more intense studies, semiology is improving day by day in this era of visual symbols. The purpose of this study is to help the advertising language to be understood better, which leads to the consumption habits of individuals, especially in the advertisement world and affects their attitudes and behaviours.
STUDIES AND SCIENTIFIC RESEARCHES. ECONOMICS EDITION, 2014
Advertising as a tool of communication, but mostly as a marketing tool is subject to many theories and explanatory and normative models. Its contents and performed functions are not yet defined in general recognized theory. Present article focuses on the analysis of advertising in terms of its specific persuasive effort and communication process. Advertising seen as a process is based on the general scheme of the marketing communication process, with a number of specific features related to its content. The persuasive effort is related to creation of favorable attitudes or reinforcing existing attitudes. This process of persuasion is closely linked to the concept of attitude. Most theories of advertising have explored the connection between persuasion and attitude, identifying possible responses that the receiver can give to advertising information. Following lines develop these two important aspects associated with advertising theory, even if they are not the only issues that are d...
Zhytomyr Ivan Franko State University Journal. Philosophical Sciences., 2021
The article analyzes the current approaches to the definition of "advertising". A substantial approach is used to define it, which, continuing the classical tradition of scientific thinking, proclaims the fundamental principle of understanding the object of scientific knowledge as a stable entity, reducing the diversity and variability of properties to a constant, relatively stable and permanent definition. It is emphasized that in the subject field of philosophical sciences, taking into account current research in communication and economics, we can determine its essence and attributes. The etymology of the concept in different languages allows us to determine the following characteristics: call, repeated aloud several times; drawing attention; return (of information). It has been found that most definitions focus on certain commercial, communicative or substrate features and do not emphasize the essence of this social phenomenon. It is found that in the definition given by J. Richards and C. Curran, proposed on the basis of analysis of this concept in American textbooks (relevant to the end of the twentieth century), and which best reflects the essence of this phenomenon, a number of characteristics are accidental. This is, firstly, payment, and secondly - impersonality. These characteristics do not cover all forms and types of advertising. It also does not take into account the activity aspect of the functioning of advertising in society. It is proposed to interpret advertising on the basis of a substantial approach as a communicative activity of a motivating nature, which aims to draw attention to the object of advertising for mutual exchange. The attributes of advertising are advertising message and drawing attention. The first is understood as the main element of communication, which involves the translation of the idea, that the advertiser tries to convey to a specific target audience, in order to encourage a certain action, to provoke a reaction. The second emphasizes that exactly advertising, unlike other informational messages, aims to attract attention. At the present stage, this feature allows to detect the advertising message in the information noise.
Introductory. Advertising communication in general. Evolutionary stages. Diagram of flow. Some basic terms of mass media research. The media process in advertising. Definition of media deregulation. Commodity form. Quantitative terms of the mass media. Basic concepts and structure of an advertising campaign. Transformations of advertising communication. The system of objects. What is a brand? The role of advertising. About the audience. Transformation of viewers/listeners into audiences and consumers. The role of semiotics in advertising. The convergence of mass media, advertising and consumption-e.g. the Greek example. The content of TV programmes. Definition of kitsch & examples from the media. Commercialization levels and the mass media. Transformations of the mass media content. On marketing. The system of needs. The advertising agency and mergers. Public & private mass media. Dramatization and the mass media. Cultural industries. Cultural economy. Concerning audiences and quality of content in the mass media.
Acitya: Journal of Teaching and Education
An advertisement is media that is used by a producer or company to reach their goal of selling the product as much as possible. Through language used in an advertisement, the advertiser tries to manipulate the audience’s minds to buy a particular product or service. One of the strategies to reach their goal is by employing presupposition in the advertisement. The presupposition is claimed to be able to give persuade potential consumers as well as to make the advertisement economic, as the information is concisely presented. This study aimed to investigate kinds of presupposition triggers employed in cosmetic advertisement namely SK-II. This study chose five videos of SK-II advertisement as the data. Then the videos were transcribed and selected the potential presupposition. Through analyzing presupposition triggers with the framework proposed by Levinson, it is hoped that this study will uncover the message employed in the advertisement, and help the reader understand the intention ...
Dictionary of Marketing Communications
Advertising Strategy | 1 At the end of the course, Individuals will examine the principles of Advertising apply them within the companies need critically reflect Advertising Strategy behavior within companies and their impact on the development of this course. 7.1 Integrated Marketing 7.2 Executional Framework 7.3 Sources & Spokespersons 7.4 Creating an Advertisement The essence of an integrated marketing communications program is designing a message that effectively reaches the target audience. Many of these messages are, in a very real sense, quite personal. They are designed to change or shape attitudes. They must be remembered. They should lead to some kind of short-or long term action. Marketing messages travel in two ways. First, a personal message can be delivered through a personal medium. A sales rep closing the deal, shaking the hand of the buyer, giving a reassuring tap on the shoulder, and smiling while talking is delivering a message in an intimate, warm, human fashion. Clearly, personal media (sales reps, repair department personnel, customer services representatives, etc.) must be included in the overall IMC program and approach. The second way marketing messages travel is through the various forms of advertising media. Many of these media are completely impersonal. Television sets are indifferent as to what appears on the screen. Radios deliver any sound that can be transmitted. Computer screens are nothing more than special-purpose television screens. The challenge to the marketing account executive, the company, and especially the creative is to design a personal message, even while it is being delivered through an impersonal medium. Account executives are acutely aware of the importance of effectively reaching a target Audience. It is not simply a matter of reach, frequency, and continuity. The message must engage the targeted buyer and influence the individual to the point that he or she will recall and purchase the product. Beyond the goal of making a message personal, many marketers are interested in tangible, measurable results that can be reported to clients and to prospective new customers. Therefore, the relationship between Advertising Strategy | 2 the executive and the creative reaches a critical point at the stage in which an advertisement is developed. This lesson focuses on several major topics. First, three types of message strategies are described. Each may be used to help convince the consumer to make a purchase, either through reason, emotion, or an action-inducing advertisement. Second, the major types of executional frameworks are noted. These forms of advertising presentations help the creative prepare original, convincing, and memorable ads. Third, the four types of sources or spokespersons that appear in various advertisements are described, and the criteria used to select them are reviewed. Fourth and finally, the principles of effective advertising campaigns are presented. When advertisements are combined with other elements of the promotions mix in an integrated fashion, the net result is a stronger company image and a clear IMC theme. The message theme, or the outline of the key ideas in the ad, is a central part of the creative brief. The message theme can be created using a number of message strategies. A message strategy is the primary tactic or approach used to deliver the message theme. There are three broad categories of message strategies:
The interviewee says that for the organisation's communication to work, the whole process has to work together. According to him, the organisation must have done an analysis of the market to find the relevant message. This message then has to be transformed into the kind of communication that will make the customers listen to what they have to say. To find the right channel to put the message through is essential according to the interviewee, and he also says that is equally important that the message is right, or the customers will read it wrong and the whole campaign will be of no use. The process that the interviewee is talking about is similar to the one created by Shannon and Weaver in 1949 (See ). The interviewee mentions all the different elements that are to be found in this model and it is clear that this is a model that is well used on today's market.
International Journal of Research in Business and Social Science (2147-4478), 2016
Owing to aesthetic components that advertisement texts generally have, advertisements are sometimes perceived as a genre of art by some circles. The study is based upon a perspective presented by an interdisciplinary background and it acknowledges a paradigm that advertising is not a genre of art, it obviously pursues commercial profits and within this context, expolits the created aesthetics in product. The main objective of the study, which focuses advertising aesthetic fundamentally, is to build a scientific model formulating some levels of aestheticisation during its production process. Formulation in question has been reconstructed on theoretical and applied literature.
Now days, customers have become very demanding in today’s competitive market as they have a wider range of products and services to choose from. Since they have become very demanding, they are always in need of real, useful and trustworthy information about new products and services. They also want this information to be displayed to them in a ways which require creativity and execution. Advertisements these days over exaggerate facts, make the content melodramatic and cast actors as experts, and this reduces the credibility of the product or service that is being advertised. Parallel art is a new form of advertisement that is known for its simple and trustworthy content that is demanded by the customer. This paper gives a conceptual view of parallel art and gives suggestions and new ways which can be implemented by advertisers to capture the attention of the customer.
This study is designed to investigate and discuss about the fundamental as well as the main characteristics of the advertising language. In effect, this study is proposed to shed light on what it takes to be an effective and successful advertisement in terms of its features. To reach the aim of this study, some of the main subjects, topics, and points which can be related to the goal of article are introduced, explained, and discussed. Afterword, they are followed by a precise discussion and conclusion. On the whole, this study attempts to identify the characteristics of the good and operative advertising language. For the most part, this article looks at the features which are essential and indispensable for the advertising language, or to be more exact, the traits which create some piece of work so called an advertisement, in detail, and from a deeper view.
The article analyses the term of "advertising" with the focus on information transmission function and a possibility to influence consumers. A comparative analysis of advertising terms is completed. The article presents a different view towards areas of advertising functions and presents aspects of advertising influence on consumers. These aspects form a formula of CAFE'A -cognition, action, finances, emotions and advantage (Lith. PEFEN). There cognition is understood as feelings and recollections of a consumer. Action means that a consumer has noticed and read the ad. Financial aspect of the formula is connected to the costs consumer experiences. Emotional component of advertising impact includes evaluations how consumers accept and value the chosen product. Finally, advantage means the relations among such factors as financial costs, emotions for the bought product and experienced use of a product.
INTERNATIONAL JOURNAL OF INNOVATIVE RESEARCH & DEVELOPMENT, 2024
The choice of a language for communication influences people's behavior by convincing them to believe in the idea represented. Zhiganova (2016) posits that a code choice in an advertisement must be emotive and use persuasive techniques. This persuasive technique in television advertisements influences viewers through an appeal to their emotions in order to manipulate their views on the products being advertised. Advertisement is a form of communication that persuades and encourages people to take a particular action. Dyer (1982) describes advertisement as a type of communication because it can merge itself in the field of communication to influence people's decisions, thoughts and feelings. Basically, communication in advertisement is an activity that expresses ideas and feelings by giving some information about the advertised product through interaction with language (Leiss et al., 2013). Language, therefore, as examined in Sapir (2006), plays a vital role in any form of communication. For this reason, language communicates ideas, emotions, and desires through a system of voluntarily produced symbols. This is supported by Diyer (1982), who claims that people communicate by conveying information to influence others through various modes. This paper explores how visual, linguistic, and auditory elements are orchestrated to influence consumer behavior and attitudes towards Royco mchuzi mix product. Notably, advertisers communicate to consumers with the intention of persuading them to like their products using modes of signification. Hence, there is a relationship between advertisement and communication. Firms producing goods cannot advertise without communicating. This fact is supported by Kokemuller (2014), who argues that the relationships between advertisement and communication are in the consumers, message development, method of communication and the service offered. Communication in television advertisements shows that meaning is realized not only through language
Journal of Brand Management, 2001
2015
The subjects of this research project are the interpretations of selected advertising messages. The main aim of this work is to discover ways of reading the advertising messages in the context of the common semantic field of their receivers. It is worth noting that despite the fact that such messages are always accompanied by certain intentions and motives of their creators (broadcasters) – they are not the object of authors’ interests in this particular text. The object of interest is the key role played by the interpretations of the advertising text made by its receivers. They are viewed from the perspective of common cultural ground of members of community the interpreters come from. In the opinion of the authors, cultural community significantly determines the approach of interpreters towards the advertising text, and also determines its final interpretation. This means that the interpreters of advertising messages are seen here as a specific interpretive society, actively parti...
Advertising is the process of informing the potential customers about the availability of various products and services, events and job vacancies etc. Advertisement is a paid form of non-personal presentation of ideas, product or service by the marketer to disseminate information of the same to prospective customers. Advertising is intended to create an interest on the part of customers and convert them into consumers. Since advertisement is a non-personal form, trust plays a very significant role in creating confidence among the consumers in guaranteeing the product performance and quality. And it is the morale responsibility of every marketer to keep up to their promises. Marketers use multiple techniques in their advertisements to emotionally appeal to their target groups. This paper attempts to bring out the various persuasive components of advertisement manipulating customer buying decision with respect to electronic products.
2020
Advertisements are unavoidable and ubiquitous. We encounter them on television and the radio, in newspapers and magazines, on billboards, in public transport vehicles and mailboxes, on mobile phones or on websites we visit on the Internet. The aim of this paper is to examine linguistic features and marketing strategies used by advertisers to attract and hold consumers’ attention, make them remember advertisements and encourage them to buy advertised products. This paper discusses the way advertisers, using the advertising discourse, manipulate consumers’ opinions, beliefs and behaviour. Starting from previous research of the advertising discourse, this paper shows the results of the analysis of the most important linguistic features as well as marketing strategies for addressing consumers used in TV commercials broadcast on four Serbian TV channels TV Prva, RTS 1, TV B92 / 02 and TV Pink, from March 2016 to September 2019. The analysis is based on the theoretical principles of Criti...
SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference, 2019
The research presents the process of advertising message and the mechanisms of its influence on consumer decisions. The goal of the article is to present the findings to the research question: Do the methods and techniques used in tourism advertising messages have an impact on society? To give answer to our research question, the diagnostic survey method was adopted and a research tool was used in the form of a questionnaire, which in the interactive version was filled in by the participants of the most popular online forums. The questionnaire was available on several social networks and on a special generated page for this purpose from February 1 to May 31, 2016. The research shows that the very important mechanism of persuasion is the impact of the identification process with the person's respect and authority. An important role in the process of persuasion is also played by the content of the advertising message, which brings the recipients pleasant associations and entertai...
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