One+One Filmmakers Journal. issue 7

(Includes my Adventures in... bigotry)

(Includes my interview "The Spectre of Medea" With filmmakers Lizzie Soden and Greg Scorzo)

(Includes my How Russ Meyer Came to Rule the World, And How Divine Intervention Couldn't Stop him.)

(Includes my introduction and article "A spoonful of sugar... the dialectics of work and Play in Walt Disney's Mary Poppins")

Baltic Screen Media Review, Special Issue, scheduled publication Dec 2023 Guest editors Pia Tikka and Elen Lotman with Maarten Coëgnarts Contact and submission to [email protected]

Studies in Australasian Cinema, 2018

Palgrave MacMillan. She has published her research extensively in international journals such as New Media and Society and New Writing, as well as in edited books. She is an ethnographer, writer and artist whose practice includes filmmaking, participatory art projects, and poetry. Her video art has been exhibited at prestigious venues including the Director's Lounge in Berlin,

Media Practice and Education

Framework: The Journal of Cinema and Media, 2021

If the canon has too long been dominated by white, male, cishet auteurs and their on-again/off-again relationship with big Hollywood industry, the death of film has created space for collective voices, different perspectives, wayward formats, greater accessibility, and activist mobilizations. This is the story of the future of film, which is mischievously unfolding before our very eyes.

Cinematic: The Harvard Annual Film Review

What is cinema？" That is how the class started, with an invitation to reflect and write down our own, personal definition. Apparently, a fundamental and pompous question, but only later did we understand that this time, the enquiry had a different reason behind it. The purpose was not to find another way of translating the cinematic experience or set a general background for the following course, but it was meant to determine us to start a self introspection about what we are, how we are and what cinema connotes to us, the young, soon-to-be cineastes.

Cinema: Journal of Philosophy and the Moving Image N.1, 2010

This issue’s theme is documentary in the digital age. A trilogy of articles develop a strong sub-theme, namely the treatment of women and the subaltern on the Indian subcontinent. Coupled with excellent writings on some contemporary documentaries are probing interviews with talented young filmmakers.

2020

You Were There: An Exploration and Analysis of the Filmmaking Process This thesis explores the process of writing, shooting and editing my short film You Were There. My process involved scriptwriting with several revisions, shooting with a cast and crew, and editing the raw footage. This paper will not only serve as a timeline leading up to the final

Peer review This article has been peer-reviewed through the journal's standard double-anonymous peer review, where both the reviewers and authors are anonymised during review.