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2016, Journalism Studies
For two decades, convergence culture has been an important motivator for change in journalism worldwide. Journalism research has followed these developments, investigating the dimensions of change that define convergence as a cultural shift in the newsroom. Research in the European context has mostly been comprised of national case studies of flagship media outlets whereas comparative, let alone quantitative, studies are scarce. In response to these shortcomings, we present a comparative survey among newspaper journalists in managerial positions on convergence strategies in newsrooms from Germany, the Netherlands, Switzerland, Austria, Spain, and Portugal. Results show that there is still a dominant print culture present in newsrooms across Europe; however, a shift toward convergence journalism is evident in the strategic implementation of editorial routines and practices as well as in the encouragement of journalists to join convergence developments. Furthermore, newsrooms in Mediterranean countries are more advanced than those in North/Central Europe when it comes to embracing convergence culture because of a stronger audio-visual than print news tradition and a higher motivation among journalists. Our study reveals that after two decades of European convergence journalism, cultural change moves slowly but steadily toward a news production that makes use of the possibilities emerging from convergence.
Journalism Studies, 2016
For two decades, convergence culture has been an important motivator for change in journalism worldwide. Journalism research has followed these developments, investigating the dimensions of change that define convergence as a cultural shift in the newsroom. Research in the European context has mostly been comprised of national case studies of flagship media outlets whereas comparative, let alone quantitative, studies are scarce. In response to these shortcomings, we present a comparative survey among newspaper journalists in managerial positions on convergence strategies in newsrooms from Germany, the Netherlands, Switzerland, Austria, Spain, and Portugal. Results show that there is still a dominant print culture present in newsrooms across Europe; however, a shift toward convergence journalism is evident in the strategic implementation of editorial routines and practices as well as in the encouragement of journalists to join convergence developments. Furthermore, newsrooms in Mediterranean countries are more advanced than those in North/Central Europe when it comes to embracing convergence culture because of a stronger audiovisual than print news tradition and a higher motivation among journalists. Our study reveals that after two decades of European convergence journalism, cultural change moves slowly but steadily toward a news production that makes use of the possibilities emerging from convergence.
Journalism Practice, 2019
Newsrooms are in a makeover process, reflecting the complex changes taking place in the market,along with a shift towards the digital domain within the media value creation chains. Our comparative study monitors convergence and integration processes in newsrooms in Spain (El Mundo), Germany (Die Welt) and Austria (Der Standard). Five years ago, we established threetypical newsroom models and a convergence matrix for analysis and comparison: Full Integration,Cross-Media and Coordination of Isolated Platforms. The models and matrix have now beenconfirmed and enriched with new details and descriptors regarding newsroom organization, workflows and change management. At the same time, audience participation is becoming a key strategic question in all newsroom models, whereas the traditional logic and rhythms of daily newspaper production are losing ground.
Shaping the News Online: A comparative research on international quality media, 2014
Newsroom convergence is one of the main obsessions of media firms these days. Several models have been experimented, and several ways to measure newsroom convergence have been proposed as well. In this paper, we analyze five of the most powerful media around the world, we apply a methodological tool previously developed for a research project in which we participated, and complete it with a historical explanation on how firms decide to which extent they adopt a newsroom convergence model, or not, based on technological, cultural and professional reasons. Those five media are two from the the ‘Northern Atlantic’ or ‘liberal’ model: The New York Times (United States of America), The Guardian (United Kingdom), both of them have adopted recently a ‘Web first’ strategy; and three more media from the ‘Mediterranean’ or ‘Polarized Pluralistic’ model: El País (Spain), Le Monde (France) and La Repubblica (Italy).
In both european and international forums, models of convergence and newsroom integration have been the main topic of discussion during the last years. What makes media organisations willing to explore these models in order to remain competitive in their field of business? The main focus of this study will be a comparative analysis of various media corporations in Germany (and maybe Switzerland) and their transition to the digital era, based on their new operational models (internal structure, day-to-day process, financial aspects etc), as well as the different forms and level of convergence these corporations apply on distinct platforms (print, tv, internet, mobile first, tablet).
Revista Mediterránea de Comunicación, 2017
As a consequence of technological innovations and their social utilisation, media organisations and newsrooms are undergoing a fundamental transformation process. This article analyses the interrelations between technological innovations and the challenges of convergent journalism. Studies conducted on newsroom convergence to date set out from one-sided influences: They investigated the extent to which technical innovations determine the newsrooms, or whether journalistic structures and long-range trends are so strong as to largely obstruct the adoption of new technologies in journalism. Therefore technology — especially in studies carried out on newsroom convergence — is considered as an influencing factor on somehow resisting or non-resisting newsrooms. We broaden the scope of this investigation by considering that any such influence might not come exclusively from technology, but that impulses can come also from innovative newsrooms: technological gaps, wishes and obstacles are i...
2000
Digitization of production has facilitated changes in the organization and practices of journalism. Technological convergence, media convergence and organizational convergence have helped change the way in which news is made.
This article elaborates the very true meaning of media convergence and its impact towards the newsroom management, including the challenges that media institutions face nowadays. A few case studies from the UK, Denmark, and Indonesia discussed here enrich the discussion on this matter. Keywords: digitalization, interactivity, media convergence, multimedia newsroom
Observatorio (Obs*), 2008
Convergence is not just a buzzword, it is a key identifier of many different trends in today's digital culture.
Intercom: Revista Brasileira de Ciências da Comunicação
Resumo Este artigo analisa dinâmicas interacionais entre jornalistas do centenário diário português Jornal de Notícias durante a cobertura multiplataforma da tragédia de Pedrógão Grande. Os incêndios florestais ocorridos no verão europeu de 2017, na região central de Portugal, ganharam atenção midiática internacional pelas mortes provocadas e extensão de áreas devastadas. Adota-se a perspectiva da convergência midiática, atravessada por movimentos de divergência, desconvergência e coexistência, para compreender como o Jornal de Notícias se adapta e consegue ser competitivo no ecossistema midiático contemporâneo. O estudo de caso revela a adoção de um complexo modelo de convergência, que coloca em articulação novos e velhos processos e práticas profissionais que vão além do discurso simplista e dominante da convergência jornalística.
Informatics
The local press has always played a central role in the Portuguese society. Recently, new innovative technological projects to develop mobile applications and focus on local journalism in Portugal have emerged. These initiatives allow the development of better and more appealing services for local users. However, due to the important social role of the local press, this also brings along some responsibilities. Our main research goal is to study the accessibility issues in local journalism in Portugal. To this end, we first describe the current situation of local journalism in Portugal and some accessibility issues raised by the appearance of mobile applications. We then develop a simple checklist that allows the assessment of whether these applications have prevented social exclusion and facilitated the access of local information to a wide range of users, including disabled citizens. This tool provides the regional news publisher with information to improve its democratization of a...
Digital Journalism
Digital first strategies at newspapers raise complex questions of temporality and scheduling. Yet there is a lack of ethnographic accounts for web-to-print newsmaking. While research has long been concerned with time in analog newspaper production, and online news time has mostly been studied through the prism of immediacy, almost nothing is known about dual-platform workflows. What happens to temporalities when web and print production factors and logics collide? Ethnographic research at legacy Swiss daily newspaper Le Temps provides a novel insight. Using a newsmaking reconstruction approach, we conducted an in-depth case study of a single day's news production with a view to understanding publication times and scheduling. Despite their much-publicized shift to web-to-print production, the impetus for producing stories largely remained subordinate to filling the print pages via backwards scheduling. Tools, meetings and temporal labels defined broad categories of stories that reflected temporal publication objectives and associated production requirements. Many outside forces restricted scheduling options, while publication frequency invariably accelerated late in the day. When publication times were not imposed by external forces, the logics key newsworkers applied to scheduling involved smoothing the output curve, building sequences with variation in form and content, and catering to reader habits and preferences.
Journalism and Ethics, 2019
The purpose of this chapter is to contribute to the theoretical frame of transmedia journalism by proposing a question-based model that focuses on transmedia design when an immersive journalism piece is integrated into a transmedia space. Immersive journalism is a new medium that could be effectively used to foster social empathy by means of virtual reality stories in journalism. The chapter is guided by the following ideas: (1) narrative strategies that may be useful in the design of immersive journalism experiences; (2) aesthetic principles of immersive experiences; and (3) inclusion of an immersive experience in a transmedia space. Thus, this chapter reviews the narrative techniques and aesthetics of immersive experiences that might contribute to the design of both the immersive piece and the transmedia space.
Advances in multimedia and interactive technologies book series, 2018
The purpose of this chapter is to contribute to the theoretical frame of transmedia journalism by proposing a question-based model that focuses on transmedia design when an immersive journalism piece is integrated into a transmedia space. Immersive journalism is a new medium that could be effectively used to foster social empathy by means of virtual reality stories in journalism. The chapter is guided by the following ideas: (1) narrative strategies that may be useful in the design of immersive journalism experiences; (2) aesthetic principles of immersive experiences; and (3) inclusion of an immersive experience in a transmedia space. Thus, this chapter reviews the narrative techniques and aesthetics of immersive experiences that might contribute to the design of both the immersive piece and the transmedia space.
Journalism Studies, 2014
Like many news media organisations, European public service broadcasters are adapting their corporate strategies to the specific demands of the evolving communicative environment. Digitisation and convergence have been usually presented as an opportunity to reinvent Public Service Broadcasting (PSB) into Public Service Media, by producing and delivering (news) content across traditional radio, television and new online platforms. While investment in digital facilities has set the basis for a more integrated operation amongst the different news media outlets, finding a workable template to implement professional cross-media practices has been more complex than expected. With the aim of exploring key challenges of convergence affecting PSB newsrooms, this article presents a multiple-case study that investigates current convergence processes of five European mid-sized public broadcasting corporationsthe UK's BBC Scotland, Spain's CCMA and EITB, Norway's NRK and Flemish-Belgian' VRT. Combining an array of qualitative methods, the study focuses on specific convergence parameters, including newsrooms' physical structure and management, cross-media production routines and workflows, degree of multi-skilling in journalists, professional identities, and attitudes towards convergence. Findings show that public broadcasters tend to follow a similar pattern in basic aspects, like grouping radio, television and online newsrooms together in the same physical space, even if this model has different outcomes in terms of cooperation across media and journalists' involvement.
Aslib Proceedings, 2008
Purpose -This article reports on research conducted inside British national media organizations. Interviews were conducted with journalists working in newsrooms at the BBC, Sky News, The Guardian and the Financial Times. The research was designed to investigate the impact on the working practices of journalists of the process of production convergence -the trend towards news reporting in more than one medium in formerly single-medium organizations. The article describes the changes that are taking place and the ways journalists are reacting to them. Methodology/approach -Interviews were conducted with 20 journalists during 2002 and 2003. Findings -The data shows that while multimedia news is becoming well-established, the multimedia journalist has been slow to arrive. This is because of the pressures that multi-media working add to the journalist's daily routine and a concern over the impact on the quality of output. Research limitations/implications -The media environment is evolving rapidly and research findings on this topic quickly go out of date, but the findings presented here offer valuable insights into the news production processes operating in British national media organizations and the ways journalists are adapting to, and are likely to continue to adapt to, changes in production technologies and changed systems of working. Originality/value -The research reported here is the first to focus on journalistic practice in a converging media environment.
Convergence: The International Journal of Research into New Media Technologies, 2008
This article deals with the work of journalists in newsrooms that produce content for multiple media: print, radio, television, the internet and others. It builds on the relevant literature about the implementation of newsroom convergence in Europe and the USA. Specifically, the study analyses change in journalistic practice and newsroom workflow in the newsrooms of two Spanish multimedia groups: (a) La Verdad Multimedia, a regional media group owned by Vocento, which publishes the newspaper La Verdad, the online site La Verdad.es, the local radio station Punto Radio and the television station Punto TV; and (b) Novotécnica, a regional independent company which publishes the newspaper La Voz de Almería and also owns both Radio Almería (Cadena Ser) and Localia television. Researchers interviewed reporters and news directors and observed newsroom practices. The results suggest the emergence of two different models of newsroom convergence: the integrated model and the cross-media model,...
2009
Durchgeführt mit Unterstützung der KommAustria gemäß §11 Abs. 3 PresseFG 2004
This article introduces the concept of de-convergence to analyse recent changes in the newsroom at the Dutch newspaper de Volkskrant. While the concept of convergence or multimedia journalism has been introduced worldwide, de Volkskrant decided to separate their print and online newsroom. In this de-converged model the traditional print journalist has made a comeback, no longer charged with multimedia tasks. De Volkskrant initially anticipated the digital age by developing a cross-media strategy in which an integrated newsroom would serve multiple platforms. However, the lack of a solid business model and cultural resistance of reporters hindered these ambitions. By creating a new digital newsroom for all the web titles the chain owns, it is argued that convergence on a vertical level (within a brand) has given way to horizontal convergence (within the publishing house). The article analyses the factors which influenced decision-making and how these forms of (de)convergence affect journalism practice and the newspaper brand. Findings are based on an in-depth ethnographic study.
Convergence: The International Journal of Research Into New Media Technologies, 2008
This article deals with the work of journalists in newsrooms that produce content for multiple media: print, radio, television, the internet and others. It builds on the relevant literature about the implementation of newsroom convergence in Europe and the USA. Specifically, the study analyses change in journalistic practice and newsroom workflow in the newsrooms of two Spanish multimedia groups: (a) La Verdad Multimedia, a regional media group owned by Vocento, which publishes the newspaper La Verdad, the online site La Verdad.es, the local radio station Punto Radio and the television station Punto TV; and (b) Novotécnica, a regional independent company which publishes the newspaper La Voz de Almería and also owns both Radio Almería (Cadena Ser) and Localia television. Researchers interviewed reporters and news directors and observed newsroom practices. The results suggest the emergence of two different models of newsroom convergence: the integrated model and the cross-media model, each with a different production system, newsroom organization, degree of journalists' multi-skilling and business strategy.
Journalism Practice, 2009
Convergence: The International Journal of Research Into New Media Technologies, 2011
A paradox of contemporary sociology is that the discipline has largely abandoned the empirical study of journalistic organizations and news institutions at the moment when the media has gained visibility in political, economic, and cultural spheres; when other academic fields have embraced the study of media and society; and when leading sociological theorists have broken from the disciplinary cannon to argue that the media are key actors in modern life. This article examines the point of journalistic production in one major news organization and shows how reportersand editors manage constraints of time, space, and market pressure under regimes of convergence news making. It considers the implications of these conditions for the particular forms of intellectual and cultural labor that journalists produce, drawing connections between the political economy of the journalistic field, the organizational structure of multimedia firms, new communications technologies, and the qualities of content created by media workers.
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