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This was written some years ago and it reports on a project that looked at visual plagiarism in art and design education. AbstractThere has been considerable work recently on all aspects of text-based plagiarism; however, there has been little exploration of non-text based plagiarism, particularly in the area of visual forms of communication. Yet many students now move regularly between text and visual representation of their own ideas and the ideas of others. As a result, differing rules of acceptability in the visual area can cause confusion for the same students in text-based areas. This case study presents information about issues of plagiarism and students‘ work gained through working with art and design academic staff. Examples of general statements which can be used in art and design teaching are given as well as a series of student activities; these can be adopted not only by other art and design staff but also by those teaching classes which have visual components. Clarifying plagiarism for students in their often preferred visual domain should enable them to understand the reasons and application for citation in text arenas.
Academic Integrity in Canada, 2022
Recent years have seen an increase in conversations in higher education around academic integrity. The subject of plagiarism in traditional written assessments has been much discussed and well researched. Considerably less is known about visual plagiarism. For the purposes of this chapter, we are defining “visuals” as mechanisms that convey meaning without articulation of, or dependence on language. Although some scholarly literature on visual plagiarism exists, there is a dearth of comprehensive literature on the topic and even less published are instructional or best-practice resources for instructors. Further complicating this topic are the differing ethical, legal, professional, and academic standards across fields. Here, we discuss practical ways to pre-emptively approach the topic of visual plagiarism through the education of faculty and students. We address prevention with suggestions for best practices in four distinct disciplines. Additionally, academic policy and administr...
International journal of recent technology and engineering, 2021
Recently, the persistent problem in art and design programs in Worldwide universities are visual plagiarism. The main core values of academic institutions in general and Ahlia University is to produce graduates with not only good knowledge but also good values and high academic reputation that encourages intellectual and moral development promoting the image of their universities. Therefore, Ahlia university invests its efforts to create policies and procedures for text-based assignments to control originality of students' work while handing in assignments, reports, research proposals, and dissertations by using software technology like Turnitin. Conversely, little has been done focused on non-textual materials in art and design education. Besides, there are a plethora of articles when searching the Scopus database, about text-based academic misconduct with a dearth of research devoted to visual plagiarism which often left to the experience of academic faculty. Therefore, the main purpose of this research is to shed light on students' understanding of visual plagiarism issues and bridge the gap in visual work. Moreover, this research will develop a pedagogical policy that can be used by faculty to control academic dishonesty in visual arts. This research is conducting using two main methods. Firstly, it depended on reviewing different literature from journals, articles, and policies from different universities about plagiarism. Secondly, this research used qualitative and quantitative data. To collect qualitative data, an in-depth interview with the 15 academicians was conducted to triangulate with the students' findings of reasons of visual plagiarism and prevention solutions. For the quantitative data, an online survey using the Google form survey was used to a sample of 54 students in the design program at Ahlia University and other universities in Bahrain. Finally, this research reveals that the lack of awareness among students in arts and design education about academic integrity leads to visual plagiarism.
School of the Art, Universiti Sains Malaysia, 2017
The purpose of this paper is to identify students' and academicians' understanding and the contributing factors in visual plagiarism in order to provide appropriate solutions to be applied in the art and design program thus to improve the academic integrity among the university community. This research employed a qualitative research with purpose to investigate the different opinions and the contributed factors related to visual plagiarism in the design assessment among students and academicians. The sample of this research consists of eight students and two academicians from graphic design program in Universiti Teknologi MARA (UiTM) Melaka campus. The credibility and confirmability of qualitative validity has been made to approve the legitimacy of the results (Lincoln & Guba, 1985). This study had discovered that students have different understanding regarding visual plagiarism. The confusion has led to the misuse of visual references from other resources and some of them are not aware that plagiarism is considered as an offence in the academic setting. The contribution factors of wrong decision-making in selection topic, time mismanagement in design progress, and disregard consultation session with academician cause students to commit visual plagiarism. Academician's unwillingness to convey information to students about visual plagiarism in details for every course in graphic design program contributes to the miscommunication among students in designing artworks. Nevertheless, every academician agreed that visual plagiarism should be taken seriously to curb the situation from deteriorating. The trend of visual plagiarism in design assessment for art and design program is alarming. Academic community should consider any measures to address the issue not only in terms of restrictions and punishments but most importantly to educate students to value people's ideas and works and to improve academic integrity.
Visual Resources, 2000
Journal of Information Literacy, 2019
The concepts of attribution and plagiarism can be challenging for creative art students who may engage with both text and non-text sources such as images, film, computer games, performance art and more while working on an assessment task. To introduce students to the basics of attributing non-text sources and to explain the distinctions between ethical reuse of creative works at university and in the professional setting, the authors developed an embedded Information Literacy workshop utilising a flipped classroom model. Short educational videos were produced that students watched before attending an in-class library workshop. The students also completed pre- and post-teaching tests to collect evidence of their preconceptions and knowledge before and after watching the videos and attending the library workshop. This article will report on the planning and design of the videos and the library workshop, and share the results of the formative assessment activities.
Abstract The paper reports an approach to addressing plagiarism and other unfair means in higher education. It comprises a) an educational programme to introduce the concepts of plagiarism to students and give them an opportunity to practice academic writing; b) a system of declarations for all assignments; and c) a procedure to enable students and teachers to check work using the text-matching package Turnitin.
Bilgi Dünyasi
The present study aimed to reveal architecture students' attitudes to plagiarism. Quantitative approach with a cross-sectional design research was adopted for the present study. Faculty of architecture, Department of Architecture students (n=233) participated the study. Students answered to Attitude toward Plagiarism (ATP) scale. Data analysis carried out utilizing SPSS. Students' level of attitudes were found to be moderate for both three dimensions, Positive Attitudes, Negative Attitudes, and Subjective Norms. The students have lack of plagiarism knowledge. Students believe that plagiarism is not good but a community issue. The act to plagiarizing depends on situations. Methodological terms and time limit are leading in causing plagiarism. Plagiarism is primarily an expert issue and students should not be punished for the act, particularly for self-plagiarism. Girls are more sensitive to plagiarism issues than boys. Attitudes to plagiarism changes favorably with grade increase. Implications for librarians, educators, and policymakers are drawn.
ACM SIGCAS Computers and Society, 2010
This article provides an introduction to plagiarism and the numerous negative aspects associated with it. Some examples from history have also been provided along with their outcomes. There are different types of plagiarism with varying legal and social aspects. The taxonomy of plagiarism is built by classifying it, with respect to the method involved in plagiarism, the form in which it happens or the intention of the plagiarist. The strategies suggested in the literature to avoid plagiarism are organized into individual and organizational levels. Individuals can adopt strategies to build habits of avoiding plagiarism and focus on their original and innovative way of thinking. Similarly, institutions can make policies to cope with plagiarism and hence maintain their reputation. In this paper, the focus is not on mentioning the plagiarism detection methods; rather we believe that building awareness in the people about plagiarism outcomes is more important than teaching them about the...
Perspectives in Education, 2021
The prevalence of plagiarism in university students' academic writing is well documented. Its complex and multifaceted nature has made it difficult to reduce or manage. The literature reveals a lack of significant understanding of plagiarism and related concepts to be due to a poor or an absence of education, and it advocates for extensive and explicit education in what constitutes plagiarism at higher education level. In this review article we explore the literature on undergraduate and postgraduate student perspectives of plagiarism and related concepts in a global context. These perspectives are discussed under the following themes: students' understanding of plagiarism and related literacy practices such as referencing, the reasons contributing to why students plagiarise intentionally or unintentionally, students' understandings and views of the seriousness of plagiarism and students' views on how to curb plagiarism. We believe that through a deeper understanding of students' perspectives of plagiarism, we could start to develop an all-encompassing strategy to deal with plagiarism at university level.
Kulʹtura ì mistectvo u sučasnomu svìtì, 2023
The aim of the article is to highlight certain aspects of attitude formation in the educational environment to the issue of borrowing in visual art works and in project and design activities. Results. Borrowing, considered as the transformation of something into one's own property, can take different forms, with appropriation as borrowing someone else's work (part of it) to express new content and visual plagiarism as an ethical violation, presenting someone else's visual work (part of it) under one's own name, including. The analysis of research related to borrowing in visual art works gave grounds to single out the socio-cultural, pedagogical, psychological, moral and ethical, legal, and technological aspects of attitude formation to the issue of borrowing in visual art works and in project and design activities. The range of attitudes towards borrowings in works of art is determined, ranging from acceptance to denial of the existence of original works, and can be perceived under different conditions as a neutral, positive, and negative phenomenon. The article proposes recommendations for preventing visual plagiarism in creative student projects, which can be applied by teachers in educational and methodological activities. The scientific novelty lies in identifying and analysing the socio-cultural, pedagogical, psychological, moral and ethical, legal, and technological aspects of attitude formation in the educational environment to the issue of borrowing in visual art works. Conclusions. Considering the identified aspects of attitude formation in the educational environment to the issue of borrowing in visual art works is crucial for developing a well-balanced strategy of behaviour by teachers and improving the methodology of teaching the educational components of artistic and design educational programmes regarding the formation of a culture of academic integrity and prevention of visual plagiarism in the development of visual works. The issue of responding to manifestations of visual plagiarism in the educational environment, the development of a set of methodological measures to promote a zero-tolerance stance towards plagiarism, and the conscious and constant adherence to professional ethics in the field of visual art require additional study and detailed analysis taking into account existing practices.
Over recent years there has been considerable investment in the use of technology to identify sources of text-based plagiarism in universities. However, students of the visual arts are also required to complete numerous pieces of visual submissions for assessment, and yet very little similar work has been undertaken in the area of non-text based plagiarism detection. The Spot the Difference! project (2011-2012), funded by JISC and led by the University for the Creative Arts, seeks to address this gap by piloting the use of visual search tools developed by the University of Surrey and testing their application to support learning and teaching in the arts and specifically to the identification of visual plagiarism. Given that most commonly used search technologies rely on text, the identification and evidencing of visual plagiarism is often left to the knowledge and experience of academic staff, which can potentially result in inconsistency of detection, approach, policies and practices. This paper outlines the work of the project team, who sought to investigate the nature, scope and extent of visual plagiarism in the arts education sector. It will also introduce the iTrace visual searching pilot, developed through the project.
Civil Engineering and Architecture, 2021
Plagiarism is an important issue, with which students need to get acquainted before they start practicing as professionals after graduation. This study aimed to identify students’ attitudes towards plagiarism in the interior design field. It identified three aspects of visual plagiarism according to students’ perceptions: students’ knowledge and understanding of the topic, causes of plagiarism, and the time when plagiarism typically occurs during a project. The participants were interior design and furniture students (n=59) from King Abdulaziz University, Jeddah, Saudi Arabia. Data were collected through a questionnaire. The results revealed that students understand the general meaning of plagiarism but lack clarity regarding its finer details in the field of interior design. Five reasons, related to accidental plagiarism, were found to drive student to plagiarize. Furthermore, coping was most likely to occur in specific project phases. This study provides information that will help facilitate better practices for preventing visual plagiarism in various artistic fields. It will also make faculty members aware of students’ perceptions of plagiarism in the field of interior design, along with the need to include this issue in the curriculum to ensure academic integrity, foster creativity, and provide a clear understanding of plagiarism before students commence their professional careers.
International Journal for Educational Integrity, 2022
This study aims to remove some of the ambiguities of visual plagiarism in interior design (those related to the visual composition of space represented by line, form, shape, texture, time, colour, light, etc.) by examining the main detection methods, the extent of the issue, and the experiences and roles of academic interior designers. Two main methods were used: an analysis of the primary forms of visual plagiarism and an applied approach to test the effectiveness of plagiarism. Additionally, 30 academics in the Kingdom of Saudi Arabia, who majored in interior design, were surveyed using an online questionnaire. The results demonstrated that changing the light and colour while maintaining the rest of the properties and changing the line, form, and shape are considered visual plagiarism. However, the results also indicated that visual plagiarism is not always clear for academics. It is hoped that the results of this study will increase the awareness of visual plagiarism, enhance eth...
2011
This article deals with the status due to plagiarist proposals, and with the possible existence of a programmatic unity under the label of Plagiarism. In order to do so, plausible historical models and appropriation poetics are considered, a quest is led for founding acts as well as a comparison of some of the trends grouped under the label of "Plagiarism" and postmodern poetics.
Problems and Solutions
This paper reports on an Australian study of undergraduate students’ engagement in plagiarism-related behaviours, their knowledge of plagiarism and their academic writing skills. Students were surveyed to: (i) estimate the incidence of plagiarism behaviours; (ii) examine students’ self-reported academic writing skills; (iii) their knowledge of plagiarism; and (iv) their ability to identify plagiarised work. Across all three undergraduate years, approximately 90% of students believed that direct copying of text or ideas without acknowledgement constituted plagiarism, whilst around 5% were unsure if it constituted plagiarism. The majority of students (80% or more) claimed never to have plagiarized. About 80% of undergraduate students said they possessed the skills of note-taking, paraphrasing, citing and referencing etc., but barely half of students in each year group reported confidence with these skills. Students were able to distinguish between clear-cut cases of plagiarism and par...
Submitting plagiarised works at the postgraduate level is not a manifestation of a positive researcher character; yet, such an academic crime appears to be common among students. Although the crime committed may either be intentional or unintentional, the need to prevent this from happening is necessary. Hence, to curb this problem, a minor change in the course structure was made to a postgraduate course in UKM. This change was in the form of introducing a talk on plagiarism in the course activities. The talk on plagiarism was presented to the students at the beginning of the semester to create awareness of the various forms of plagiarism, the implications of plagiarism, and ways of preventing it. This talk was followed by an investigation on the students’ understanding of the subject matter through their reflective diary entries. Results show that the talk has succeeded in getting the students to understand the forms of plagiarism and ways of preventing plagiarism.
Lecture Notes in Networks and Systems, 2023
There are no such things as originality and authorship when it comes to the production of images, and what appears as an original artwork is always, explicitly or implicitly, a product of borrowings. The work of great masters of design plays a crucial role in the academic training of visual communication designers. Design masters themselves quoted each other, for instance, Jan Tschichold referenced what he regarded as respectable colleagues to exemplify a certain design task, supplementing his discussion with examples. The practice of imitation embedded in visual designers’ education – which in itself resonates with artists’ and craftsman’s training in the traditional workshop of the past – contributes to the integration of models from the history of design within their coursework and beyond. Yet how does this corpus of references inform the practice of visual designer? How does history affect the projects and ideas of graphic design students? Starting from my own experiences as lecturer teaching to design students (from 2013–), and taking in particular consideration the visual communication courses held in the academic years 2018–2019 and 2019–2020, this paper examines different approaches to history from the perspective of graphic design education and how these feed future image-makers in developing their own visual language.
South African Journal of Higher Education, 2017
The spectacular rise of the Internet and the associated 'copy-paste culture' of generation Y students have brought plagiarism to greater public attention since the late 1990s. Studies reported in numerous academic articles have found that many students commit plagiarism either unwittingly or from lack of skill. This article aims firstly to show that plagiarism is often caused by pedagogical shortcomings due to the difficulty of defining plagiarism accurately. It shows how popular definitions of plagiarism actually overlap with the lower levels of taxonomies of learning and how the concepts of novelty, paraphrasing and application of information are context-sensitive in academia. An attempt is made to define plagiarism anew and a questionnaire that was distributed to 17 000 students and 810 staff members at the North-West University is used to identify the different perceptions of students and staff in defining plagiarism.
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