The Path Monteverdi Takes...

2007

is one of the most important figures of 'early' music, a composer whose music speaks powerfully and directly to modern audiences. This book provides an up-to-date and authoritative treatment of Monteverdi and his music, complementing Paolo Fabbri's standard biography of the composer. Written by leading specialists in the field, it is aimed at students, performers and music-lovers in general and adds significantly to our understanding of Monteverdi's music, his life and the contexts in which he worked. Chapters o¤ering overviews of his output of sacred, secular and dramatic music are complemented by 'intermedi', in which contributors examine individual works, or sections of works in detail. The book draws extensively on Monteverdi's letters and includes a select discography/videography and a complete list of Monteverdi's works together with an index of first lines and titles.

2011

Review of recent Monteverdi recordings.

Cambridge Opera Journal, 2008

1978

Early Music, 1997

Using historical, analytic, and documentary methodologies this article establishes dates in 1607 for the composition of two madrigals by Monteverdi - “Ohime el bel viso”, and “Zefiro torna e’l bel tempo rimena”, both eventually published in 1614. It also demonstrates the exact process by which “Zefiro torna’” clearly began as a homage to a setting of the same text by Marenzio (including quotations from Marenzio’s music), but became creatively sidetracked into a reminiscence of the central moment in Monteverdi’s opera L’Orfeo. Thus ,even in the absence of compositional sketches, it has proved possible to uncover the “compositional archaeology” of these two works and the creative processes that led to their final form. It also establishes a methodology for distinguishing accidental similarity from deliberate allusion in compositional connections during the late Renaissance.

Historical Performance, 2018

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Music Theory Spectrum 9: 117-135, 1987

The Musical Times (September, 1995), 482-4

Notes 68, no. 2 (December 2011): 344-46, 2011