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AI-generated Abstract

The article explores the complex relationship between postcolonial studies and global art histories, arguing against the relegation of postcolonial critiques in favor of neo-formalism and 'global' narratives. It emphasizes the continuing relevance of postcolonialism in understanding power asymmetries and the necessity of contextualizing local art practices without succumbing to rigid identitarian frameworks. The author challenges existing hierarchies in art histories by advocating for a translocal perspective that embraces interconnectedness while critically assessing the implications of authority and legitimacy in both historical and contemporary contexts.