Durratul Ma arif

Ringkasan Fiqih Mazhab Syafi'ie, 2022

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گلستان هنر, 2020

«مداد الخطوط» یکی از رسالات مشهور در آموزش خوشنویسی است که به‌واسطهٔ انتساب آن به میرعلی هروی در میان محققان و خوشنویسان معاصر اعتبار یافته و مورد استفاده و استناد مکرر قرار گرفته است. مقالهٔ حاضر به بررسی اصالت محتوایی و مسئلهٔ انتساب این رساله می‌پردازد. طبق این بررسی، «مداد الخطوط» رساله‌ای جعلی به‌نام میرعلی هروی است که متن آن اقتباسی ناشیانه و آشفته از دیگر رسالات خوشنویسی است. عمدهٔ متن این رساله برگرفته از «سواد الخط» مجنون رفیقی هروی است که با مطالبی از دیگر رسالات خوشنویسی، از جمله «رسم الخط» مجنون رفیقی هروی، «اصول خط» عبدالله صیرفی، و «اصول و قواعد خطوط سته» از فتح‌الله سبزواری آمیخته شده است. باور به اصالتِ «مداد الخطوط» تحلیل‌هایی نادرست را به‌ویژه دربارهٔ احوال و آثار میرعلی هروی و سلطانعلی مشهدی از سوی محققان خوشنویسی رقم زده است. As a famous treatise in teaching calligraphy, “Midād al-Khutūṭ” has been frequently used and referred to by contemporary scholars and calligraphers as a result of being a work ascribed to Mīr-‘Alī Hirawī, the prominent Persian calligrapher. The present essay would test the authenticity of such a work and reassess this treatise’s status in the history of calligraphy. The results indicate that “Midād al-Khutūṭ” is not a genuine treatise and not a work by Mīr-‘Alī Hirawī, but a poor, disorderly adaptation of other treatises in calligraphy. The major part of this work has been taken from “Savād al-Khaṭ” by Majnūn Rafīḳī Hirawī, mingled with some notes and subject matters from other treatises, including “Rasm al-Khaṭ” by Majnun Rafiḳi Hirawī, “Usūl-i Khaṭ” by ‘Abd Allāh Ṣayrafī and “Usūl wa Ḳawā’id-i Khuṭūṭ-i Sitta” by Fath Allāh Sabziwāri. Belief in the authenticity of “Midād al-Khutūṭ” treatise has brought about some false evaluations and analyses, especially of Mīr ʿAlī Hirawī’s and Sulṭān ῾Ali Mashhadi life and career by scholars in the field of calligraphy.

Social Welfare Quarterly, 2014

2017

The connotation of hair flattop in Jaziri poetry is the title of this research based on the meaning of gnosis of hair flattop word as a member of human's face, and put it to the content of gnostic poetry. This knowledge gives a poetry field as a text of gnosis. All classic poems have been well known as gnostic users and taken good benefits from Islamic gnosis for their poetries, and particularly

2018

2016

Journal of Research in Islamic Architecture

Humanities Journal of University of Zakho

Existentialism is one of the philosophical schools of thoughts that can be analyzed in the light of the thoughts and affirmations of poets. This research tries to demonstrate the basic principles of existentialism in Mathnawi of Mem and Zin. Literature is associated with philosophy since literature deals with human condition and essential thoughts of human. Mathnawi of Mem and Zin is one of the works that can be understood philosophically, and this indicates Ahmad Khani's greatness undoubtedly. The aim of this research is understanding and being familiar with existentialism in Mem and Zin, which is one of the divine type, and that it can clarify how views of Khani conforms the basic philosophical principles of this school. In the epic of Mem and Zin, many elements of existentialism can be found such as individuality, faith, freedom, anxiety, rationality and concept of transcendence and the most important one which is finding the spiritual freedom. This research is the library research since it is based on content analysis. The research findings indicate the role and the importance of thoughts and decisions of human in achieving excellence and understanding the concepts of choiceness and freedom, apprehension, communicating and being in contact with others, faith, rationalism and transcendence. The epic of Mem and Zin can be considered as one of the existentialist works because lots of elements of existentialism can be found in the epic. The characters especially the protagonist, themes, and symbols that can be found in this epic are completely existential in color.

فقه و مبانی حقوق اسلامی, 2012

Journal of the Medical Sciences, 2015