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2020
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6 pages
1 file
Creanga's narrative model is an important subject in the investigation of some fundamental aspects of the prosaic phenomenon in the Dniester and Prut area. At different periods of the evolution of Bessarabian prose, Creanga is a standard of artistic transfigurations. Critics have tried to prove that namely the orality, the paramiological erudition, the brilliant instinctive sense of language and folk ethos, the pleasure of storytelling are sure marks of an indubitable narrative model - Creanga. Creanga's narrative model has a decisive impact in Bessarabian prose in affirming a dialogue of texts.
2020
In the history of Romanian literature in Bessarabia Creangă's modelling role is exem¬pli¬fied especially during the turning periods, when the concept of literature is radicalized (years 20-30, 60, 80). Across different searches and wanderings of prose writers, namely, the organicist perspective of the structure of the Bessarabian literary phenomenon elucidates the importance of the Creangă model in overcoming the different complexes, among which, especially, of the narrow-minded Romanian.
2019
This paragraph examines the impact of Creangă' narrative modelon Paul Goma's prose. The relationship between the character and the author, the narrative figures, the stylistic dominants of the story "Amintiri din copilărie" by Ion Creangă and the novel "Din calidor"by Paul Goma are analysed. It examines the dialogical poetics of the novel, the dialectical relations of the bivoc word, the hybrid construction, plurilingvism, the instinctive genius sense of the language, the intrinsec elements of the narrative model in the line of the Creangă-Sadoveanu tradition.
Premio de Arquitectura Miguel Martín-Fernández de la Torre. Architecture Award 2008-2017 / Colegio oficial de arquitectos de Gran Canaria (Ed.), p. 167-172, 2020
Cercetări teatrale, 2024
Nina Zarechnaya is metaphorically seen in this research paper as a prototype of the apprentice in acting, as she is clearly a teenager facing the decision to engage in an artistic career and the ensuing hold-backs, such as her desperate attempts to perform, which culminate in personal and professional failure. In my paper, I have attributed a type of syndrome to this famous character, as a label for a great number of obstacles acting students have to overcome.
USARB, 2016
The structure of the sentence in G. Vieru's poetry is directed towards simplified models, although there are many inversions of the constituent parts of sentences. The sentence is characterized by complexity (the number of compound sentences prevails over the composite ones). The composite sentences, actually, reflect the author's style, peculiarities of reflection, techniques to structure thoughts and ideas. It is worth mentioning that the syntactic complexity of the composite sentence makes the reading of a piece of literature difficult, but G. Vieru arranges the syntactic components very carefully, thus, offering the reader the possibility to penetrate to the essence at a more careful reading.
Management Intercultural, 2017
Compliance with the construct validity criteria is necessary for the correct assessment of the research in terms of quality and for further development of the marketing models. The identification of formative and reflective constructs as well as the correct testing of their validity and reliability are important methodological steps for marketing research as described in this article. The first part defines the reflective and the formative constructs and highlighst their particularities by analysing the theoretical criteria that differentiate them. In the second part of the study aspects of validity and trust for the formative and reflective constructs are presented as well as some empirical considerations from research literature regarding their measurement.
2022
The article addresses the issue of literary-artistic and linguistic education in non-traditional school lessons. The author conceptualizes a theoretical model, consisting of theories, principles, activities, technologies, and evaluation criteria, in accordance with the specifics of the two domains of Romanian Language and Literature as a school subject: Language and Communication, and Literature. The model substantiates the design of the entire educational process by capitalizing on non-traditional lessons.<br>
Philologia, 2021
What should a book about theater look like? How about the one about a category of theatrical performances in the ethnological dimension? Research project of the Institute of Romanian Philology B. P. Hasdeu stimulates research into socio-cultural contexts and European connections, and Eugeniu Coseriu urges us to open up universally - each with his own field of research. In the sub-theme National Folklore Corpus, the popular (folkloric) theater is my area of expertise and the Latin phrase Theatrum mundi = The spectacle of the world. The world seen as a spectacle it is the universal concept of theatricality. The definite sign of the theater is the character. In illo tempore, man invented an incredible, saving theater, modeling fictional characters from the most abundant matter - from what he did not know, out of ignorance. For phenomena that man could not explain in the beginning, he shaped ... spirits, supernatural beings, elves. The nebula of imaginary characters fell into two broad ...
Zenodo (CERN European Organization for Nuclear Research), 2022
Reading is a means of language acquisition, communication, and exchanging information and ideas. In the present article, we recommend various teaching strategies: Text Map, Character Network, Review Skeleton, Interview on Reading, Story Pyramid, etc., used in the Reading Workshopan effective way to train reflective reading skills and abilities. The teacher, in the reading workshops, teaches the pupil to interact with the text, helps him to overcome the level of superficial reading, making him more responsible and stimulating his thinking processes.
viXra, 2015
Despite the last decades' growing interest in discussing Cicero's philosophical works there is still no consensus among scholars regarding the purposes these works were written for. In this article, by focusing on some fragments from works like the ‚Hortensius‛ and ‚Consolatio‛, I will try to offer new grounds for reading and interpreting Cicero not only as a philosopher of public and political affairs, as he is usually seen by modern scholars, but also as a philosopher of the theoretical life.
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