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The Socratics’ Sparta and Rousseau’s

Sparta

Abstract

I. The Mirage/Myth George Grote in the mid-19th century was not the first, nor the last, to marvel at what he called 'the astonishing ascendancy which the Spartans acquired over the Hellenic mind'. In our own century Francois Ollier coined the useful phrase 'le mirage spartiate' to describe that ascendancy's most striking effect. By 'mirage' he meant the series of more or less distorted, more or less invented images whereby Sparta has been reflected and refracted in the extant literature by non-Spartans, beginning in the late 5th century with Kritias of Athens, pupil of Socrates, relative of Plato, and leading light (or Prince of Darkness) of the 30 Tyrants (of whom more anon). For historians of 'how it actually was' in Sparta and Spartan society, this 'astonishing ascendancy' creates a major historiographical problem. Since practically all our detailed evidence for what they were really like comes from within the mirage, how can we be sure that any one alleged detail, let alone the totality, is not just a figment of the writer's imaginative projection? Actually, the problem's worse even than that. The mirage in its written form began to take shape at just the same time as-and in part precisely because of-a mega crisis that was coming to a head in Spartan polity and society: to put it very simply, and paradoxically, Sparta's prolonged involvement and eventual victory in the Peloponnesian War during the last third of the fifth century brought about or at any rate hastened the downfall of the model military state.