Η μετασχηματίζουσα μάθηση μέσα από την Τέχνη

Σουλτάνα Μάνεση

Η μετασχηματίζουσα μάθηση μέσα από την Τέχνη

Σουλτάνα Μάνεση

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Abstract

Κεντρικός στόχος της δραστηριότητας θα είναι η συνειδητοποίηση μίας σημαντικής διάστασης του σχολικού εκφοβισμού που αφορά τα παιδιά πρώτης σχολικής ηλικίας, τη χρησιμοποίηση δηλαδή περιπαικτικών εκφράσεων και υποτιμητικών πειραγμάτων. Επιμέρους στόχοι της προτεινόμενης δραστηριότητας είναι μεταξύ άλλων: 1. η ανάπτυξη κριτικής και δημιουργικής σκέψης μέσα από την ανάγνωση ενός λογοτεχνικού κειμένου και την παράλληλη επεξεργασία ενός πίνακα ζωγραφικής, 2. η υιοθέτηση θετικής στάσης στην αποδοχή της διαφορετικότητας και 3. η τροποποίηση δυσλειτουργικών για τη σχολική ζωή στάσεων που πλήττουν την αυτοεκτίμηση των συνομηλίκων.

Christina Zoniou

2016

The subject of this thesis results from the findings of many studies that both the initial and the ongoing intercultural training of teachers at all levels have often been set in a wrong context, emphasizing mostly the theoretical and the traditional teacher-centered teaching. On the contrary, according to our approach, teacher training for the intercultural management of diversity aims primarily to challenge the teacher's own identities, behaviour, and relationships, so that they cease to function merely as receptors and transporters of theories about the intercultural school. This research, assuming that interculturalism is an overriding issue for the Greek school, aims to contribute to the framing of a theory of intercultural education, by providing specific support actions for teachers that derive from the field of theatre, and, thus, to meet the growing demand for training with new tools, ways and methods, compatible with the principles of intercultural education, as well as person-centred and reflective critical approaches to adult education. As part of an action research, which belongs to the broad disciplines of performance and pedagogical studies, an original holistic intensive teacher training program is implemented, which aims to foster teachers' intercultural competence by using the vehicle of theatricality. In this training program there is a primary focus on the method of the Theatre of the Oppressed, as well as an attempt to systematize the use of theatrical and experiential techniques from social theatre, the performing arts in education, and experiential intercultural education. As regards methodology, the research belongs to the qualitative research paradigm. Data generation, collection, and analysis are based on performance ethnography and performing artsbased research as well as on grounded theory.

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