Academia.edu no longer supports Internet Explorer.
To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser.
2012, Neuroquantology
Dynamics of creative mental activity are examined in waking and dreaming processes which manifest beyond normative waking consciousness. Some consider such phenomena to be pathological or meaningless. Alternatively they may be viewed in new and healthier ways, in the context of adaptive mental controls, using nonlinear dynamical/chaos theory. The first example involves the innovativeness reported with mild mood elevation in bipolar mood disorders, linked to a compensatory advantage model of everyday creativity. With adequate controls, such mood elevation may open adaptive creative mental possibilities (in fact, for all of us). Tension between divergent and convergent thinking-as noted by J.P. Guilford, and common to many models of creative process-can further "edge of chaos" states and raise the odds of bifurcation to new and creative chaotic attractors. The second example involves REM sleep and dream phenomena, where the self-organizing brain coordinates the dream's component parts to generate unusual dream narratives. However fanciful, such divergent and condensed dream content may lead to creative insights and adaptive narratives (there are famous examples) in the light of day, when interpreted or further developed, by bringing convergent processing to divergent processing. In each case, one finds the abnormal is not necessarily pathological-and sometimes can be usefully exceptional. One consequence of a dynamical view and these examples is the need, in all of us, for greater openness to experience, and acceptance of a greater divergence of expression and behavior (vs. conformity) in ourselves, our culture, and our world.
Lumina, 2010
This paper looks at the dynamics of creative cognitive activity by examining waking and dream processes that are often thought of as pathological and counterproductive but may, in fact, be healthy and useful. ... During waking states, there is evidence suggesting that there are ...
Frontiers in psychology, 2017
This article reviews recent findings indicating some common brain processes during dissociative states and dreaming with the aim to outline a perspective that neural chaotic states during dreaming can be closely related to dissociative states that may manifest in dreams scenery. These data are in agreement with various clinical findings that dissociated states can be projected into the “dream scenery” in REM sleep periods and dreams may represent their specific interactions that may uncover unusual psychological potential of creativity in psychotherapy, art, and scientific discoveries.
How is creativity related to health and mental illness? What is the relationship between the nature of the unconscious and the predisposition to both creativity and mental illness? These questions are explored with reference to research on: creativity, imagination and primary process thinking, intuition and unconscious processes, dream sleep, and aspects of schizophrenia. A positive model of mental health that sees creativity as an aspect of self-realisation is outlined in terms of homeostasis and the importance of information flow between neuropsychological systems. The role of executive function and attention in controlling information flow between the cerebellar unconscious and the cerebral conscious is noted, with reference to
Background/objectives: Sleep has been shown to enhance creativity, but the reason for this enhancement is not entirely known. There are several different physiologic states associated with sleep. In addition to rapid (REM) and non-rapid eye movement (NREM) sleep, NREM sleep can be broken down into Stages (1-4) that are characterized by the degree of EEG slow-wave activity. In addition, during NREM sleep the cyclic alternating pattern (CAPs) of EEG activity has been described which can also be divided into three subtypes (A1-A3) according to the frequency of the EEG waves. Differences in CAP subtype ratios have been previously linked to cognitive performances. The purpose of this study was to asses the relationship between CAP activity during sleep and creativity. Methods: The participants were eight healthy young adults (four women) who underwent three consecutive nights of polysomnographic recording and took the Abbreviated Torrance Test for Adults (ATTA) on the second and third mornings after the recordings. Results: There were positive correlations between Stage 1 of NREM sleep and some measures of creativity such as fluency (R = .797; p = .029) and flexibility (R = .43; p = .002), between Stage 4 of NREM sleep and originality (R = .779; p = .034) and a global measure of figural creativity (R = .758; p = .040). There was also a negative correlation between REM sleep and originality (R = À.827; p = .042). During NREM sleep the CAP rate, which in young people reflects primarily the A1 subtype, also correlated with originality (R = .765; p = .038). Conclusions: NREM sleep is associated with low levels of cortical arousal, and low cortical arousal may enhance the ability of people to access to the remote associations that are critical for creative innovations. In addition, A1 CAP subtypes reflect frontal activity, and the frontal lobes are important for divergent thinking, also a critical aspect of creativity.
2014
Jungian dreamwork is a powerful tool for discovery of unconscious contents, both personal and collective. These discoveries may provide key clues to personal and social healing. Neuroscientific studies of implicit relational knowing now provide additional insights into how the dreamwork process effectuates psychotherapeutic healing. This paper will amplify traditional understandings of Jungian dream theory and archetypal mythology with a reading of the individuation process and the analytic relationship informed by emergentism and complexity theory. Applying these new understandings of Jungian dreamwork to a creative vision experienced by the author will help demonstrate the benefits of dream anlaysis.
The term 'physiognomic' was used by the psychologist Heinz Werner to describe the perceived dynamic and expressive qualities of objects, which could not be accounted for by merely attending to an object's objective form. An exploration of these qualities and their role in psychological processes is sorely missing in contemporary psychology with its focus on the more or less accurate cognition of a world seen to be 'out there'. In this paper, I use the notion of physiognomic to explore the phenomena of creativity, which is here understood as the making of novel linkages, combinations and syntheses across different domains of experience. It is argued that physiognomic perception creates a platform on which creativity becomes possible at both micro-and onto-genetic levels. Creative insight often occurs when we let our minds move to more 'primitive' levels of consciousness, such as daydreaming, the dim consciousness before sleep and pretend play, etc., where physiognomic qualities come to the fore. Through a number of illustrative examples, I demonstrate how physiognomic qualities enable us to make surprising linkages in our experience and thereby learn to see the world anew.
World Futures, 1991
The findings in the psychology of creativity are shown to be relevant to the study of self-organization and self-renewal in human systems. The characteristics of the creative person, and the nature of the creative process, particularly as they have been elaborated by Barron, are shown to be remarkably congruent with recent findings and theoretical elaborations by Abraham, Jantsch, Laszlo, Prigogine, and others in the fields of evolutionary and chaos theories. The broader and social implications of chaos and evolutionary theories are fleshed out through an understanding of their characteristics in human systems.
2020
Increasing evidence suggests that altered states of consciousness (ASC) are associated with both positive and negative effects on components of creative performance, and convergent and divergent thinking in particular. We provide a metacontrol framework that allows characterizing factors that induce ASC in terms of their general impact on the information processing style of problem solvers. We discuss behavioral and neuronal findings from three areas that reflect strong connections between ASC and the underlying effects on metacontrol on the one hand and components of creativity on the other hand: drug-induced ASC, meditation-induced ASC, and hallucinations. While more, and especially more systematic research is needed, we identify a general trend, suggesting that factors that induce ASC are likely to alter the metacontrol state by biasing it toward either persistence, which is beneficial for convergent thinking and other persistence-heavy operations, or flexibility, which is benefi...
In medias res
Dream reality and artist-created virtual reality, combined with the reality we perceive as physical, form three realities of human experience. Taking this into account, primary senses seem incomplete without extrasensory senses, which allow access to higher states of consciousness. Artists sometimes use those states as the source of creativity, inspiration, and ideas.The real-time neurofeedback shows brainwave activity in the theta frequency range in a creativity-related Hypnagogic state. Alpha and delta frequencies are also creativity-related. Alpha is observed during the inspiration stage of creative thinking, while theta occurs during transcendental meditation and deep sleep. Neurofeedback is also used to create works of art. Higher states of consciousness-inducing techniques include dream machines, mind machines, binaural beats, hallucinogenic drugs, and most advantageous – float tanks. Holistic methods like meditation, hypnotherapy, and energy healing are also helpful. Meditati...
Psychopathology, 2020
Since ancient philosophy, extraordinary creativity is associated with mental disorders, emotional and cognitive destabilization, and melancholia. We here summarize the results of empirical and narrative studies and analyze the most prominent case of a highly creative person who suffered from dysthymia and major depression with suicidality. Here-by, we focus on the interaction of different phases of the creative process with “bipolar” personality traits. Finally, we offer an interdisciplinary interpretation of the creative dia- lectics between order and chaos. The results show that se- vere psychopathology inhibits creativity. Mild and moderate disorders can inspire and motivate creative work but are only leading to new and useful solutions when creators suc- ceed in transforming their emotional instability and cogni- tive incoherence into stable and coherent forms. The cultural idea that creativity emerges in dialectical processes between order and chaos, is also to be found in the psychologic interplay of coherence and incoherence, and in neuro-scientific models of the dynamics between tightening and loosening of neuronal structures. Consequences are drawn for the psychotherapeutic treatment of persons striving for creativity.
Frontiers in Psychology, 2015
Dissociative symptoms have been related to higher rapid eye movement sleep density, a sleep phase during which hyperassociativity may occur. This may enhance artistic creativity during the day. To test this hypothesis, we conducted a creative photo contest to explore the relation between dissociation, sleep, and creativity. During the contest, participants (N = 72) took one photo per day for five consecutive days, based on specific daily themes (consisting of single words) and the instruction to take as creative a photo as possible each day. Furthermore, they completed daily measures of state dissociation and a short sleep diary. The photos and their captions were ranked by two professional photographers and two clinical psychologists based on creativity, originality, bizarreness, and quality. We expected that dissociative people would rank higher in the contest compared with low-dissociative participants, and that the most original photos would be taken on days when the participants scored highest on acute dissociation. We found that acute dissociation predicted a higher ranking on creativity. Poorer sleep quality and fewer hours of sleep predicted more bizarreness in the photos and captions. None of the trait measures could predict creativity. In sum, acute dissociation related to enhanced creativity. These findings contribute to our understanding of dissociative symptomatology.
International Journal of Transpersonal Studies, 2015
Nonlinear Dynamics, Psychology, and Life Sciences, 2002
Kahn, D., Krippner, S., & Combs, A. (2002). Dreaming as a function of chaos-like stochastic processes in the self-organizing brain. Nonlinear Dynamics, Psychology, and Life Sciences, 6(4), 311-322. This paper argues that dream experiences owe both their structure and meaning to stochastic self-organizing properties of the brain during sleep. Several lines of evidence support the notion that the dreaming brain can be understood as a process system that exhibits chaos-like stochastic properties that are highly sensitive to internal influences. This sensitivity is due, first, to the fact that the dreaming brain gates out external input, thus operating without the stabilizing influences of waking feedback. Second, the pre-frontal cortex in both REM and non-REM (NREM) sleep is only minimally activated, thus the brain operates with weakened volition, reduced logic, and diminished self-reflection. Third, there is a reduction of neuromodulatory inhibition during sleep, which is most pronounced during REM sleep, allowing the brain to respond to minute internal stimulation. Finally, the REM sleeping brain is subject to powerful intermittent cholinergic PGO activity that may provide vigorous stimulation for complex dream activity. Taken in overview, this conception of dreaming offers a common meeting ground for brain-based studies of dreaming and psychological dream theory.
The International Journal of Psychoanalysis, 2001
T he authors begin by drawing attention to the problem of the transition from the biological to the psychic, noting that Freud himself, with his background in the neurosciences, grappled with it throughout his career. Certain recent paradigms more commonly applied to the natural sciences, such as in particular chaos and complexity theory, can in their view prove fruitful in psychoanalysis too, and it is shown how these notions are inherent in some of Freud's conceptions. T he unconscious is stated to operate like a neural network, performing the kind of parallel processing used in the computing of highly complex situations, whereas the conscious mind is sequential. Dreams, in the authors' opinion, are organisers of the mind, imparting order to the turbulence of the underlying wishes and unconscious fantasies and structuring them through the dream work. T hrough dreams, the structured linearity of conscious thought can emerge out of the non-linear chaos of the drives. T he dream's navel can be seen as the chaotic link, or interface, between the unconscious wish, which constitutes an attractor, and the conscious thought. T he attractor may be visualised as having an hourglass or clepsydra shape, the narrow section being the dream's navel, and, being the same at any scale of observation, has the property of fractality. Anyone who hopes to learn the noble game of chess from books will soon discover that only the openings and end-games admit of an exhaustive systematic presentation and that the infinite variety of moves which develop after the opening defy any such description (Freud, 1913, p. 123).
Nature and Science of Sleep, 2020
A higher creative potential has been reported in narcoleptic patients and linked to lucid dreaming. The aim of the present study was to explore the role of narcolepsy symptoms (presence and severity) in predicting creativity. Patients and Methods: Sixty-six consecutive type 1 narcolepsy patients (mean age 38.62 ± 17.05, 31 females) took part in this study. Creative achievement in different life domains and creative beliefs were assessed by a self-reported questionnaire and a scale measuring the creative self, respectively; creative performance was measured through a divergent thinking test (generation of alternative original solutions to an open problem). Results: We found a key effect of hypnagogic hallucinations in modulating creative behaviour. We therefore tested at first whether hypnagogic hallucinations could interact with specific mental states associated with creativity and in particular mind wandering, a factor associated with both creative performance and achievement. Secondly, we verified if hypnagogic hallucinations could influence the definition of creative identity in type 1 narcolepsy patients, which in turn could predict their creative achievement and creative performance. Results showed that spontaneous mind wandering influenced creative achievement through a moderation effect of sleep paralysis and hypnagogic hallucinations. Moreover, sleep paralysis and hypnagogic hallucinations indirectly influenced, through creative identity, both creative achievement and performance (fluency score). Conclusion: Our results highlight the role of hypnagogic hallucinations in triggering the process of mind wandering which leads to greater creative success. In addition, this symptom affects creative identity in narcolepsy, leading in turn to higher creative success and creative potential of narcoleptic patients.
NeuroQuantology, 2012
Basic dynamical concepts relevant to human creativity include those of stability, instability, bifurcations, and self-organization.
Loading Preview
Sorry, preview is currently unavailable. You can download the paper by clicking the button above.