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Introduction: Un Cygne Noir

2005, Cardozo L. Rev.

AI-generated Abstract

The paper explores the genre of epitaphs in law reviews, highlighting their characteristics, rhetorical nature, and the emotional discomfort faced by young editors who compose them. It argues that these eulogies often transcend their formal legal context, providing a nostalgic portrait of the deceased that reflects on their lives beyond the law. The study situates these epitaphs as a unique artifact of legal education, revealing the complexities of scholarly expression and the inherent challenges of memorializing colleagues in an academic setting.