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Futures of Accelerationism (3)

Abstract

Noys (2016) one thing from this opening text: the final battle for the future is to be fought now, in our present. This, I think, is true. Not only true about the actuality of fighting to determine that future as the world seems to slide inexorably to various forms of barbarism, lacking any seemingly realistic figure of socialism, but also true about the fight over the image of the future as well. This battle over the image of the future is at the centre of the accelerationism debate. The defining feature of accelerationism, broadly-speaking the demand that we engage with forms of technology and abstraction as the means to reach postcapitalism, has been the claim to the future. The very title of Nick Srnicek and Alex Williams's book Inventing the Future suggests this, as does all the futuristic and sci-fi imagery that has surrounded accelerationism. The accelerationists claim they are the only ones to offer us a future: all that actually-existing neoliberal capitalism promises is more of the same, and 'there is no alternative' could be written as 'there is no future', except the market stamping on a human face forever; the left is often no better, mired in 'folk politics', driven by nostalgia for social democracy or the face-toface ideology of small communities resulting in a regression to the past. I, of course, dispute this claim to a monopoly on the future. 1 Here I want to give a brief history of the term accelerationism, which at least is part of the condition of understanding the debate. Then I want to recap and refine my critique of accelerationism in its dominant forms. My interest, however, lies not so much in repeating these already fading debates but considering the battle that is being fought over the future in the present. Here I suggest that accelerationism often presents a limited sense of what images are on offer of the future, particularly underestimating the problem of reactionary images of the future. I also want to