Examining the Antonio plays by John Marston, I argue that the metaphors used to portray familial ... more Examining the Antonio plays by John Marston, I argue that the metaphors used to portray familial emotions reveal the ideologies that underpin both excessive and normative versions of familial relationships; these metaphors reveal the pressures placed on family emotions by economic and political ideologies. While critics have traditionally read instances of family breakdown in plays as moments that violate kinship norms, I argue that such moments of violence are caused by ideologies associated with inheritance structures which underpin descriptions and experiences of normative familial emotions. A travers l’examen des pièces de théâtre d’Antonio de John Marston, je soutiens que les métaphores employées pour représenter les émotions familiales font apparaître les idéologies qui sous-tendent tant des versions excessives que des modèles normatifs pour lees relations familiales. Ces métaphores révèlent la pression que font subir aux émotions familiales les systèmes de pens...
Conclusion: "Then must my sea be moved by her sighs": Contagious 177-181 Affect and Revenge Bibli... more Conclusion: "Then must my sea be moved by her sighs": Contagious 177-181 Affect and Revenge Bibliography 182-200 C.V. 201-203 Dedication To Mom, who always supported me, and Grandma, who always believed in me.
In a departure from the critical consensus, I examine Shakespeare’s use of Vergil’s Aeneid to con... more In a departure from the critical consensus, I examine Shakespeare’s use of Vergil’s Aeneid to construct Titus’s understanding of pietas, which reveals that Mutius’ murder in the name of pietas is not so incongruous as it appears. That is, the pietas displayed by Titus is consistent with the pietas displayed by Aeneas, in that both versions of pietas portray ideal and excessive moments that reveal the violent currents beneath English and Roman norms.
Examining the Antonio plays by John Marston, I argue that the metaphors used to portray familial ... more Examining the Antonio plays by John Marston, I argue that the metaphors used to portray familial emotions reveal the ideologies that underpin both excessive and normative versions of familial relationships; these metaphors reveal the pressures placed on family emotions by economic and political ideologies. While critics have traditionally read instances of family breakdown in plays as moments that violate kinship norms, I argue that such moments of violence are caused by ideologies associated with inheritance structures which underpin descriptions and experiences of normative familial emotions.
Examining the Antonio plays by John Marston, I argue that the metaphors used to portray familial ... more Examining the Antonio plays by John Marston, I argue that the metaphors used to portray familial emotions reveal the ideologies that underpin both excessive and normative versions of familial relationships; these metaphors reveal the pressures placed on family emotions by economic and political ideologies. While critics have traditionally read instances of family breakdown in plays as moments that violate kinship norms, I argue that such moments of violence are caused by ideologies associated with inheritance structures which underpin descriptions and experiences of normative familial emotions. A travers l’examen des pièces de théâtre d’Antonio de John Marston, je soutiens que les métaphores employées pour représenter les émotions familiales font apparaître les idéologies qui sous-tendent tant des versions excessives que des modèles normatifs pour lees relations familiales. Ces métaphores révèlent la pression que font subir aux émotions familiales les systèmes de pens...
Conclusion: "Then must my sea be moved by her sighs": Contagious 177-181 Affect and Revenge Bibli... more Conclusion: "Then must my sea be moved by her sighs": Contagious 177-181 Affect and Revenge Bibliography 182-200 C.V. 201-203 Dedication To Mom, who always supported me, and Grandma, who always believed in me.
In a departure from the critical consensus, I examine Shakespeare’s use of Vergil’s Aeneid to con... more In a departure from the critical consensus, I examine Shakespeare’s use of Vergil’s Aeneid to construct Titus’s understanding of pietas, which reveals that Mutius’ murder in the name of pietas is not so incongruous as it appears. That is, the pietas displayed by Titus is consistent with the pietas displayed by Aeneas, in that both versions of pietas portray ideal and excessive moments that reveal the violent currents beneath English and Roman norms.
Examining the Antonio plays by John Marston, I argue that the metaphors used to portray familial ... more Examining the Antonio plays by John Marston, I argue that the metaphors used to portray familial emotions reveal the ideologies that underpin both excessive and normative versions of familial relationships; these metaphors reveal the pressures placed on family emotions by economic and political ideologies. While critics have traditionally read instances of family breakdown in plays as moments that violate kinship norms, I argue that such moments of violence are caused by ideologies associated with inheritance structures which underpin descriptions and experiences of normative familial emotions.
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