"Latino History and Culture covers the myriad ethnic groups that make up the Latino population. I... more "Latino History and Culture covers the myriad ethnic groups that make up the Latino population. It explores issues such as labor, legal and illegal immigration, traditional and immigrant culture, health, education, political activism, art, literature, and family, as well as historical events and developments. A-Z entries cover eras, individuals, organizations and institutions, critical events in U.S. history and the impact of the Latino population, communities and ethnic groups, and key cities and regions. Each entry includes cross references and bibliographic citations, and a comprehensive index and illustrations augment the text.
Explores how the NBA moved to govern black players and the expression of blackness after the “Pal... more Explores how the NBA moved to govern black players and the expression of blackness after the “Palace Brawl” of 2004.
On November 19, 2004, a fight between NBA players Ron Artest and Ben Wallace escalated into a melee involving several other players and many fans. The “Palace Brawl,” writes David J. Leonard, was a seminal event, one that dramatically altered outside perceptions of the sport. With commentators decrying the hip hop or gangsta culture of players, the blackness of the NBA was both highlighted and disdained. This was a harsh blow to the league’s narrative of colorblindness long cultivated by Commissioner David Stern and powerfully embodied in the beloved figure of Michael Jordan. As Leonard demonstrates, the league viewed this moment as a threat needing intervention, quickly adopting policies to govern black players and prevent them from embracing styles and personas associated with blackness. This fascinating book discloses connections between the NBA’s discourse and the broader discourse of antiblack racism. Particular policy changes that seemed aimed at black players, such as the NBA dress code and the debate over a minimum age requirement, are explored.
“In After Artest, David Leonard confirms why he is one of the sharpest minds writing about race and sports in America today. Race is serious business and no one understands better than Leonard how that extends to the arenas and stadiums that have long been the site of confrontation between black bodies and spectators.” — Mark Anthony Neal, author of New Black Man
“David Leonard offers an incisive analysis of race, in a league defined by race, thus adding meaningful dialogue and a sharp perspective to conversations about the ever-evolving image of the NBA in the post-Jordan era. Though haters will undoubtedly try to call a technical foul, Leonard goes hard in the paint nonetheless, shining another light on the always complicated racial politics that continue to inform the game of basketball.” — Dr. Todd Boyd, the Katherine and Frank Price Endowed Chair for the Study of Race and Popular Culture in the University of Southern California School of Cinematic Arts
“The power of the event is that it changes everything. So it is, David Leonard demonstrates in After Artest, in the post-Palace NBA. When Ron Artest went into the stands in the Palace of Auburn Hills in that fateful game in 2004, he not only subjected himself to unprecedented punishment, he also altered the entire discourse of race in the NBA. After Artest offers a critique not only of the NBA’s new modes of policing blackness, but it brings to light—and to life—that combustible encounter between ‘new racism’ and postracism in contemporary America. Racial politics, sociology, the nasty underside of America’s history, and sport are brought together forcefully by Leonard in After Artest.” — Grant Farred, author of What’s My Name? Black Vernacular Intellectuals and Long Distance Love: A Passion for Football
“After Artest breathes new life into the critical scholarship on sporting-based racial representation, and that of the NBA more specifically, by fleshing out the key political sites and struggles of the post-Artest moment. Leonard’s combination of rigorous empirical command and nuanced theoretical interpretation generates a compelling and insightful analysis.” — David L. Andrews, editor of Michael Jordan, Inc.: Corporate Sport, Media Culture, and Late Modern America
The triple crown of Oscars awarded to Denzel Washington, Halle Berry, and Sidney Poitier on a sin... more The triple crown of Oscars awarded to Denzel Washington, Halle Berry, and Sidney Poitier on a single evening in 2002 seemed to mark a turning point for African Americans in cinema. Certainly it was hyped as such by the media, eager to overlook the nuances of this sudden embrace. In this new study, author David Leonard uses this event as a jumping-off point from which to discuss the current state of African-American cinema and the various genres that currently compose it. Looking at such recent films as Love and Basketball, Antwone Fisher, Training Day, and the two Barbershop films—all of which were directed by black artists, and most of which starred and were written by blacks as well—Leonard examines the issues of representation and opportunity in contemporary cinema.
In many cases, these films-which walk a line between confronting racial stereotypes and trafficking in them-made a great deal of money while hardly playing to white audiences at all. By examining the ways in which they address the American Dream, racial progress, racial difference, blackness, whiteness, class, capitalism and a host of other issues, Leonard shows that while certainly there are differences between the grotesque images of years past and those that define today's era, the consistency of images across genre and time reflects the lasting power of racism, as well as the black community's response to it.
Sport films have been central to American cinema, playing an increasingly important role in the c... more Sport films have been central to American cinema, playing an increasingly important role in the communication of a commonsense understanding of race, gender, class, history, and social relations. Oddly, scholars have neglected sport films and their significance. Offering a comparative, theoretically grounded, and interdisciplinary approach, Visual Economies of/in Motion marks a novel and important point of departure in sport studies and cultural studies. It brings together a dozen essays on feature films and documentaries to probe the articulation of ideologies and identities, play and power, and sporting worlds and social fields.
Commodified and Criminalized examines the centrality of sport to discussions of racial ideologies... more Commodified and Criminalized examines the centrality of sport to discussions of racial ideologies and racist practices in the 21st century. It disputes familiar refrains of racial progress, arguing that athletes sit in a contradictory position masked by the logics of new racism and dominant white racial frames. Contributors discuss athletes ranging from Tiger Woods and Serena Williams to Freddy Adu and Shani Davis. Through dynamic case studies, Commodified and Criminalized unpacks the conversation between black athletes and colorblind discourse, while challenging the assumptions of contemporary sports culture. The contributors in this provocative collection push the conversation beyond the playing field and beyond the racial landscape of sports culture to explore the connections between sports representations and a broader history of racialized violence.
Latino History and Culture covers the myriad ethnic groups that make up the Latino population. It... more Latino History and Culture covers the myriad ethnic groups that make up the Latino population. It explores issues such as labor, legal and illegal immigration, traditional and immigrant culture, health, education, political activism, art, literature, and family, as well as historical events and developments. A-Z entries cover eras, individuals, organizations and institutions, critical events in U.S. history and the impact of the Latino population, communities and ethnic groups, and key cities and regions. Each entry includes cross references and bibliographic citations, and a comprehensive index and illustrations augment the text
Advance Praise for Visual Economies of/in Motion "Visual Economies o... more Advance Praise for Visual Economies of/in Motion "Visual Economies of/in Motion.- Sport and Film engages readers with a timely, well-integrated set of essays that reveal how sport and film, two ubiquitous forms of popular culture, conspire to articulate ideologies of race, ...
This special issue, consisting of 6 papers in addition to an introduction, focuses on White supre... more This special issue, consisting of 6 papers in addition to an introduction, focuses on White supremacism in American sport. Topics covered include: the construction of Black masculinity and how it reinforces key elements of White supremacy; cases of White power and racism in sport; the ...
The effort to comfort and amuse White viewers, to
favor their feelings and desires, resonates
t... more The effort to comfort and amuse White viewers, to
favor their feelings and desires, resonates
throughout Hollywood’s long and erratic
treatment of the Black experience. Perhaps no
filmmaker‘s career provides better evidence of
this than Quentin Tarantino. Notwithstanding
his talents and his ability to remix stories, traditions
and aesthetics, his opportunities, his
platform, and his voice are aided and abetted
by the privileges of Whiteness.
Journal for the Study of Sports and …, Jan 1, 2009
Many journalists, pundits, and fans celebrate athletic activism in the 1960s, while lamenting the... more Many journalists, pundits, and fans celebrate athletic activism in the 1960s, while lamenting the purported political disengagement that rules sport today. This prevailing interpretive framework, we argue, reflects and reinforces accepted ideologies and established hierarchies. We attribute this conjunction of nostalgia and demonization to a romanticization of the historical legacies of the freedom struggles in sport, contemporary efforts, particularly through corporatization to blunt and brand political messages, and most importantly, to the resentment and retrenchment at the heart of ongoing reconfigurations of racial ideologies. Our analysis suggests that the discourses surrounding the revolt of the Black athlete emerge in the context shaped by new racism and the backlash against movements for equality, inclusion, and justice and bear the markings of an identity politics intent to defend, if not extend, hegemonic formulations of whiteness and masculinity, while demonizing blackness and opposition.
Amid a backlash against the influence of hip-hop within professional basketball, exacerbated by t... more Amid a backlash against the influence of hip-hop within professional basketball, exacerbated by the 2004 brawl at the Palace of Auburn Hills, NBA executives, media pundits, and fans have denounced the influx of Black high school players. This article argues that the establishment of a policy preventing high school players from the NBA is neither a pure business decision nor a hypocritical move by a league that has long profited off the contributions of young Black males and the popularity of hip-hop. Instead, it links this discourse to the larger societal moves to police and put Black male bodies under surveillance. It specifically examines the ways in which calls for an age restriction within the NBA and those efforts to send young men and women of color into America's expanding prison system reflect the same White supremacist logic that necessitates the control, regulation, and punishment of Black and brown bodies.
Notwithstanding the presence of extreme racialized tropes within the world of video games, public... more Notwithstanding the presence of extreme racialized tropes within the world of video games, public discourses continue to focus on questions of violence, denying the importance of games in maintaining the hegemonic racial order. Efforts to exclude race (and intersections with gender, nation, and sexuality) from public discussions through its erasure and the acceptance of larger discourses of colorblindness contribute to a problematic understanding of video games and their significant role in contemporary social, political, economic, and cultural organization. How can one truly understand fantasy, violence, gender roles, plot, narrative, game playability, virtual realities, and the like without examining race, racism, and/or racial stratification—one cannot. This article challenges game studies scholars to move beyond simply studying games to begin to offer insight and analysis into the importance of race and racialized tropes within virtual reality and the larger implications of racist pedagogies of video games in the advancement of White supremacy.
"Latino History and Culture covers the myriad ethnic groups that make up the Latino population. I... more "Latino History and Culture covers the myriad ethnic groups that make up the Latino population. It explores issues such as labor, legal and illegal immigration, traditional and immigrant culture, health, education, political activism, art, literature, and family, as well as historical events and developments. A-Z entries cover eras, individuals, organizations and institutions, critical events in U.S. history and the impact of the Latino population, communities and ethnic groups, and key cities and regions. Each entry includes cross references and bibliographic citations, and a comprehensive index and illustrations augment the text.
Explores how the NBA moved to govern black players and the expression of blackness after the “Pal... more Explores how the NBA moved to govern black players and the expression of blackness after the “Palace Brawl” of 2004.
On November 19, 2004, a fight between NBA players Ron Artest and Ben Wallace escalated into a melee involving several other players and many fans. The “Palace Brawl,” writes David J. Leonard, was a seminal event, one that dramatically altered outside perceptions of the sport. With commentators decrying the hip hop or gangsta culture of players, the blackness of the NBA was both highlighted and disdained. This was a harsh blow to the league’s narrative of colorblindness long cultivated by Commissioner David Stern and powerfully embodied in the beloved figure of Michael Jordan. As Leonard demonstrates, the league viewed this moment as a threat needing intervention, quickly adopting policies to govern black players and prevent them from embracing styles and personas associated with blackness. This fascinating book discloses connections between the NBA’s discourse and the broader discourse of antiblack racism. Particular policy changes that seemed aimed at black players, such as the NBA dress code and the debate over a minimum age requirement, are explored.
“In After Artest, David Leonard confirms why he is one of the sharpest minds writing about race and sports in America today. Race is serious business and no one understands better than Leonard how that extends to the arenas and stadiums that have long been the site of confrontation between black bodies and spectators.” — Mark Anthony Neal, author of New Black Man
“David Leonard offers an incisive analysis of race, in a league defined by race, thus adding meaningful dialogue and a sharp perspective to conversations about the ever-evolving image of the NBA in the post-Jordan era. Though haters will undoubtedly try to call a technical foul, Leonard goes hard in the paint nonetheless, shining another light on the always complicated racial politics that continue to inform the game of basketball.” — Dr. Todd Boyd, the Katherine and Frank Price Endowed Chair for the Study of Race and Popular Culture in the University of Southern California School of Cinematic Arts
“The power of the event is that it changes everything. So it is, David Leonard demonstrates in After Artest, in the post-Palace NBA. When Ron Artest went into the stands in the Palace of Auburn Hills in that fateful game in 2004, he not only subjected himself to unprecedented punishment, he also altered the entire discourse of race in the NBA. After Artest offers a critique not only of the NBA’s new modes of policing blackness, but it brings to light—and to life—that combustible encounter between ‘new racism’ and postracism in contemporary America. Racial politics, sociology, the nasty underside of America’s history, and sport are brought together forcefully by Leonard in After Artest.” — Grant Farred, author of What’s My Name? Black Vernacular Intellectuals and Long Distance Love: A Passion for Football
“After Artest breathes new life into the critical scholarship on sporting-based racial representation, and that of the NBA more specifically, by fleshing out the key political sites and struggles of the post-Artest moment. Leonard’s combination of rigorous empirical command and nuanced theoretical interpretation generates a compelling and insightful analysis.” — David L. Andrews, editor of Michael Jordan, Inc.: Corporate Sport, Media Culture, and Late Modern America
The triple crown of Oscars awarded to Denzel Washington, Halle Berry, and Sidney Poitier on a sin... more The triple crown of Oscars awarded to Denzel Washington, Halle Berry, and Sidney Poitier on a single evening in 2002 seemed to mark a turning point for African Americans in cinema. Certainly it was hyped as such by the media, eager to overlook the nuances of this sudden embrace. In this new study, author David Leonard uses this event as a jumping-off point from which to discuss the current state of African-American cinema and the various genres that currently compose it. Looking at such recent films as Love and Basketball, Antwone Fisher, Training Day, and the two Barbershop films—all of which were directed by black artists, and most of which starred and were written by blacks as well—Leonard examines the issues of representation and opportunity in contemporary cinema.
In many cases, these films-which walk a line between confronting racial stereotypes and trafficking in them-made a great deal of money while hardly playing to white audiences at all. By examining the ways in which they address the American Dream, racial progress, racial difference, blackness, whiteness, class, capitalism and a host of other issues, Leonard shows that while certainly there are differences between the grotesque images of years past and those that define today's era, the consistency of images across genre and time reflects the lasting power of racism, as well as the black community's response to it.
Sport films have been central to American cinema, playing an increasingly important role in the c... more Sport films have been central to American cinema, playing an increasingly important role in the communication of a commonsense understanding of race, gender, class, history, and social relations. Oddly, scholars have neglected sport films and their significance. Offering a comparative, theoretically grounded, and interdisciplinary approach, Visual Economies of/in Motion marks a novel and important point of departure in sport studies and cultural studies. It brings together a dozen essays on feature films and documentaries to probe the articulation of ideologies and identities, play and power, and sporting worlds and social fields.
Commodified and Criminalized examines the centrality of sport to discussions of racial ideologies... more Commodified and Criminalized examines the centrality of sport to discussions of racial ideologies and racist practices in the 21st century. It disputes familiar refrains of racial progress, arguing that athletes sit in a contradictory position masked by the logics of new racism and dominant white racial frames. Contributors discuss athletes ranging from Tiger Woods and Serena Williams to Freddy Adu and Shani Davis. Through dynamic case studies, Commodified and Criminalized unpacks the conversation between black athletes and colorblind discourse, while challenging the assumptions of contemporary sports culture. The contributors in this provocative collection push the conversation beyond the playing field and beyond the racial landscape of sports culture to explore the connections between sports representations and a broader history of racialized violence.
Latino History and Culture covers the myriad ethnic groups that make up the Latino population. It... more Latino History and Culture covers the myriad ethnic groups that make up the Latino population. It explores issues such as labor, legal and illegal immigration, traditional and immigrant culture, health, education, political activism, art, literature, and family, as well as historical events and developments. A-Z entries cover eras, individuals, organizations and institutions, critical events in U.S. history and the impact of the Latino population, communities and ethnic groups, and key cities and regions. Each entry includes cross references and bibliographic citations, and a comprehensive index and illustrations augment the text
Advance Praise for Visual Economies of/in Motion "Visual Economies o... more Advance Praise for Visual Economies of/in Motion "Visual Economies of/in Motion.- Sport and Film engages readers with a timely, well-integrated set of essays that reveal how sport and film, two ubiquitous forms of popular culture, conspire to articulate ideologies of race, ...
This special issue, consisting of 6 papers in addition to an introduction, focuses on White supre... more This special issue, consisting of 6 papers in addition to an introduction, focuses on White supremacism in American sport. Topics covered include: the construction of Black masculinity and how it reinforces key elements of White supremacy; cases of White power and racism in sport; the ...
The effort to comfort and amuse White viewers, to
favor their feelings and desires, resonates
t... more The effort to comfort and amuse White viewers, to
favor their feelings and desires, resonates
throughout Hollywood’s long and erratic
treatment of the Black experience. Perhaps no
filmmaker‘s career provides better evidence of
this than Quentin Tarantino. Notwithstanding
his talents and his ability to remix stories, traditions
and aesthetics, his opportunities, his
platform, and his voice are aided and abetted
by the privileges of Whiteness.
Journal for the Study of Sports and …, Jan 1, 2009
Many journalists, pundits, and fans celebrate athletic activism in the 1960s, while lamenting the... more Many journalists, pundits, and fans celebrate athletic activism in the 1960s, while lamenting the purported political disengagement that rules sport today. This prevailing interpretive framework, we argue, reflects and reinforces accepted ideologies and established hierarchies. We attribute this conjunction of nostalgia and demonization to a romanticization of the historical legacies of the freedom struggles in sport, contemporary efforts, particularly through corporatization to blunt and brand political messages, and most importantly, to the resentment and retrenchment at the heart of ongoing reconfigurations of racial ideologies. Our analysis suggests that the discourses surrounding the revolt of the Black athlete emerge in the context shaped by new racism and the backlash against movements for equality, inclusion, and justice and bear the markings of an identity politics intent to defend, if not extend, hegemonic formulations of whiteness and masculinity, while demonizing blackness and opposition.
Amid a backlash against the influence of hip-hop within professional basketball, exacerbated by t... more Amid a backlash against the influence of hip-hop within professional basketball, exacerbated by the 2004 brawl at the Palace of Auburn Hills, NBA executives, media pundits, and fans have denounced the influx of Black high school players. This article argues that the establishment of a policy preventing high school players from the NBA is neither a pure business decision nor a hypocritical move by a league that has long profited off the contributions of young Black males and the popularity of hip-hop. Instead, it links this discourse to the larger societal moves to police and put Black male bodies under surveillance. It specifically examines the ways in which calls for an age restriction within the NBA and those efforts to send young men and women of color into America's expanding prison system reflect the same White supremacist logic that necessitates the control, regulation, and punishment of Black and brown bodies.
Notwithstanding the presence of extreme racialized tropes within the world of video games, public... more Notwithstanding the presence of extreme racialized tropes within the world of video games, public discourses continue to focus on questions of violence, denying the importance of games in maintaining the hegemonic racial order. Efforts to exclude race (and intersections with gender, nation, and sexuality) from public discussions through its erasure and the acceptance of larger discourses of colorblindness contribute to a problematic understanding of video games and their significant role in contemporary social, political, economic, and cultural organization. How can one truly understand fantasy, violence, gender roles, plot, narrative, game playability, virtual realities, and the like without examining race, racism, and/or racial stratification—one cannot. This article challenges game studies scholars to move beyond simply studying games to begin to offer insight and analysis into the importance of race and racialized tropes within virtual reality and the larger implications of racist pedagogies of video games in the advancement of White supremacy.
SIMILE: Studies In Media & Information Literacy …, Jan 1, 2003
As the nascent field of computer games research and games studies develops, one rich area of stud... more As the nascent field of computer games research and games studies develops, one rich area of study will be a semiotic analysis of the tropes, conventions, and ideological sub-texts of various games. This article examines the centrality of race and gender in the narrative, character development, and ideologies of platform video games, paying particular attention to the deployment of stereotypes, the connection between pleasure, fantasy and race, and their link to instruments of power. Video games represent a powerful instrument of hegemony, eliciting ideological consent through a spectrum of white supremacist projects.
SIMILE: Studies In Media & Information Literacy …, Jan 1, 2004
Amid the cultural, political, and military shifts of post-9-11 American policy, the video game in... more Amid the cultural, political, and military shifts of post-9-11 American policy, the video game industry has responded with patriotic fervor and released a series of video war games. Virtual war games elicit support for the War on Terror and United States imperialism, providing space where Americans are able to play through their anxiety, anger, and racialized hatred. While commentators cite a post-September 11 th climate as the reason for increasing interest and support for the U.S. military, this article underscores the importance of video games as part of the militarization of everyday life and offers insight into the increasingly close-knit relationship between the U.S. military, universities, and the video game industry. Because video games form an important pedagogical project of U.S. war practices, they must be critically analyzed.
In this essay, the author explores the absurdity of colorblind rhetoric within the discursive fie... more In this essay, the author explores the absurdity of colorblind rhetoric within the discursive field of Kobe Bryant’s rape trial. Specifically, in examining articulations on the Internet, television coverage, commentaries, and news reports, this article reveals how colorblind ideologies that dominate public discussions conflict with the racialized discursive utterances surrounding Kobe’s arrest and ongoing trial. In exploring the reactions to accusations of rape against Kobe Bryant by both the mainstream media and White nationalists, this article repels the tendency to disassociate mainstream discourses surrounding race and sports from the more racially grotesque versions found among White nationalists. This article interrogates the context, text, and subtext of the racialized/gendered discourse of Kobe Bryant, situating this case study within the larger dynamics of racialized sports celebrity. It asks whether status as a celebrity athlete provides racial erasure and whether accusations of criminal misconduct not only reinscribe race but also erase celebrity.
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Books by David Leonard
"
On November 19, 2004, a fight between NBA players Ron Artest and Ben Wallace escalated into a melee involving several other players and many fans. The “Palace Brawl,” writes David J. Leonard, was a seminal event, one that dramatically altered outside perceptions of the sport. With commentators decrying the hip hop or gangsta culture of players, the blackness of the NBA was both highlighted and disdained. This was a harsh blow to the league’s narrative of colorblindness long cultivated by Commissioner David Stern and powerfully embodied in the beloved figure of Michael Jordan. As Leonard demonstrates, the league viewed this moment as a threat needing intervention, quickly adopting policies to govern black players and prevent them from embracing styles and personas associated with blackness. This fascinating book discloses connections between the NBA’s discourse and the broader discourse of antiblack racism. Particular policy changes that seemed aimed at black players, such as the NBA dress code and the debate over a minimum age requirement, are explored.
“In After Artest, David Leonard confirms why he is one of the sharpest minds writing about race and sports in America today. Race is serious business and no one understands better than Leonard how that extends to the arenas and stadiums that have long been the site of confrontation between black bodies and spectators.” — Mark Anthony Neal, author of New Black Man
“David Leonard offers an incisive analysis of race, in a league defined by race, thus adding meaningful dialogue and a sharp perspective to conversations about the ever-evolving image of the NBA in the post-Jordan era. Though haters will undoubtedly try to call a technical foul, Leonard goes hard in the paint nonetheless, shining another light on the always complicated racial politics that continue to inform the game of basketball.” — Dr. Todd Boyd, the Katherine and Frank Price Endowed Chair for the Study of Race and Popular Culture in the University of Southern California School of Cinematic Arts
“The power of the event is that it changes everything. So it is, David Leonard demonstrates in After Artest, in the post-Palace NBA. When Ron Artest went into the stands in the Palace of Auburn Hills in that fateful game in 2004, he not only subjected himself to unprecedented punishment, he also altered the entire discourse of race in the NBA. After Artest offers a critique not only of the NBA’s new modes of policing blackness, but it brings to light—and to life—that combustible encounter between ‘new racism’ and postracism in contemporary America. Racial politics, sociology, the nasty underside of America’s history, and sport are brought together forcefully by Leonard in After Artest.” — Grant Farred, author of What’s My Name? Black Vernacular Intellectuals and Long Distance Love: A Passion for Football
“After Artest breathes new life into the critical scholarship on sporting-based racial representation, and that of the NBA more specifically, by fleshing out the key political sites and struggles of the post-Artest moment. Leonard’s combination of rigorous empirical command and nuanced theoretical interpretation generates a compelling and insightful analysis.” — David L. Andrews, editor of Michael Jordan, Inc.: Corporate Sport, Media Culture, and Late Modern America
In many cases, these films-which walk a line between confronting racial stereotypes and trafficking in them-made a great deal of money while hardly playing to white audiences at all. By examining the ways in which they address the American Dream, racial progress, racial difference, blackness, whiteness, class, capitalism and a host of other issues, Leonard shows that while certainly there are differences between the grotesque images of years past and those that define today's era, the consistency of images across genre and time reflects the lasting power of racism, as well as the black community's response to it.
Papers by David Leonard
favor their feelings and desires, resonates
throughout Hollywood’s long and erratic
treatment of the Black experience. Perhaps no
filmmaker‘s career provides better evidence of
this than Quentin Tarantino. Notwithstanding
his talents and his ability to remix stories, traditions
and aesthetics, his opportunities, his
platform, and his voice are aided and abetted
by the privileges of Whiteness.
"
On November 19, 2004, a fight between NBA players Ron Artest and Ben Wallace escalated into a melee involving several other players and many fans. The “Palace Brawl,” writes David J. Leonard, was a seminal event, one that dramatically altered outside perceptions of the sport. With commentators decrying the hip hop or gangsta culture of players, the blackness of the NBA was both highlighted and disdained. This was a harsh blow to the league’s narrative of colorblindness long cultivated by Commissioner David Stern and powerfully embodied in the beloved figure of Michael Jordan. As Leonard demonstrates, the league viewed this moment as a threat needing intervention, quickly adopting policies to govern black players and prevent them from embracing styles and personas associated with blackness. This fascinating book discloses connections between the NBA’s discourse and the broader discourse of antiblack racism. Particular policy changes that seemed aimed at black players, such as the NBA dress code and the debate over a minimum age requirement, are explored.
“In After Artest, David Leonard confirms why he is one of the sharpest minds writing about race and sports in America today. Race is serious business and no one understands better than Leonard how that extends to the arenas and stadiums that have long been the site of confrontation between black bodies and spectators.” — Mark Anthony Neal, author of New Black Man
“David Leonard offers an incisive analysis of race, in a league defined by race, thus adding meaningful dialogue and a sharp perspective to conversations about the ever-evolving image of the NBA in the post-Jordan era. Though haters will undoubtedly try to call a technical foul, Leonard goes hard in the paint nonetheless, shining another light on the always complicated racial politics that continue to inform the game of basketball.” — Dr. Todd Boyd, the Katherine and Frank Price Endowed Chair for the Study of Race and Popular Culture in the University of Southern California School of Cinematic Arts
“The power of the event is that it changes everything. So it is, David Leonard demonstrates in After Artest, in the post-Palace NBA. When Ron Artest went into the stands in the Palace of Auburn Hills in that fateful game in 2004, he not only subjected himself to unprecedented punishment, he also altered the entire discourse of race in the NBA. After Artest offers a critique not only of the NBA’s new modes of policing blackness, but it brings to light—and to life—that combustible encounter between ‘new racism’ and postracism in contemporary America. Racial politics, sociology, the nasty underside of America’s history, and sport are brought together forcefully by Leonard in After Artest.” — Grant Farred, author of What’s My Name? Black Vernacular Intellectuals and Long Distance Love: A Passion for Football
“After Artest breathes new life into the critical scholarship on sporting-based racial representation, and that of the NBA more specifically, by fleshing out the key political sites and struggles of the post-Artest moment. Leonard’s combination of rigorous empirical command and nuanced theoretical interpretation generates a compelling and insightful analysis.” — David L. Andrews, editor of Michael Jordan, Inc.: Corporate Sport, Media Culture, and Late Modern America
In many cases, these films-which walk a line between confronting racial stereotypes and trafficking in them-made a great deal of money while hardly playing to white audiences at all. By examining the ways in which they address the American Dream, racial progress, racial difference, blackness, whiteness, class, capitalism and a host of other issues, Leonard shows that while certainly there are differences between the grotesque images of years past and those that define today's era, the consistency of images across genre and time reflects the lasting power of racism, as well as the black community's response to it.
favor their feelings and desires, resonates
throughout Hollywood’s long and erratic
treatment of the Black experience. Perhaps no
filmmaker‘s career provides better evidence of
this than Quentin Tarantino. Notwithstanding
his talents and his ability to remix stories, traditions
and aesthetics, his opportunities, his
platform, and his voice are aided and abetted
by the privileges of Whiteness.