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The London specimen of Archaeopteryx lithographica, collected 150 years ago from the Solnhofen Limestone of Bavaria (image from Richard Owen's 1863 description).

The original, first-discovered feather of Archaeopteryx, discovered 150 years ago in mid-1861 (photo taken by Witmer in Berlin in 1998).

It recently dawned on me that 2011 marks the 150th anniversary of the discovery and naming of Archaeopteryx lithographica. In 1861, an isolated feather and a feathered skeleton were discovered in Solnhofen lithographic limestone quarries in Bavaria, southern Germany. Perhaps no other fossils are as important scientifically, historically, and politically as these. The timing was just about perfect for the evolution debates that raged at the time, for here was a remarkable evolutionary intermediate—feathers and wishbone on an otherwise reptilian skeleton—and come to light less than two years after Darwin’s Origin of Species hit bookstores. Since that time, Archaeopteryx has become a political lightning rod in the evolution/creation debates (that sadly still rage), a scientific ruler against which all ideas on avian origins and evolution must be measured, and ultimately an icon, a symbol, sometimes even a logo. Archaeopteryx is famous…and having a birthday! We should celebrate…but how?

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Okay, that title is a little grandiose, but it was the first appearance WitmerLab research has made on a Top-10-rated network television show. We get requests all the time from the cable science networks  for materials for documentaries, and we’ve even personally appeared in a number of them. But in October, I got a call from a producer at CBS’s hit show CSI: Miami, saying that they were doing a show in which an alligator necropsy figured in a couple of scenes (Spoiler Alert: the gator was used as a murder weapon). They had heard that we did high-tech-y stuff with alligators, and they needed some animations to run in the background, and, oh, could they have them…um…now? Continue Reading »

Hadrosaur multimedia exhibit at "Dinosaurs Unearthed" at the Dallas Museum of Nature & Science. Photo courtesy of Rissa Westerfield, Texas Tech University.

The WitmerLab has an ongoing collaboration on the duckbilled hadrosaur dinosaurs with David Evans of the Royal Ontario Museum in Toronto. Recently, we’ve received word that some of that work has found its way into the “Dinosaurs Unearthed” exhibit that has been circulating through the US. First, Ohio University grad student Haley O’Brien texted me a photo of the exhibit at Union Station in Kansas City, and then Texas Tech grad student Rissa Westerfield posted a photo on Facebook of the exhibit at the Museum of Nature & Science in Dallas. Then just yesterday, WitmerLab alum Casey Holliday (now at Missouri) chimed in with his own sighting in KC. Presumably, it’s elsewhere, too. We’re thrilled to hear that the outcome of our research is reaching a broad audience!

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I had no intention of doing another “holiday post” so soon after our Halloween post, but there’s been surprising interest in one of our YouTube videos. Last year we came up with a CT-scan-based animation of a turkey head which showed the blood vessels; we then tagged the end with “Happy Thanksgiving from the Witmer Lab,” and put it up on our YouTube channel. It got a polite response from friends, racking up, ahem, just 266 views. Without giving it much thought, this year on the day before Thanksgiving I posted the YouTube vid to my Facebook wall and to the WitmerLab Facebook page. What a difference a year makes. In the succeeding four days, the video got over 6300 views, a 23-fold increase over the previous 365 days!


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Some things (and people) have had so much work done on them, so many parts replaced, that they become unrecognizable as their former selves. Frankenstein’s monster, reality show star Heidi Montag, comedian Joan Rivers, and my old Stratocaster come to mind…as do computers in the WitmerLab. The latest was a venerable old lab computer that went under the knife recently for not just a face lift, but a tummy tuck, lip job, nose job, chin implant, butt implant, all kinds of augmentation, and a vajazzling to make Jennifer Love Hewitt proud. We thought we’d offer you a front-row seat.

It ain't Hollywood, but WitmerLab computers routinely go under the knife to be given new life (like Frankenstein) or to be made more current, trendy, and hopefully more desirable (like Heidi...she hopes). Here's witmer10, very alive and smokin' hot after highly successful surgery.

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In Part 1 of this series, we explored why a research lab should take time away from their normal scholarly activities to engage the public. This post, Part 2, will look at the mechanisms the WitmerLab has used to share our research findings and approaches beyond the specialist scientific community. We participate in four basic, often-overlapping arenas: the web, the science news media, broadcast media, and in-person engagements.

Television documentaries provide wide exposure for our research. Filming at O'Bleness Memorial Hospital, Athens, OH, with Heather Rockhold (right) for an upcoming Discovery Channel documentary with Philip Currie (center). Photo by Joy Miller Upton (OBMH).

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Happy Halloween from the WitmerLab! A pair of Velociraptors face off, as if engaging in some dark ritual. Photography by Amy Martiny.

Halloween means something different in Athens, Ohio. Sure, we have kids running around, trick-or-treating in Spiderman, Harry Potter, and princess costumes. But we also have what is reputed to be the third largest block party in the country, involving not just Ohio University students and locals but people from all over. Our little town of about 25,000 residents and 20,000 students swells with another 20,000–50,000 revelers (read the definitive history, Athens News, 31 Oct 2009). Costumes are elaborate and planned months or years in advance. There’s music, there’s food…and, yes, there’s drink. WitmerLab members work extremely hard, but even they are not immune to the pull of this annual event.
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Not many research labs have an actual mission statement, but we kinda came up with one when we first launched our Facebook page: “WitmerLab: 21st century approaches to fleshing out the past. — Our mission is to use the structure of extinct and modern-day animals to interpret evolutionary history…and to share that history with the broader community.” This is the first of a two-part post devoted to the last part of that statement. Here we look at why we jumped into the public arena, and the next post will explore what we’ve been doing. We recently returned from the annual meeting of the Society of Vertebrate Paleontology where we presented a poster entitled “Promoting a culture of outreach within an active university research lab setting: WitmerLab at Ohio University,” as part of the SVP Education & Outreach special poster session, and so the topic is fresh.

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Casey Holliday measuring ostrich bones (2001).

A project that got its start way back in WitmerLab’s Triassic Period finally came to fruition, thanks to the professionalism and perseverance of lead author Casey Holliday. Today, in the freely available, open-access online journal PLoS ONE, we published an article (Holliday et al. 2010) on the caps of cartilage (known as epiphyses) that form the articulations between the long bones of dinosaurs and their modern-day archosaurian relatives (birds and crocs). For a long time, paleontologists had looked at the ends of dinosaur bones like the femur or humerus and suspected that something might be missing. The bones’ ends looked poorly formed, almost too simple, or were covered with a rough pattern of bumps and grooves. The logical conclusion was that many of these bones must have been covered with pretty significant amounts of cartilage.
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The National Geographic Channel ran a documentary called “Bizarre Dinosaurs” way back in October 2009, but just yesterday I got a copy of the DVD, which has inspired this post. I appeared on the show in different contexts, but primarily talking about Nigersaurus, indeed a dinosaur to which the term “bizarre” applies.

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