A construção de um museu digital é complexa e é influenciada por inúmeras variáveis. Pesquisas an... more A construção de um museu digital é complexa e é influenciada por inúmeras variáveis. Pesquisas anteriores sugeriram que a aplicação da tecnologia promove a preservação de relíquias culturais, o gerenciamento da digitalização, a disseminação eficaz do conhecimento tradicional e o pensamento crítico em museus. No entanto, o estudo sobre a relação entre sites de museu e visitantes parece estar faltando. Esta pesquisa visa preencher a lacuna baseada em dois casos: o Museu do Palácio e o Museu Henan. Os dados foram coletados de 17 entrevistados em profundidade e 557 questionários. Os resultados mostram que os fatores significativos que influenciam a satisfação do visitante nos sites dos museus são: qualidade da informação, qualidade do sistema, utilidade percebida, usabilidade percebida e imagem do museu.
In dit artikel staat de vraag centraal hoe de Belgische radio-omroep N.I.R. in het pretelevisione... more In dit artikel staat de vraag centraal hoe de Belgische radio-omroep N.I.R. in het pretelevisionele tijdperk (1930-1953) op bestuurs- en directieniveau reflecteert en invulling geeft aan zijn centrale missie tot publieke dienstverlening. Een kwalitatieve inhoudsanalyse van beleidsdocumenten en geschriften van directieleden toont een gedeelde paternalistische visie omtrent ‘public service broadcasting’ evenals verdeelde opvattingen omtrent het publiek en hoe het te bedienen.
Abstract: This article focuses on the musical management of the Symphony Orchestra of the Belgian... more Abstract: This article focuses on the musical management of the Symphony Orchestra of the Belgian national radio (NIR/INR) between 1930-1935. What and how can visions of (political) decision makers shape the financial, institutional and artistic management? ...
The cultural industries are nowadays achieving a prominent and strategic position on the internat... more The cultural industries are nowadays achieving a prominent and strategic position on the international policy agenda. Their cultural and economic ambivalence and their twofold value result in conflicting viewpoints opposing WTO, UNESCO and EU. Next to this opposition, the lack of a coherent international policy towards the cultural industries is also the result of the absence of an accepted common international description on the cultural industries as a whole, and to the existence of a lot of general and sectoral rules, agreements and policies in force which could be applied to the cultural industries as a whole or to one of its sectors. The article provides an adequate conceptual framework from where to initiate the debate on the establishment of an 'made-to-measure' international cultural industries policy. In doing so it contains, regarding WTO, UNESCO and EU, an overview; firstly, of the debate on and definition of the cultural industries; secondly, of the regulation applying to the cultural industries; and thirdly, the scope of and the contradictions between them. The article argues that the scope and the hierarchy of the rules and the agreements in force will be decisive for the international approach (whether economic or culturally oriented or both) of the cultural industries.
ABSTRACT Throughout the last century, childhood has undergone some significant changes. Children ... more ABSTRACT Throughout the last century, childhood has undergone some significant changes. Children evolved from miniature adults working in factories to specific actors with rights of their own. This transformation also altered the way that society perceived childhood and the way people thought children should be treated and cared for. The process has been documented on a macro level. The transformation of children themselves is somewhat overshadowed by larger study domains, but nevertheless is just as interesting. Obviously, after all, social scientists are increasingly treating children and childhood as specific research topics. This article deals with the question of how popular media have co-constructed and defined the concept of the healthy child in the 1940s and in the 1960s, two time periods with different socioeconomic and cultural climates when it comes to children, health and food. The main research goal is to find out how society perceived the healthy child and how society was concerned with the health of children. How were children portrayed and what can this tell us about the dominant discourses regarding the health of children ? Based on a quantitative visual content analysis of 548 advertisements in Libelle, the earliest Flemish women’s magazine published in Belgium, we discuss how the imaging (both visual and textual) of the healthy child has changed during the post-World War II decades in the Dutch speaking part of Belgium. The findings are contextualized within the global historical transformation that childhood, health and food culture went through in the 1940s and 1960s.
The Journal of Arts Management, Law, and Society, 2010
Since the 1980s, continental European arts organizations have been investing considerably in mark... more Since the 1980s, continental European arts organizations have been investing considerably in marketing and organizational management, resulting in an increased professionalization of management, generally larger budgets, more substantial subsidies, as well as rising ...
Since the 1980s, continental European arts organizations have been investing considerably in mark... more Since the 1980s, continental European arts organizations have been investing considerably in marketing and organizational management, resulting in an increased professionalization of management, generally larger budgets, more substantial subsidies, as well as rising ...
A construção de um museu digital é complexa e é influenciada por inúmeras variáveis. Pesquisas an... more A construção de um museu digital é complexa e é influenciada por inúmeras variáveis. Pesquisas anteriores sugeriram que a aplicação da tecnologia promove a preservação de relíquias culturais, o gerenciamento da digitalização, a disseminação eficaz do conhecimento tradicional e o pensamento crítico em museus. No entanto, o estudo sobre a relação entre sites de museu e visitantes parece estar faltando. Esta pesquisa visa preencher a lacuna baseada em dois casos: o Museu do Palácio e o Museu Henan. Os dados foram coletados de 17 entrevistados em profundidade e 557 questionários. Os resultados mostram que os fatores significativos que influenciam a satisfação do visitante nos sites dos museus são: qualidade da informação, qualidade do sistema, utilidade percebida, usabilidade percebida e imagem do museu.
In dit artikel staat de vraag centraal hoe de Belgische radio-omroep N.I.R. in het pretelevisione... more In dit artikel staat de vraag centraal hoe de Belgische radio-omroep N.I.R. in het pretelevisionele tijdperk (1930-1953) op bestuurs- en directieniveau reflecteert en invulling geeft aan zijn centrale missie tot publieke dienstverlening. Een kwalitatieve inhoudsanalyse van beleidsdocumenten en geschriften van directieleden toont een gedeelde paternalistische visie omtrent ‘public service broadcasting’ evenals verdeelde opvattingen omtrent het publiek en hoe het te bedienen.
Abstract: This article focuses on the musical management of the Symphony Orchestra of the Belgian... more Abstract: This article focuses on the musical management of the Symphony Orchestra of the Belgian national radio (NIR/INR) between 1930-1935. What and how can visions of (political) decision makers shape the financial, institutional and artistic management? ...
The cultural industries are nowadays achieving a prominent and strategic position on the internat... more The cultural industries are nowadays achieving a prominent and strategic position on the international policy agenda. Their cultural and economic ambivalence and their twofold value result in conflicting viewpoints opposing WTO, UNESCO and EU. Next to this opposition, the lack of a coherent international policy towards the cultural industries is also the result of the absence of an accepted common international description on the cultural industries as a whole, and to the existence of a lot of general and sectoral rules, agreements and policies in force which could be applied to the cultural industries as a whole or to one of its sectors. The article provides an adequate conceptual framework from where to initiate the debate on the establishment of an 'made-to-measure' international cultural industries policy. In doing so it contains, regarding WTO, UNESCO and EU, an overview; firstly, of the debate on and definition of the cultural industries; secondly, of the regulation applying to the cultural industries; and thirdly, the scope of and the contradictions between them. The article argues that the scope and the hierarchy of the rules and the agreements in force will be decisive for the international approach (whether economic or culturally oriented or both) of the cultural industries.
ABSTRACT Throughout the last century, childhood has undergone some significant changes. Children ... more ABSTRACT Throughout the last century, childhood has undergone some significant changes. Children evolved from miniature adults working in factories to specific actors with rights of their own. This transformation also altered the way that society perceived childhood and the way people thought children should be treated and cared for. The process has been documented on a macro level. The transformation of children themselves is somewhat overshadowed by larger study domains, but nevertheless is just as interesting. Obviously, after all, social scientists are increasingly treating children and childhood as specific research topics. This article deals with the question of how popular media have co-constructed and defined the concept of the healthy child in the 1940s and in the 1960s, two time periods with different socioeconomic and cultural climates when it comes to children, health and food. The main research goal is to find out how society perceived the healthy child and how society was concerned with the health of children. How were children portrayed and what can this tell us about the dominant discourses regarding the health of children ? Based on a quantitative visual content analysis of 548 advertisements in Libelle, the earliest Flemish women’s magazine published in Belgium, we discuss how the imaging (both visual and textual) of the healthy child has changed during the post-World War II decades in the Dutch speaking part of Belgium. The findings are contextualized within the global historical transformation that childhood, health and food culture went through in the 1940s and 1960s.
The Journal of Arts Management, Law, and Society, 2010
Since the 1980s, continental European arts organizations have been investing considerably in mark... more Since the 1980s, continental European arts organizations have been investing considerably in marketing and organizational management, resulting in an increased professionalization of management, generally larger budgets, more substantial subsidies, as well as rising ...
Since the 1980s, continental European arts organizations have been investing considerably in mark... more Since the 1980s, continental European arts organizations have been investing considerably in marketing and organizational management, resulting in an increased professionalization of management, generally larger budgets, more substantial subsidies, as well as rising ...
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Books by Katia Segers
Papers by Katia Segers