Blanca R. Curto
Estudiante de doctorado en Filosofía en la Universidad de Valladolid, España. Se graduó en Filosofía en esta misma universidad y obtuvo su título de máster en Enseñanzas Artísticas: “Pensamiento y creación escénica contemporánea” por la Escuela Superior de Arte Dramático de Castilla y León. Su investigación abarca
la fenomenología francesa contemporánea, la fenomenología de la donación y la creación escénica en el espectro de los estudios teatrales. También mantiene una constante atención específica a la obra del filósofo español Eugenio Trías. Como parte de su formación, participa regularmente en eventos académicos nacionales e internacionales. Por otra parte, se involucra con frecuencia en proyectos de dramaturgia en centros artísticos de la ciudad de Madrid, como talleres, seminarios y residencias de investigación, especialmente en torno al trabajo del dramaturgo José Sanchis Sinisterra.
Blanca Requejo Curto is a PhD student at the University of Valladolid, Spain. She graduated in Philosophy at the Uva and got her Master's degree in Thought and Drama studies at the Escuela Superior de Arte Dramático de Castilla y Léon. Her main lines of research are: contemporary French phenomenology, the phenomenology of givenness, theater studies and the thought of the Spanish philosopher Eugenio Trías. As part of her research plan, she often attends academical events throughout Spain and other countries such as congresses or symposiums in order to join the philosophy community, learn and share. She also discovers new perspectives to approach herwork getting involved in theater projects in Madrid such as workshops, seminars and research residencies, specially regarding to José Sanchis Sinisterra's works.
la fenomenología francesa contemporánea, la fenomenología de la donación y la creación escénica en el espectro de los estudios teatrales. También mantiene una constante atención específica a la obra del filósofo español Eugenio Trías. Como parte de su formación, participa regularmente en eventos académicos nacionales e internacionales. Por otra parte, se involucra con frecuencia en proyectos de dramaturgia en centros artísticos de la ciudad de Madrid, como talleres, seminarios y residencias de investigación, especialmente en torno al trabajo del dramaturgo José Sanchis Sinisterra.
Blanca Requejo Curto is a PhD student at the University of Valladolid, Spain. She graduated in Philosophy at the Uva and got her Master's degree in Thought and Drama studies at the Escuela Superior de Arte Dramático de Castilla y Léon. Her main lines of research are: contemporary French phenomenology, the phenomenology of givenness, theater studies and the thought of the Spanish philosopher Eugenio Trías. As part of her research plan, she often attends academical events throughout Spain and other countries such as congresses or symposiums in order to join the philosophy community, learn and share. She also discovers new perspectives to approach herwork getting involved in theater projects in Madrid such as workshops, seminars and research residencies, specially regarding to José Sanchis Sinisterra's works.
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Papers by Blanca R. Curto
This paper offers a hermeneutical strategy to approach the performing phenomenon in its theatrical staging within the framework of phenomenology of givenness. First, we’ll develop an analysis of the links we find between the most iconic ideas in this branch of phenomenology, taking the notions of desire and event as the key ones. We’ll support the viability of this proposal searching clues through the Works of thinkers such as Gadamer, Marion, Derrida and Baudrillard. They’ll provide us some triggers to design a unique hermeneutical approach to this phenomenon and its main challenges. Finally, we’ll find out the relevance of phenomenology of givenness’ achievements when we need to research the erotic profile of hermeneutics in arts. phenomenology of givenness, performance event, desire, hermeneutics.
This paper offers a hermeneutical strategy to approach the performing phenomenon in its theatrical staging within the framework of phenomenology of givenness. First, we’ll develop an analysis of the links we find between the most iconic ideas in this branch of phenomenology, taking the notions of desire and event as the key ones. We’ll support the viability of this proposal searching clues through the Works of thinkers such as Gadamer, Marion, Derrida and Baudrillard. They’ll provide us some triggers to design a unique hermeneutical approach to this phenomenon and its main challenges. Finally, we’ll find out the relevance of phenomenology of givenness’ achievements when we need to research the erotic profile of hermeneutics in arts. phenomenology of givenness, performance event, desire, hermeneutics.