Claudia COSTIN

Stefan cel Mare University of Suceava, Department Romanian Language and Literature and Communication Sciences, Faculty Member

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Address: Bucharest, Romania

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Guri Schwarz

University of Genova

Alessandro Sebastiani

SUNY: University at Buffalo

micaela latini

University of Ferrara

Ucla

Field Museum

University of Bremen

Johns Hopkins University

Jeroen Poblome

KU Leuven

Adrián J. Sáez

Università Ca' Foscari Venezia

Alberto N. García

Universidad de Navarra

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Papers by Claudia COSTIN

The universe of the romanian folktales collected by I.G. Sbiera

Aktualʹnì pitannâ suspìlʹnih nauk ta ìstorìï medicini, Feb 23, 2017

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La Communication Culturelle Interuniversitaire: Mission et Valeurs

Revue Economie & Kapital, 2017

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FROM MYTHICO-RITUAL ACT TO FOLKLORIC PERFORMANCE: THE CĂLUŞARII (Horsemen)

Cinematographic Art & Documentation, 2008

The global learning crisis

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La Communication Culturelle Interuniversitaire: Mission et Valeurs

Dans la société contemporaine, la communication culturelle s'avère de plus en plus ouverte et... more Dans la société contemporaine, la communication culturelle s'avère de plus en plus ouverte et complexe, surtout au niveau universitaire. Les facteurs culturels exercent leur influence majeure sur divers prototypes relationnels et de communication entre les institutions d'enseignement d'Europe et hors Europe. La création de modèles de bonnes pratiques de communication dans la société postmoderne entre les deux milieux académiques, l'un européen et l'autre de l'extérieur de l'Europe, tels le roumain et le marocain, représente ainsi l'une des missions actuelles d'importance.

Dumitru Solomon: "Theatre as a metaphor" of life

Anadiss, 2018

Dramaturgo contemporáneo caracterizado por inconformismo, autor de esbozos dramáticos y de tragic... more Dramaturgo contemporáneo caracterizado por inconformismo, autor de esbozos dramáticos y de tragicomedias, Dumitru Solomon convierte el teatro en metáfora de la existencia humana. Las acciones cortas y densas, cargadas de símbolos de las obras de teatro, se distinguen entre los demás textos dramáticos de las últimas décadas del siglo XX por una inconfundible "personalización de lo problematico". Haciendo referencia a algunas de las creaciones dramáticas de Dumitru Solomon, lo que nos proponemos es señalar que las tragicomedias Socrate, Platon, Diogene câinele (Sócrates, Platón, Diógenes el perro), la farsa pseudo-policía Fata Morgana, la comedia Transfer de personalitate (Transferencia de personalidad) y la comedia con elementos del absurdo titulada Clişeu (Cliché) representan las "metáforas" teatrales del hombre contemporáneo en conflicto consigo mismo y con los prejuicios, con los defectos de toda una sociedad, y la única salvación del ser humano solo puede veni...

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Representations of Feminine Monstruousness

Journal of Research in Gender Studies, 2014

As any other mythology, the Romanian folkloric beliefs reveal an extraordinarily prodigious human... more As any other mythology, the Romanian folkloric beliefs reveal an extraordinarily prodigious human creativity. Due to its oral characteristics, our mythology generated customs and rituals, stories, legends, beliefs, that offer real keys for the reading of a history of mentalities. To our present day society it is almost impossible to read into the mind of the people from the past times, for whom the confrontation between humans and obscure forces had the aim of achieving the communication with the sacred. Rudolf Otto finds two important components for the sacred: fascinans and tremendum,1 and these are specific to the Romanian folkloric mentality.Through the mythical discourse we got to know the specific logic of the mythical thinking, and its beliefs that the monstrous as a negative dimension of the sacred generated chaos, death and an ontological disequilibrium, either individual or collective. In fact this ignoble terrible form of sacred manifestation represents a continuous chall...

Plunging into Deep Water